Sisif, a railwayman, and his son Elie fall in love with the beautiful Norma (whom Sisif rescued from a train crash when a baby and raised as his daughter), with tragic results. Originally ... See full summary »
Gabriel de Gravone
The idle son of a rich businessman joins the army when the U.S.A. enters World War One. He is sent to France, where he becomes friends with two working-class soldiers. He also falls in love with a Frenchwoman, but has to leave her to move to the frontline. Written by
Philip Apps <email@example.com>
The army unit portrayed is the 42nd Infantry Division (Rainbow Division), as determined by the three-color (red-yellow-blue) rainbow patch (long version) worn on the upper left sleeve of the uniform. Casualties were so high that after the war the patch was cut in half and worn on the forward half of the sleeve instead of centered because "we left half our rainbow in France." During the transport scene the tailgates of the trucks are all painted with "42" and then the truck number. The credits thank the 2nd Division (Indianhead), so painting the "4" prior to the pre-existing "2" may have facilitated that. The 42nd Division was later a New York Army National Guard unit and you could find units in Syracuse, Geneva, etc. See more »
Early in the movie, we see James Apperson announce that he has enlisted. His father, who had been sternly lecturing him moments before, comes up and congratulates him. Suddenly, the father now has a lit cigar in his mouth, with a long ash, indicating he's been smoking it for at least a while. But all the time prior, we saw no sign that the father had a lit cigar anywhere on him or near him. See more »
King Vidor's World War I drama, from a story by WWI vet and distinguished playwright Laurence Stallings, was made for only $250,000 and looks like a zillion, with huge battle sequences, an enormous cast, and expressive art direction. The extended battle is great, capturing the terrifying immediacy of war nearly as well as "All Quiet on the Western Front" (but the latter must be counted as the greater achievement, what with hauling all that primitive sound equipment around the set). John Gilbert is quite good here, with expressive but not overemoting eyes, and Renee Adoree is a spirited, pretty love interest. But Stallings--who wrote another terrific WWI story, "What Price Glory"--makes some simple mistakes that wouldn't have been difficult to repair. When we first meet Gilbert, he's a spoiled rich boy, uninterested in defending his country ("I already have enough of a war on my hands with Dad," goes a title card). He enlists solely to impress his uninteresting girlfriend. Then, in France, he forgets her instantly and falls in love with Adoree, despite his lack of French and her lack of English. I'm always annoyed at simple lust being passed off as The Real Thing in movies. Then, having created a love triangle, Stallings introduces a third-act resolution I won't spoil here, but is a mighty contrived way of clearing the path so that Gilbert can have his true love at fadeout. His two war buddies, The Regular Guy (Tom O'Brien) and The Lovable Gap-Toothed Idiot (Karl Dane), are so straitjacketed by their simple personas that they quickly wear out their welcome, and the comedy among these three brothers in battle (oddly, they practically never seem to interact with anyone else in their unit) is feeble. This was the most successful silent film to come out of Hollywood, and plenty of it is impressive, but it's encumbered by elementary screen writing mistakes.
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