Swing Wedding (1937) Poster

(1937)

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5/10
Wedding with not enough swing
TheLittleSongbird20 December 2022
Love animation, it was a big part of my life as a child, particularly Disney, Looney Tunes and Tom and Jerry, and still love it whether it's film, television or cartoons. Hugh Harman and Harman-Ising Studios was a bit hit and miss for me (generally more hits than Rudolf Ising), there are cartoons of his that are well worth watching with a lot of charm, well engineered gags and any sentiment not getting too much even when the story is weak. There are also other cartoons of his that are not particularly funny or interesting, dully paced and don't have great characters, despite good animation and music.

1937's 'Swing Wedding' is not one of his best however. It is watchable certainly, which is true of all of Harman's lesser efforts, and has a few of the usual good things (the animation and particularly the music faring the best). It also however has too many of the quite frequent shortcomings and did have potential to be better than it was. Was not expecting much from the story, but was expecting funnier gags (and more), more consistent energy and more appealing characters in 'Swing Wedding' to be perfectly honest.

'Swing Wedding' has good things. The animation is vibrantly colourful and fluid, with lovingly crafted and detail background art. Nothing looks rushed or static, and the character animation on the characters really comes to life and could pass for the real thing. Even better, and this is probably the best aspect of 'Swing Wedding', is the music, it is lushly orchestrated and very characterful in an energetic way. Loved the spirited arrangements of popular standards rightly considered classics.

A few of the caricatures work quite well, particularly the likeable Cab Calloway one. There is some nice energy early on.

However, 'Swing Wedding' could have been a lot better. It is paper thin to the point of non-existence in terms of plot and this is evident in a dull second half that has too much of a run out of ideas feel. It is never really particularly amusing let alone funny, in a cartoon where gags are too few and have little freshness. Some, like what seemed like references to drug abuse, felt out of place and not particularly appropriate in a cartoon about swing and family friendly weddings. Such as the use of the trumpet valve.

Most of the characters, all caricatures, are little more than less than tasteful stereotypes. Have always disliked it intensely when Stephin Fetchit (not a fan of his in the first place) is caricatured (with it being reminiscent of how black people and slaves were portrayed in 'The Birth of a Nation') and this is a perfect example of why.

Concluding, watchable but a long way from great. 5/10.
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2/10
Further proof that the cartoons of the 1930s were generally a sorry lot.
planktonrules19 January 2017
Apart from Disney, the cartoon shorts from the 1930s were often a dreadful lot. The best of the non-Disney shorts were the Fleischers with Betty Boop and Popeye--but repetitive plots make the Popeye shorts a bit hard to take in large doses. As for the rest, well, they weren't all that good because they lacked an important element- -fun. Unlike the funny cartoons of the 40s and 50s, these films generally emphasized cutesy characters and singing...just the sort of stuff folks hate today. And, one of the worst offenders was the team of Harmon and Ising, who'd worked for both Warner Brothers and MGM...and "Swing Wedding" is one of their films.

The cartoon consists of lots of frogs in the swamp all acting very much like giant stereotypes of blacks. Some were imitations of famous jazz musicians like Fats Waller, Louis Armstrong and Cab Calloway (the frog getting married in this musical) but the most egregious one was a Steppin Fetchit lookalike. If you don't remember Fetchit, this is because very few of his films air today because his depiction of a stupid, lazy black man is demeaning and awful. More awful is the jazz frog injecting himself with drugs--a stereotype of jazz musicians of the day that, sadly, had a grain of truth.

Oveall, not as cutesy as the typical Harmon-Ising film but to make up for that, it's rather racist and offensive. Not a fine film by any standard except for the quality of the animation, which is excellent.
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8/10
A Swingin' Wedding
Vimacone30 April 2018
Warning: Spoilers
The Harman-Ising studio had a hit with THE OLD MILL POND (1936) that earned them an Academy Award Nomination. It followed the typical plotless musical formula of a Happy Harmony or Silly Symphony of popular African American entertainers caricatured as frogs putting on a show in the bayou.

This title builds on that premise by having an Ethel Waters frog marrying a Stepin Fetchit frog with Bill Robinson as the best man. Cab Calloway tries to woo Ethel away after Fetchit takes his time to show up to the wedding. Louis Armstrong and Fats Waller play major roles.

The music is literally red hot. The soundtrack contains swinging renditions of Mississippi Mud, Minnie The Moocher, and Runnin' Wild; The latter would be used as the opening theme on a handful of MGM shorts in the early 40s.

This short can be compared to the WB cartoon CLEAN PASTURES which was released the same year. Both caricature many of the same African American personalities. Unlike CLEAN PASTURES, this title has not been entirely suppressed from distribution and isn't as problematic in stereotypes. The Stepin Fetchit caricature is arguably one of the only problematic elements. The other is a gag that surprisingly got passed the censors, is a performer using a trumpet valve as a syringe, referencing the practice of many jazz performers "shooting up" before a performance.

While derivative of THE OLD MILL POND, SWING WEDDING shows the Happy Harmonies in their prime with more solid character animation and designs. Both contain very swingin' jazz scores that are really worth checking out.
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A Very Musical Wedding
rudy-309 November 2004
This film is very reminiscent of "Cabin In The Sky", in that you have a very sexy Ethel Waters about to be married to Stepin Fetchit. Fetchit's friends Louis Armstrong and Fats Waller are trying to get him to the church on time, but Stephin isn't in any hurry to get hitched. Cab Calloway comes along to woo Ethel with his smooth jive, and she almost marries him, when Stephin changes his mind, and along with Fats' and Louis' urgings, marries Ethel. Ethel's chorus girls are her maidens of honor. Bill Robinson is Stephin's best man in this animated romp. It is so well-drawn that you can almost feel the characters come to life. This movie is a great one.
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