Olivia de Havilland picture U.S. labor history-making 'Gone with the Wind' star and two-time Best Actress winner Olivia de Havilland turns 99 (This Olivia de Havilland article is currently being revised and expanded.) Two-time Best Actress Academy Award winner Olivia de Havilland, the only surviving major Gone with the Wind cast member and oldest surviving Oscar winner, is turning 99 years old today, July 1.[1] Also known for her widely publicized feud with sister Joan Fontaine and for her eight movies with Errol Flynn, de Havilland should be remembered as well for having made Hollywood labor history. This particular history has nothing to do with de Havilland's films, her two Oscars, Gone with the Wind, Joan Fontaine, or Errol Flynn. Instead, history was made as a result of a legal fight: after winning a lawsuit against Warner Bros. in the mid-'40s, Olivia de Havilland put an end to treacherous...
- 7/2/2015
- by Andre Soares
- Alt Film Guide
This week marks the 10th anniversary of the release of "Crash" (on May 6, 2005), an all-star movie whose controversy came not from its provocative treatment of racial issues but from its Best Picture Oscar victory a few months later, against what many critics felt was a much more deserving movie, "Brokeback Mountain."
The "Crash" vs. "Brokeback" battle is one of those lingering disputes that makes the Academy Awards so fascinating, year after year. Moviegoers and critics who revisit older movies are constantly judging the Academy's judgment. Even decades of hindsight may not always be enough to tell whether the Oscar voters of a particular year got it right or wrong. Whether it's "Birdman" vs. "Boyhood," "The King's Speech" vs. "The Social Network," "Saving Private Ryan" vs. "Shakespeare in Love" or even "An American in Paris" vs. "A Streetcar Named Desire," we're still confirming the Academy's taste or dismissing it as hopelessly off-base years later.
The "Crash" vs. "Brokeback" battle is one of those lingering disputes that makes the Academy Awards so fascinating, year after year. Moviegoers and critics who revisit older movies are constantly judging the Academy's judgment. Even decades of hindsight may not always be enough to tell whether the Oscar voters of a particular year got it right or wrong. Whether it's "Birdman" vs. "Boyhood," "The King's Speech" vs. "The Social Network," "Saving Private Ryan" vs. "Shakespeare in Love" or even "An American in Paris" vs. "A Streetcar Named Desire," we're still confirming the Academy's taste or dismissing it as hopelessly off-base years later.
- 5/6/2015
- by Gary Susman
- Moviefone
Hattie McDaniel as Mammy in ‘Gone with the Wind’: TCM schedule on August 20, 2013 (photo: Vivien Leigh and Hattie McDaniel in ‘Gone with the Wind’) See previous post: “Hattie McDaniel: Oscar Winner Makes History.” 3:00 Am Thank Your Lucky Stars (1943). Director: David Butler. Cast: Joan Leslie, Dennis Morgan, Eddie Cantor, Humphrey Bogart, Bette Davis, Olivia de Havilland, Errol Flynn, John Garfield, Ida Lupino, Ann Sheridan, Dinah Shore, Alexis Smith, Jack Carson, Alan Hale, George Tobias, Edward Everett Horton, S.Z. Sakall, Hattie McDaniel, Ruth Donnelly, Don Wilson, Spike Jones, Henry Armetta, Leah Baird, Willie Best, Monte Blue, James Burke, David Butler, Stanley Clements, William Desmond, Ralph Dunn, Frank Faylen, James Flavin, Creighton Hale, Sam Harris, Paul Harvey, Mark Hellinger, Brandon Hurst, Charles Irwin, Noble Johnson, Mike Mazurki, Fred Kelsey, Frank Mayo, Joyce Reynolds, Mary Treen, Doodles Weaver. Bw-127 mins. 5:15 Am Janie (1944). Director: Michael Curtiz. Cast: Joyce Reynolds, Robert Hutton,...
- 8/21/2013
- by Andre Soares
- Alt Film Guide
The African-American servant or 'Mammy' is one of Hollywood's more troublesome cliches. Does new hit film The Help subvert or reinforce the stereotype, asks Xan Brooks
Mr Blandings Builds His Dream House is an amiable 1948 comedy that casts Cary Grant as an imperilled advertising executive who is rescued, on the day of the deadline, by his beaming black domestic servant. "If you ain't eating Wham, you ain't eating ham," quips the servant, bustling in with a freshly prepared breakfast and casually providing a slogan to save her master's bacon. Naturally Blandings is delighted. "Darling!" he calls to his wife. "Give Gussie a $10 raise." This, back in 1948, was what passed for a Hollywood happy ending.
These days, thank heaven, the help are paid more fairly. For evidence, check out The Help, a 60s-set, Mississippi-based drama about a bunch of servants who "help" a white journalist write a book and...
Mr Blandings Builds His Dream House is an amiable 1948 comedy that casts Cary Grant as an imperilled advertising executive who is rescued, on the day of the deadline, by his beaming black domestic servant. "If you ain't eating Wham, you ain't eating ham," quips the servant, bustling in with a freshly prepared breakfast and casually providing a slogan to save her master's bacon. Naturally Blandings is delighted. "Darling!" he calls to his wife. "Give Gussie a $10 raise." This, back in 1948, was what passed for a Hollywood happy ending.
These days, thank heaven, the help are paid more fairly. For evidence, check out The Help, a 60s-set, Mississippi-based drama about a bunch of servants who "help" a white journalist write a book and...
- 10/21/2011
- by Xan Brooks
- The Guardian - Film News
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