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8/10
"How to meet friends and influence people"
lugonian31 January 2006
THE POOR LITTLE RICH GIRL (20th Century-Fox, 1936), directed by Irving Cummings, stars Shirley Temple who may be little, not quite poor but rich in talent, as displayed in the screenplay suggested by the stories by Eleanor Gates and Ralph. The plot was used earlier as a Mary Pickford film back in 1917, and with numerous alterations and updated material, the revised version, turns out to be, in fact, a modern-day fairy tale on how a little girl, acting out her storybook fantasy, to happily go out and change the lives of the people she meets along the way, only to become a popular radio star, at least during its second half anyway.

The story revolves around a child named Barbara Barry (Shirley Temple), a rich little girl who has everything but the utmost attention of her widowed father (Michael Whalen), a wealthy soap manufacturer, and the joys of being like other children by having playmates her own age as companions. She is cared by a Collins (Sara Haden), her nurse, and Woodward (Jane Darwell), the housekeeper who takes the time to read "Betsy Ware" stories to her. Because she is a lonely child, Barry decides to have Collins accompany Barbara to the Forest Grove School in the Adirondacks (upstate New York) where her late mother once attended. While at Grand Central Station waiting for the train, tragedy strikes as Collins walks out in traffic to locate her missing purse (which has been stolen) only to be struck by a passing car. Left alone with her luggage, Barbara takes off on her own, assuming the fictitious name of her favorite storybook character, orphan Betsy Ware, and starts her own adventure. She first encounters Tony (Henry Armetta), an Italian organ grinder with his monkey, who, feeling sorry for this "orphan," agrees to take her into his home along with his wife (Mathilde Comonte) and his other "bambinos." Sometime later, "Betsy" displays her tap dancing talent to Tony's family that catches the attention to an upstairs neighbor and unemployed hoofer and singers, Jimmy and Jerry Dolan (Jack Haley and Alice Faye). Seeing this child to have a considerable amount of talent, she's "adopted" to become part of their musical act called "Dolan, Dolan & Dolan," with Barbara, a/k/a Betsy, now acting as their "daughter," Bonnie. The audition lands them a job performing for soap manufacturer Simon Peck (Claude Gillingwater), who turns out to be Barry's competitor, who in turn, has become very much interested in Margaret Allen (Gloria Stuart), Peck's advertising girl.

The music and lyrics by Mack Gordon and Harry Revel include: "Oh, My Goodness" (sung by Shirley Temple); "Buy a Bar of Barry's" (sung by radio singers); "When I'm With You" (sung by Tony Martin); "When I'm With You" (sung by Temple); "But Definitely" (sung by Alice Faye and Temple); "Where There's Life, There's Soap" (sung by Temple); "When I'm With You" (sung by Faye); "You've Got to Eat Your Spinach, Baby" (sung by Faye, Temple and Jack Haley); "When I'm With You" (sung by Temple) and "Military Man" (sung and dance finale with Temple, Haley and Faye).

Musically entertaining, often amusing, occasionally cutesy, quite contrived, yet never dull, POOR LITTLE RICH GIRL has many fine things going for it. While such a story might lack logic for first time viewers, having child separating herself from father and nurse only to roam about the city by herself to meet new people, never considering how they must feel once her disappearance is discovered. Along the way, child meets up with several she identifies from her storybook (particularly Jimmy whom she calls "Puddenhead"), a great many being good people, but in true storybook form, there's usually a villain. John Wray, cast as Fagin, is such a character. He's in and out throughout the story, visually seen as spying on little Barbara from a distance or nearby. It's quite evident that his intentions are not honorable. While much of the story cannot actually happen in real life, the stalker following a child comes to be more true to life now than ever before, thus giving the writers some opportunity in adding a little touch of suspense. On the brighter side, the story also features an old grouch, wonderfully played by Gillingwater, whose Ebenezer Scrooge-type performance softens into giving little "Bonnie" a piggy back ride in his office.

With Temple as the talented child who can sing and dance to perfection, she's equally surrounded by secondary performers Haley and Faye as the song and dance team, who not only share the spotlight with their leading star, but get to solo or perform together as well. Gloria Stuart and Michael Whalen, enacting as the second secondary actors, provide some love interest, but on the whole, have very little to do during its 80 minutes of screen time. The obvious success to POOR LITTLE RICH GIRL, having turned out to be another assembly of popular Temple vehicles, was revamped two years later under the guise as REBECCA OF SUNNYBROOK FARM (1938), also set in a radio station.

Not counting commercial television broadcasts prior to the 1990s, POOR LITTLE RICH GIRL's cable history did enjoy frequent television showings, ranging from its colorized version from the Disney Channel (colorized), to black and white on American Movie Classics (1997-2001) Fox Movie Channel, and Turner Classic Movies (TCM premiere July 23, 2010) as well as availability on video cassette and DVD in both B&W and colorized formats. During its AMC broadcasts, there were occasions when a theatrical trailer preceded the feature presentation. Quite interesting in fact the trailer includes a couple of outtakes, Temple in the bath-tub, and a completely different musical conclusion. Temple fans might find it hard to imagine watching POOR LITTLE RICH GIRL without that military dance finale (although tap dancing would be hard to appreciate listening to from the radio). In spite of some pros and cons, is POOR LITTLE RICH GIRL recommended viewing? But definitely. (***)
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8/10
Nice Characters; Nice Movie
ccthemovieman-119 January 2008
Here is another very nice Shirley Temple film, one of the above-average ones for her (and most of hers were above-average to start with!). This one featured really nice characters, downplayed the villain, and had a lot of songs.

It didn't have as much tap dancing as I would like to have seen, but it did feature a prolonged dance at the end with Shirley, Jack Haley and Alice Faye.

The villain was some mysterious dude who was either a child molester or a kidnapper. It was never really explained. Thankfully, he had a small role. Otherwise, it was all good people and fun ones to watch. I like seeing Gloria Stuart in her early days, too.

The story is predictable, but most of them are and everyone winds up happy in the end. I find nothing wrong with that! It's all the better that Shirley winds up with vaudeville performers, guaranteeing we get a lot of musical entertainment in this movie. And.....where else but a Shirley Temple movie, would you have a song called "You've Got To Eat Your Spinach, Baby?"
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7/10
My favorite Temple film
classicmoviecomedy10 June 2007
Warning: Spoilers
Anyone familiar with Shirley Temple (once the nation's biggest star, today nearly forgotten) knows that while her films almost always contained a great deal of charm and talent, they were, for the most part, quite average as films. HEIDI is perhaps rightfully regarded as her most timeless film, and REBECCA OF SUNNYBROOK FARM is an above-average musical comedy for her. But by and large, I find her films unmemorable, even such famous titles as BRIGHT EYES, CURLY TOP, THE LITTLE COLONEL, THE LITTLEST REBEL, DIMPLES and WEE WILLIE WINKIE (directed by John Ford, no less) fail to impress me on repeat viewings.

So why is POOR LITTLE RICH GIRL my favorite Temple film? I think it's because it's so quintessentially a 1930s movie. The soap radio program, to the urban setting, to the music numbers-everything about this film is just purely of its time. It's really a time capsule into the time in which it was made in a way that few films really are. Paradoxically, it is also a timeless film in many ways, which really can be attributed to the talent and energy from all the principals in this film. Jack Haley and Alice Faye are in fine form as the husband and wife team of Dolan and Dolan; movie fans will recognize Gloria Stuart (from TITANIC) as Michael Whalen's love interest, and the supporting cast is uniformly excellent, especially Henry Armetta.

The film contains sparkling black and white cinematography against the classy urban sets that 20th Century Fox could do so well. This also contains some excellent songs. The radio finale serves the film well and really acts as an excellent time capsule all around.
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7/10
OK, so it had nothing to do with the original...
JohnnyOldSoul26 January 2002
...it's still vastly entertaining. It was common practice for 20th Century Fox to buy film rights to a classic novel, and turn it into a Shirley Temple vehicle that has not even a passing resemblance to the original. The book "The Poor Little Rich Girl" is far more tragic than this cute-fest, but as an entertainment film, it certainly succeeds.

The performances are right up there. One of my favourite screen stars Alice Faye is so brilliant, she never gets lost in Temple's glare as do so many of her costars. Jack Haley is hilarious, and the songs are amazing. Alas, Gloria Stuart isn't given much to do but she looks wonderful.

Favourite moments include the spaghetti-eating scene, Shirley's conversation with the curb-side porter and of course "You Gotta Eat Your Spinach Baby." Fine film for parents to watch with their kids.

Try to get the original black and white version if you can, the colorized version looks a little weird.
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7/10
Shirley Has To Eat Her Spinach
bkoganbing8 April 2008
Shirley Temple is our Poor Little Rich Girl who gets pampered by her widower father Michael Whalen a soap manufacturer with a radio program and rival to Claude Gillingwater. When a lot of the servants tell Whalen he's spoiling the child by treating her like a hothouse plant and school might be good for, he entrusts Temple with Sara Haden to take her to a boarding school.

But on the way there, Haden meets up with an accident when she's hit by a car. Temple left to her own devices decides to go on 'vacation' first with organ grinder Henry Armetta and his family and later with former vaudevillians Alice Faye and Jack Haley who are trying to get a break in radio.

Wouldn't you know it, Faye and Haley decide that Shirley is just what they need for their act and no one else has a claim on her since Shirley said she ran away from an orphanage. And of course who does our little moppet charm into giving them a radio program? None other than her father's rival soap magnate, cantankerous old Claude Gillingwater.

Since this is a Shirley Temple movie I think you know where this is all going. Shirley's little white lie about an orphanage nearly lands the innocent Haley and Faye and Armetta for that matter in some trouble. And she does almost run afoul of a real kidnapper in John Wray. If it had been me, my backside surely would have been blistered for all the trouble I caused, but this is a Temple movie not real life.

What the film does do is provide some good musical numbers by the song writing team of Mack Gordon and Harry Revel who were Alice Faye's composing team at 20th Century Fox in the late Thirties. Faye's two ballads of When I'm With You and But Definitely are not overshadowed by Shirley's obbligato. And the first one is actually first sung in the film by a young baritone named Tony Martin who wound up marrying the star.

This must have been a trying part for Claude Gillingwater. He suffered from a crippling arthritis and the scene where he gives Temple a piggy back ride must have been unbearable. Gillingwater committed suicide a few years later because he couldn't stand the intense pain in his life.

Best number in the film is You've Got To Eat Your Spinach Baby sung by Jack, Alice and Shirley, it's a charming piece. The finale they did dressed up in Ruritanian soldier uniforms called Military Man. It's a nice visual number, but after all gang they're performing on the RADIO.

After over 70 years, Shirley Temple still has the capacity to charm anyone.
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10/10
Shirley Shines in Soap Suds Musical
Ron Oliver29 February 2000
The precocious & incredibly talented little daughter of a widowed soap merchant dreams of living like a normal child. On her way to boarding school, she loses herself in New York City, changes her name and ends up living with a couple of ex-vaudeville performers. With spunk & vitality, the child makes them all stars of a radio show sponsored by her father's greatest business rival. Will she continue to enjoy her new freedom, or will her identity be revealed so that she once again becomes a POOR LITTLE RICH GIRL?

Shirley Temple is in top form in this winning film which gives her ample opportunity to display her many charms. She lights up the screen with her youthful joy. It's no wonder she was Hollywood's biggest star for several years.

Shirley is given fine support from Jack Haley & Alice Faye as her musical partners, and Michael Whalen & Gloria Stuart as her father & his new lady love. Claude Gillingwater is very good as the crotchety business rival who is melted by Shirley's affection. That's Jane Darwell as Shirley's nanny & Henry Armetta scores as an Italian organ grinder. Film mavens should keep an eye out for Billy Gilbert, in a tiny bit as a hilarious waiter.

Shirley sings `Oh, My Goodness', `When I'm With You' & `But Definitely' and joins with Faye & Haley in `You Gotta Eat Your Spinach, Baby' & "Military Man".
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7/10
Classic Shirley Temple...one of her best
vincentlynch-moonoi13 April 2011
Warning: Spoilers
A little better than standard fare from 20th Century Fox's financial savior -- Shirley Temple. The story gets off to a bit of a slow start as sheltered rich girl Shirley gets sent away to school so she can be with other children. But, her chaperon loses her purse to a crook, and while looking for it is struck by a car, thus separating Shirley from her chaperon (whose fate we never discover...you'll recognize her as Judge Hardy's sister from the Andy Hardy films). On her own, Shirley gets lost in the city and befriends an organ grinder and his monkey...but an evil kidnapper has his eye on Shirley. In the same apartment building where all this is happening are hoofers Alice Faye (who later the same year will hit it big in "In Old Chicago") and Jack Haley (who 3 years later will be the Tin Man in "The Wizard Of Oz"). Shirley, Haley, and Faye land a contract with the rival soap company (owned by Claude Gillingwater) to her father's company...which ultimately leads to father and daughter being reunited.

Aside from Shirley's usual bubbliness, are great performances by a number of co-stars. How can anyone not enjoy the lovably grumpy antics of Claude Gillingwater? And, its the scenes between Gillingwater and Temple that are just about the most charming you'll see in any old film! Gloria Stewart (the old lady of "Titanic" fame) plays the love interest to Shirley's father.

There are some nice songs here, too: "When I'm With You", the remarkably entertaining "You've Gotta Each Your Spinach, Baby" (with Temple, Faye, and Haley), and the tap-dancing finale "A Military Man" (again, Temple, Faye, and Haley) is one of the most memorable in any of the Temple films...one I remembered from when I was a child 50 years ago! Something to watch for: 21 minutes into the film, as "daddy" picks Shirley up, there's a little too much of Shirley's thigh showing...and Shirley has the presence to pull down her dress a bit more modestly. A goof, but left in during the age of innocence.
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8/10
Shirley sparkles...best of her show biz vehicles...
Doylenf22 May 2005
Not only does SHIRLEY TEMPLE have the opportunity to co-star with ALICE FAYE and JACK HALEY (just slightly before both of them hit it big), but she gets a chance to shine in a made to order Temple vehicle that closes with a memorable 'Military Man' tap routine, easily keeping up with the talented adult troupers.

Of all the show biz stories associated with Temple's films, this is one of the best. The story has Temple as the neglected daughter of MICHAEL WHALEN, skipping off after her nanny is involved in an auto accident and attracting the attention of entertainers Faye and Haley. A sub-plot has her father winning the love of the lovely GLORIA STUART--and, of course, the outcome is a predictable one when he is reunited with his missing daughter after hearing her perform on a radio show.

The slender plot serves mainly as a vehicle for Temple to be adored by her legion of fans. She doesn't disappoint, her winning ways fully exploited in either song or dance. In fact, this is probably one of her most charming song-and-dance performances.

Alice Faye, Jack Haley, Michael Whalen, Gloria Stuart, Billy Gilbert and Henry Armetta add to the enjoyment. All of it is directed in fine style by Irving Cummings (who also served as host on the Lux Radio Theater shows) so popular on radio.

Henry Armetta has a funny bit as an organ grinder with a monkey who has Shirley enjoy an Italian spaghetti dinner with his family. The only serious moments in the film involve, surprisingly, a stalker who seems to be lurking in doorways waiting for an opportunity to snatch Shirley off the streets. Fortunately, she survives for a happy ending and the stalking incident, while sinister enough, is given minor treatment in the story.

Summing up: Good family entertainment.
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7/10
Enjoyable but perhaps the creepiest Shirley Temple film ever made!
planktonrules16 January 2016
"Poor Little Rich Girl" is an interesting Shirley Temple movie because it seems to have been, at least in part, the inspiration for the 90s film "Baby's Day Out"!

When the film begins, Barbara (Shirley Temple) is a pampered little girl living in a mansion. But she's also lonely and begs her father to send her to school. Instead of having her live at home and go to school (what normal folks would do), he decides to send her off to a residential school. On the way, however, she's separated from her governess when the lady is run over!!! This part sure shocked us! And Barbara just wanders off and ends up in the poor section of town. There she recognizes characters from a story book she loved and sees everything as a big adventure...and she tells everyone she's the little orphan girl, Bonny, from the book.

During the course of Barbara's adventures, she meets up with the Dolans (Alice Faye and Jack Haley). The Dolans just accept Barbara's story that she's an orphan and take her in...never contacting the police or children's services! Much of this might be because she's a great singer and they want to put her in their singing/dancing act. Oddly, Barbara doesn't seem to miss her father nor does he seem to notice that she never arrived at the school!!! What a weird story.

During the course of the film, Shirley sings a lot of cute but forgettable songs (there's no "Good Ship Lollipop" song in this one!), dances with Haley and Faye and is gosh-darned adorable. Pretty much, all the stuff you'd normally expect in a Temple movie...but with a MUCH weirder and nonsensical plot than usual. In addition there's a weird guy who likes to look in the windows at Barbara and offers to take her out to buy her candy--and I think he's supposed to be a pedophile (my wife, incidentally, thought maybe he was just a fortune-hunter who wanted to kidnap her)!!! Because of this, I wouldn't rank it among he better Temple outings but like almost all her other films (with the exception of "The Blue Bird") she made as a child, it's fun and worth seeing--and the kid is just adorable. Among the best part of the movie, by the way, is the cute portion where Barbara wins the heart of a grouchy old guy who looks to be the inspiration for Jeff Dunham's character 'Walter'! Well worth seeing despite its flaws.

By the way, at the very end, Faye, Haley and Temple dress up and do a song AND dance routine...and it's supposed to be on the radio!! Does this make any sense at all?!
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Not bad Temple vehicle.
C-Cat24 October 2003
Pretty good story, but if I had had to hear "When I'm with you" one more time I would have puked. Claude Gillingwater, as always, gives a wonderful cranky performance as Simon Peck. Pretty sad too, that no one seemed to care about what became of poor Sara Haden, as Collins, even if she was her ususal cold, unfeeling self. If you can, try to catch the non-colorized version, Miss Temple just doesn't look right in anything but good old black and white.
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4/10
Paint by the Numbers
wes-connors29 July 2010
Little curly-haired singer Shirley Temple (as Barbara Barry) loves bedtime stories, and imagines her dolls coming to life. Since Ms. Temple is pampered, and without friends her own age, her wealthy father decides to send her to a boarding school in the Adirondacks. On the way to the train station, Temple's servant is hit by a car. In a New York minute, the "Poor Little Rich Girl" wanders off, imagining herself "on vacation." First, Temple is taken in by an overweight Italian couple, who teach her how to eat spaghetti. Next, vaudeville couple Jack Haley and Alice Faye (as Jimmy and Jerry Dolan) hear her tap-dancing, and adopt Temple. With them, she becomes a radio singing star. All the while, Temple is pursued by a potential kidnapper. Will he get his grubby hands on her, or not?

**** Poor Little Rich Girl (7/24/36) Irving Cummings ~ Shirley Temple, Michael Whalen, Jack Haley, Alice Faye
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10/10
One of Shirley's Best
mrs_james_marsters_11 April 2006
Shirley Temple really shines in this gorgeous movie. Although the storyline is a tad weak, and features some of the cliché's used in her early movies (for example, winning over the old man- aka, in the Little Colonel) the singing and dancing definitely makes up for it.

Songs such as "When I'm with you" and "You've gotta eat your spinach baby" are magnificent mediums for Shirley's voice and the addition of cast members Alice Faye and Jack Haley make it even better.

This movie is definitely one of Shirley's best, and she showcases the charm and talent that is often void from the performances of today's child-stars. A must see for any Shirley fan.
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6/10
POOR LITTLE RICH GIRL (Irving Cummings, 1936) **1/2
Bunuel197610 January 2009
The second of four films Shirley Temple made in 1936 is a solid star vehicle tailored for her unique talents but, apart from her winning charm, proves to be hard tack as entertainment for this admitted non-fan of musicals! The thing is that the plot is so incredibly contrived that it's impossible to take any of it seriously: Shirley is the pampered daughter of a millionaire soap manufacturer who is eventually sent to an exclusive college so that she can be with children her own age instead of her prissy butler-nanny-guardian combo. However, she is stranded at the train station and never gets to the college but instead follows an Italian immigrant (Henry Armetta, who else?) who is an accordion-playing busker and has a pet chimp for companion. Before long, however, she is 'adopted' by the penniless husband-and-wife performing team of Jack Haley and (a constantly grouchy) Alice Faye who, thanks to Temple's addition to their act, become radio stars publicizing through song the products of a rival (and predictably cantankerous) soap manufacturer! All this while, Temple's dad is blissfully unaware of her absence from school and subsequent radio success because he's perpetually swooning over his rival's ad campaign manager (the lovely Gloria Stuart). Eech! Another decidedly irritating recurrence in the film is the mystifying appearance of a stranger (John Wray) who seems to follow Temple everywhere and is always on the point of molesting or kidnapping her but for Jack Haley's timely and heroic interventions! Having said that, the film satisfactorily climaxes with the "Military Man" production number which is a tour-de-force of virtuoso tap dancing performed by Temple, Faye and Haley in remarkable unison.
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7/10
Sweetness without Sugar
doc-5510 September 2001
This definitely is one of Shirley's three or four best, mostly because she is not required to perform a tearful treacly scene as in some other films, those which tug at your heart but later seem somewhat embarrassing. This is one in which she comes across as a young actress, and not simply as a personality. The musical numbers are unusually effective; probably because they are shared with Alice Faye and Jack Haley and not strictly solo. (You have to smile over the final number, when the military band number, well done though it is, is done with full costumes and choreography, even though the performance is taking place over a radio hookup.) Shirley conveys an innocence and trustfulness and joy in life which is a universe removed from portrayals of children in contemporary film and TV. One more remark: I was truly surprised to see the appearance of a pedophile in a film of that era, and to see Jack Haley confronting and fighting him as he is about to lead Shirley away from the apartment house.
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7/10
A bit disappointing. The cast is not well used!
JohnHowardReid18 September 2017
Warning: Spoilers
Associate producer: Buddy G. De Sylva. Executive producer: Darryl F. Zanuck. Copyright 24 July 1936 by 20th Century-Fox Film Corporation. New York opening at the Radio City Music Hall: 25 June 1936 (ran two weeks). Australian release: January 1937. 7,093 feet. 79 minutes.

SYNOPSIS: Motherless Barbara Barry has everything a child could want: a wealthy soap manufacturer for a father, toys, clothes, and pets, to say nothing of a private nurse, Collins, who rushes her charge into bed at the first sneeze. It is decided that Collins will take Barbara away to school, but outside the railroad station the nurse is struck by a car, rushed to the hospital, and Barbara decides to become Betsy Ware, the heroine in her favorite book that Woodward, the housekeeper, reads to her. She meets Tony and his monkey and follows them home for the night, insisting she is an orphan. The following morning, hearing dance steps from the flat above, Barbara imitates the steps so perfectly that Jimmy and his wife Jerry hurry down to see who the "smart hoofer" really is.

NOTES: A re-make of the 1917 silent starring Mary Pickford. The stage play by Eleanor Gates opened at the Hudson on 21 January 1913, running a most satisfactory 160 performances. Viola Dana in the title role was directed by Richard Walton Tully for producer Arthur Hopkins.

Although a smash hit in the U.S./Canadian market, "Poor Little Rich Girl" did not earn enough money to place it in the first ten box- office winners. In Australia, however, the movie took 4th place. Another Temple-Faye star attraction, "Stowaway", was 2nd.

COMMENT: Despite up-dating, the script is still an old-fashioned bit of nonsense in which the incredibly jejeune plot is made all paramount and never mind what damage is done to characterization. We are asked to accept for example that Whalen is a completely sympathetic figure, yet he doesn't even bother to check that his darling daughter has got to school safely. Also take all this business with that shady character who keeps hovering around in the background. It all comes to nought, his motives being neither revealed nor hinted at. Presumably he's condemned because of his sinister face. But as nothing actually happened we imagine that he successfully sued the police later for false arrest.

In fact the whole business of the Faye-Haley plot is left conveniently up in the air. A quick cut to the "Military Man" finale suffices.

Whilst the direction is certainly smooth, it's equally dull and routine. Increasing the tedium of this lack of directorial style are an unmemorable lot of songs and dances, poor man's production numbers. Only the cleverly choreographed "Military Man" finale (in which Alice keeps up amazingly well with Shirley and Jack) has any real interest or vitality.

Production values are well above average, though technical credits for the most part are as blandly undistinguished as the direction.

OTHER VIEWS: Typically cutesy Temple vehicle in which the strong support cast is neither well used nor adequately catered for by script or director. (The songwriters and dance director seem to concentrate all their energies on Miss Temple too). Miss Faye (who is not especially attractively made up or photographed) and Mr. Haley make a disappointingly late entrance. Part of the limelight that should have shone on Miss Faye is taken over by Gloria Stuart, who looks attractive enough but seems too svelte for the likes of woodenly unbelievable millionaire father figure, Michael Whalen. On the other hand, Claude Gillingwater heavily exaggerates his role, often reducing it to a theatrical caricature. More reliable support players like Jane Darwell and Sara Haden drop out of the story altogether at an early stage. - JHR writing as George Addison.
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10/10
Shirley Charms Your Socks Off
Enrique-Sanchez-5617 October 2010
Warning: Spoilers
Shirley Temple charms your socks off in this delightful story of a rich girl who wanders off on her way to boarding school and is befriended by a couple of vaudeville performers.

Shirley is adorable as she sings, dances and plays her imaginary game with Alice Faye and Jack Haley. I love the way she charms the curmudgeonly old man. It is also wonderful to see lovely Gloria Stuart in her heyday.

Anyone who complains about the weakness of the plot should have their head examined...these were vehicles for Shirley's rich talent and irresistible charisma. There are no plot holes, the stalker obviously wants to kidnap Shirley for ransom because he always asks her Shirley who her father is (knowing that he is rich) and Collins, the "lost" nanny from the beginning is mentioned in the closing minutes. I am sure they will find "Collins" but it does not really matter to the story arc at this point in the story.

If you are not mesmerized by Shirley and this delightful story, you've lost something vital in your memories, your sensibilities and your tenderness of heart.

This movie is recommended for ALL AGES...
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7/10
Could anyone really resist Shirley?
gaityr12 February 2003
Were star vehicles in film *created* for Shirley Temple? It certainly seems so--there just couldn't have been another more adorable, endlessly charming, chubby little cherub fit to act in films like POOR LITTLE RICH GIRL.. and actually keep the audience interested and not turned off by all the unabashed saccharine sweetness she exudes (especially true for modern cynical audiences for whom Macaulay Culkin was their superstar child star).

In this film, Temple plays little Barbara Barry, daughter to soap mogul Richard Barry (Michael Whalen). Unfortunately, her father is too busy trying to fight off competition from Peck Soaps to spend much time with her and decides to send her off to school. On the way there, Barbara's nanny meets with an accident and Barbara is left to go off on her own little vacation where she eventually meets the Dolans (Alice Faye & Jack Haley), who work her into their radio act as their talented child who sings and taps like a dream. Barbara charms the Dolans' way into a Peck Soaps radio spot and it is when her father listens to the radio and recognises her singing a song with lyrics special to him that he realises that Barbara never made it to school...

POOR LITTLE RICH GIRL doesn't try to be a great film classic. (Incidentally, it's not one.) It's just a vehicle for Temple to sing, act, and generally be cute. She takes full advantage of it. Her baby voice is high but uncommonly sweet, and she does well with numbers like, "When I'm With You", "Oh My Goodness" and "But Definitely". It doesn't hurt that she's quite a talented little dancer as well, so she looks good when performing with the Dolans (for example, the over-long and rather pointless, but well-performed "Military Man"). My favourite number is when they argue over spinach in "You've Gotta Eat Your Spinach, Baby"--Temple displays just the right degree of righteous indignation as she pleads on behalf of children across the world that spinach isn't necessary. Her cuteness is undeniable as well--it's what made her box-office champion at Fox for several years in a row, and her trademark shock of ringlets, dimples and chubby cheeks are used to excellent effect in this film.

It's a pleasant enough film, moderately engaging for most, with no real shocks but no moments of supreme awfulness either. Good for a night in with the kids--they're sure to identify with all of Barbara's vitriolic protests against eating her greens (they sure are obsessed with spinach in this film!). Fun, but not challenging. 7.5/10
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9/10
My Favorite Shirley Film.
Snow484919 June 2005
Little Shirley Temple stars as Barbara Barry, a pampered only-child growing tired her lonely, friendless life in her big empty mansion. She craves attention from her loving but absentee dad, the owner of a major soap brand, and even devotes an entire song sequence to how much she misses him, but the clueless man still thinks it is better to buy his daughter riches than to spend time with her.

When her nanny is struck in a hit-and-run at the train station, little Barbara strikes on her own to meet friends. After spending a day with an Italian organ grinder and his colorful family, Barbara joins up with Jack Haley and Alice Faye as down-on-their-luck married singers Dolan and Dolan. Adopting the identity of her favorite book character, Barbara tells the Dolans that she is runaway orphan Betsy Weer. Soon she is given another alias: Pretending to be the Dolan daughter, Bonny Dolan, Barbara turns their failing act around, and the trio is hired to advertise for the Peck Soap Company, the arch rival of Barbara's father's soap brand.

As Bonny, Barbara wins the hearts of all her audiences, until her father hears her voice singing on the radio. Mr. Barry finds his daughter just in time to save her from a mysterious stalker who has been following the young girl around throughout the entire movie, always accompanied by eerie orchestral music. In one scene, he peers through a window and watches Barbara sleeping, and in another, he tries to lure her away with the promise to buy her candy. What's even more disturbing is that the movie never says exactly what this creep wants with Barbara. The fate of Barbara's nanny is never revealed either; she is simply whisked away to a hospital after the car collision and is not seen or mentioned again.

Despite these two loose ends, Poor Little Rich Girl is a perfect example of the standard Temple story. All ingredients for a Shirley smash are here: long tap-dance numbers (Shirley's dance-off with Jack Haley will knock your socks off), lots of cute songs (particularly enjoyable are "Oh My Goodness" and "You've Gotta Eat Your Spinach, Baby"), a cranky curmudgeon who warms his heart to Shirley (in "Poor Little Rich Girl," it's Mr. Peck, but see Ned Smith in "Bright Eyes," Colonel Lloyd in "The Little Colonel," or Lord Wickham in "The Little Princess," for other examples), and a happy ending. Her story lines may seem trite and repetitive now, but they were what the nation wanted to see in the 1930s, when Shirley Temple was one of the biggest stars in the world and a guaranteed box office smash. Shirley was obviously enjoying the height of fame at the time of this movie, as one song, "But Definitely," makes a reference to two of her most famous songs, "The Good Ship Lollipop" and "Animal Crackers in My Soup."
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10/10
Poor Little Rich Girl
dolphin33024 October 2007
I was six years old when I saw Shirley in Poor Little Rich Girl. I had been watching Shirley Temple movies since I was four, and I absolutely adored her.I was very impressionable at this age. My parents used to take me to the movies every Saturday. If Shirley Temple was playing I didn't want to miss it.

The day after I saw this movie, we were sitting down for Sunday dinner. My mother was about to serve up spinach. I never had liked it, and Mother had to cut my serving in half to get me to eat it. She had about given up on getting Jerry to eat spinach. She said, "Well, I guess I'll give Norman some spinach today, but I know Jerry doesn't like it, so I'm not going to give it to him anymore." I immediately replied. "But Mom,I want the spinach. Yesterday I saw Shirley Temple at the movies, and she said we've got to eat our spinach. If she says to eat it,I'm gonna eat it! From now on I want spinach."

My mother and father turned and stared at each other with their mouths open, in a look of disbelief that I will never forget. A little girl had accomplished in one day what they had been unable to do for months. From that day on, I ate my spinach and even got to like it!
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10/10
Captivating little Shirley rich in talent
lora649 September 2001
Another musical showcasing the prodigious talents of little Shirley Temple. I recall hearing that Alice Faye said somewhere that she was hard put to it just to keep up with Shirley during that final dance sequence of the soldiers.

In this film Shirley is the little rich girl who becomes lost but is taken in by a family and soon gets acquainted with performers. It's a very pleasant musical, so just enjoy! My preference, however, is for her movies that have a simple and heartwarming tale to tell. The showbiz films are less moving as a story although still very delightful.
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10/10
Excellent example of the cuteness and talent that made her a star.
KT-3129 August 1999
After all these years and with all the changes within our society it is amazing to feel the charm of this sparkling young girl. Even with Jack Haley, Alice Faye and Claude Gillingwater providing such good support, there is no doubt who makes this film work - Shirley Temple.

A child that any parent could be proud of. Strong-willed, intelligent, talented, and fearless yet obedient and loving.

The performance, with Jack and Alice of the "Spinach" song, coupled with the final dance routine would, by themselves, make this movie worth watching repeatedly.
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10/10
The Fabulous "Poor Little Rich Girl"
robfollower5 August 2019
The Fabulous "Poor Little Rich Girl"This Shirley Temple movie is absolutely one of her best pure musical films, and one of the best musicals of the 1930s. Shirley's singing, dancing, and acting talents shine throughout this film. She sings "Oh My Goodness" in various dialects is remarkably done for a child her age and bound to get a laugh. Shirley's finale tap dance with lovely Alice Faye and wonderful Jack Haley, Sr. is simply great. The songs are memorable and fun. Shirley's fashions are adorable. Grand entertainment 1930's style.
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9/10
Shirley's fun primer for "The Wizard of Oz"
weezeralfalfa5 April 2015
Warning: Spoilers
Like Dorothy, in the later MGM film version of "The Wizard of Oz", Shirley fortuitously escapes her confined, all too familiar, world, as a lonely spoiled child, with minimal contact with other children, to wander into the lives of several incognito, but interesting, families, again with minimal contact with other children. Along the way, her character's name and identity are changed from Barbara Barry: daughter of wealthy soap manufacturer Richard Barry, to Betsy Wier: runaway orphan, for the benefit of organ grinder Tony and his family, to Bonnie Dolan, member of the Dolan song and dance family. But, like Dorothy, she seems glad to be reunited with her father, who recognized her singing voice on the radio. One of the most important people she meets and stays with during her odyssey is Jack Haley(Jimmy Dolan), who later played The Tin Man, in "the Wizard of Oz". Here, he gets to sing and dance, as well, not being encumbered by his stiff and uncomfortable Tin Man costume. Haley is paired with Alice Faye, emerging as Fox's most important female musical star, and who might be though of as the equivalent of The Good Witch, in the latter film. Both she and Haley exhibit unrecognized tap dancing talent, along with Shirley's, in the long finale "Military March" production, dressed as soldiers. ...In place of Frank Morgan's Wizard, we have cranky old Claude Gillingwater, playing Simon Peck, owner of the main local rival soap company to Shirley's father's Barry soap company. She has to charm him into hiring the Dolans to sing the Peck commercials and sing on his sponsored radio show. Gillingwater was yet another of a lineup of cranky old men or women Shirley had to charm in most of her films into being more forgiving of their standard sour attitudes. Like most of the others, he was quite a good actor, and often comical in his behavior....In place of the evil witches, we have the nameless pickpocket and stalker of Shirley, who initially steals the purse of Shirley's governess, then periodically is seen stalking Shirley, with the presumed purpose of kidnapping her, then extracting a handsome ransom from her father. Eventually, he has a brawl with Haley, when caught abducting Shirley......I don't mean to overplay the basic plot similarities between this film and "The Wizard of Oz", as many of these plot elements were included in other S.T. films. Of course, Shirley was the initial choice to play Dorothy in that MGM production, but Fox wouldn't give her up. As it turned out, the much older teen, Judy Garland, was the optimal girl for that role, all things considered.

Shirley's little girl singing voice and enunciation wasn't the greatest. Thus, one of the pluses of this film is that several adult singers were included, who sometimes alternated with Shirley in singing a song, sometimes with appropriately altered lyrics. The uncredited Tony Martin lent his great singing voice to the initial singing of "When I'm With You", while Shirley cuddled in the lap of her father(Michael Whalen). Soon, she sang her version to her father. Much later, Alice soloed it. She would soon marry Martin. This song is heard a final time when Shirley sings it on the radio, her father recognizing her voice, leading to their reunion. Aside from the finale "Military Man" tap dance routine, the other two main songs, done by all 3 leads, are "But Definitively", and "You've Got to Eat Your Spinach". Shirley's dislike of spinach, shared by many kids(including me), is a running gag, that crops up several times. Mack Gordon and Harry Revel did the score. They also contributed some key songs to the later S.T. films "Stowaway" and "Rebecca of Sunnybrook Farms". Gordon then teamed with Harry Warren to score most of the songs for Shirley's last Fox film: "Young People".

I thought Alice's make up and hair styling were unbecoming, still trying to make her look like a Jean Harlow copy. She exhibited more of her emerging new look in the subsequent S.T. film "Stowaway"...I'm sure I heard her quip "orphan asylum, your ass!"

Jack Haley would return for the later S.T. film "Rebecca of Sunnybrook Farm". He would then participate in one song , dominated by his love interest, played by Phyllis Brooks. It is perhaps more memorable than those in the present film. His comedic talent is also more emphasized in that film.

Gloria Stuart plays the bland, but wholesome, presumed future stepmother of Shirley: a role she reprised in "Rebecca of Sunnybrook Farm". She is the one, in the final dramatic scene,who suggests that the warring soap manufacturers(Barry and Peck) bury their hatchets and form a united company. That presumably would solve the problem of her romance with Barry, while being an important person in Peck's company, as well as the conflict between Peck and Barry over Shirley working for Peck.

Whether or not governess Collins died in the hospital following her collision with a vehicle is left undetermined, irrelevant to the story in the screenwriter's mind. In the 1933 S.T.film "Bright Eyes", Shirley's mother dies after being hit by a vehicle, thus rendering her an orphan. Through most of this film, Shirley claims to be an orphan, after Collins inexplicably vanished.
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10/10
Adorable Shirley taking a Ferris Bueller day off
inkblot1113 November 2023
Barbara Barry - Shirley Temple - is a fortunate child in that her soap manufacturer father is wealthy. But, her Mother has died and Daddy works long hours. Her Nanny is there, naturally. Knowing his daughter is lonely, he decides a boarding school with other children would be better. Alas, on the way , her Nanny is in an auto accident and Barbara is alone in New York City. But, friendly gal, she soon makes friends with an organ grinder who takes her home for a meal with his big family. This leads to her being discovered as a singing child by the struggling radio stars upstairs, Dolan - Alice Faye, and er Dolan - Jack Haley. Barbara plays along that she's an orphan and soon the trio of tap and song are a radio sensation! But, when will Mr Barry start searching for his little girl ? This classic film is a delight as Temple is a smile bringer of epic proportion. Faye and Haley are quite comical as the bickering but loving couple and the plot is wonderful with twists and turns. One of the best scenes is Barbara buttering up an old rival soap maker named Peck. Hysterical. And, the end brings down the house with all happy as can be. If you are down and out, then try PLRG. Temple was/is a cup of sunshine on a cloudy day.
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10/10
My favorite Shirley Temple movie
HotToastyRag18 April 2019
Poor Little Rich Girl is my all-time favorite Shirley Temple movie, and since I've seen almost all of her movies, that's quite a compliment. It has all the elements of a perfect Shirley vehicle, but it also has tons of extras that make it superb. Often, the difference between a good movie and a great one is the supporting characters. In Poor Little Rich Girl, all the supporting characters are fantastic.

At the start of the movie, Shirley lives in a big beautiful house with housekeeper Jane Darwell and governess Sara Haden. Sara meets with an unfortunate accident while taking Shirley to the train station, and Shirley walks away, determined to have a "vacation" and live as a different person for a while. She bumps into an Italian organ grinder, Henry Armetta, and spends the night in his crowded apartment with his wife and many children. Next up, she meets the singing and dancing duo, Alice Faye and Jack Haley, and becomes part of their entertainment act. In the meantime, Michael Whalen and Gloria Stuart have a romance while working for rival soap companies, and Claude Gillingwater acts as the proverbial crusty old gentleman waiting to be softened by Shirley.

As you might expect, Shirley and Alice are given some great songs and dances to entertain their music-loving public. In a show-stopping number, they're joined by Jack in an adorable tap number, "I Love a Military Man." Shirley and her father Michael listen to "When I'm with You" on the radio, and afterwards, she sings her own version with altered lyrics. No wonder she cured The Depression.

And, for the Rag-winning screenplay, almost every single line of dialogue is funny. The first scene shows how a literal game of "Telephone" gets out of hand. Shirley sneezes, and by the time her father hears about it, she's "seriously ill" and he has to leave work to rush home. Each of the supporting characters have hilarious one-liners, clever set-ups, and memorable parts of the story. Once the movie's over, you'll remember them all fondly, much as Shirley will when she grows up and reflects on the vacation she took as a child.
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