Donald is listening to a radio cooking program while mixing up a batch of waffles. But he's distracted and uses rubber cement instead of baking powder.

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(uncredited)
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Cast

Uncredited cast:
Clarence Nash ...
Donald Duck (voice) (uncredited)
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Storyline

Donald is listening to a radio cooking program and mixes up a batch of waffles, but he's distracted and uses rubber cement instead of baking powder. The batter proves to be unusually stiff... His spoon gets stuck, and the batter acts like a rubber-band airplane, flying the bowl around the room. Next, Donald gets his head stuck into the batter (and his tail in the waffle iron). He tries to chop it with an ax; the ax flies up and splits the room in half. He throws the bowl out the door; it sticks to the knob and finds its way back in. Written by Jon Reeves <jreeves@imdb.com>

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Certificate:

Approved | See all certifications »

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Details

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Release Date:

5 December 1941 (USA)  »

Also Known As:

Aku kokkina  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Quotes

[first lines]
Donald Duck: [pasting a recipe into his scrapbook] Roast duck. Roast duck! Oh, yeah?
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Connections

Edited into Get It Right: Following Directions with Goofy (1982) See more »

Soundtracks

I've Got No Strings
(uncredited)
Music by Leigh Harline
Incidental music
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User Reviews

 
Isn't It Delicious?
23 August 2003 | by (Forest Ranch, CA) – See all my reviews

A Walt Disney DONALD DUCK Cartoon.

Home kitchen CHEF DONALD is trying to mix up a batch of mouthwatering waffles. Too bad he doesn't know his batter is full of rubber cement...

This is a very funny little film, with watching Donald's expectations of a wonderful breakfast turn to extreme exasperation at the strange behavior of the unruly batter a real joy. Old Mother Mallard is a hilarious spoof of the cooks who broadcast during radio's Golden Age. The legendary Carl Barks was one of the writers on this project; Clarence Nash once again does yeoman service in supplying the voice of the Duck.

Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of naysayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.


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