The Admiral Was a Lady (1950) Poster

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7/10
An Interesting Group Of Deadbeats
bkoganbing7 July 2011
The Admiral Was A Lady casts Wanda Hendrix as a recently discharged WAVE who by a curious chain of circumstances gets herself mixed up with four veterans all from a discharged bomber crew. If it were not for the fact that these four who are played by Edmond O'Brien, Richard Erdman, Steve Brodie, and Johnny Sands were combat veterans from the recent war, they'd be seen as deadbeats. In fact they're flirting with the status right now.

O'Brien and his pals have made a positive genius of not working and stretching their unemployment benefits to the maximum. They get caught at it, but by private detectives who are working for millionaire Rudy Vallee. Wanda's fiancé is involved with Vallee's ex-wife Hillary Brooke and Vallee wants Hillary back. Best way to do it is get Wanda and the never seen 'Henry' together.

The way Wanda talks about Henry he's quite the paragon of virtue. One thing is for sure though, he's not as much fun as the deadbeat quartet as exasperating as they can be. The only question is which one she will marry.

The title refers to the fact that the men start referring to Hendrix as 'the Admiral'. The Admiral Was A Lady is a film that deserves to be better known and might have been if it wasn't an independent released from United Artists, but came from a major studio instead.
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5/10
Not as saucy as the title suggests
gridoon20244 October 2011
Warning: Spoilers
"The Admiral Was A Lady" is a comedy that I've been meaning to watch for a long time now, mainly because I like that title. However, the film itself is tamer than I expected. It's pleasant, with some nice tips on making (or saving) a little money out of nothing, but the script wanders a little too much. Edmond O'Brien is not exactly the most endearing romantic comedy lead, but Wanda Hendrix is - as some of the old posters of the film call her - Wandafull! What she lacks in height she makes up for in beauty (she has a couple of stunning close-ups) and talent: she's game in comedy and sincere in drama. Although the film treats the WWII veterans' readjustment problems in a mostly comedic manner, it does have some dramatic moments, which are surprisingly strong. ** out of 4.
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7/10
Worth seeing!
JohnHowardReid2 June 2018
Warning: Spoilers
Copyright 4 August 1950 by Roxbury Productions, Inc. Released through United Artists. New York opening at the Palace: 12 October 1950. U.S. release: 4 August 1950. U.K. release: 9 April 1951. Australian release: 13 July 1951. Running times: 87 minutes (USA), 80 minutes (UK), 65 minutes (Aust).

SYNOPSIS: An extremely diminutive but aggressively meddling young woman innocently tries to wreck the lives of four ex-combat servicemen.

COMMENT: By independent standards this movie has good production values, including smart sets and lustrous photography, smooth direction and silky film editing. The cast is very capable too. The trouble is the script. Although it offers some promising ideas, it tends to fall between two stools: Too talky but insufficiently witty for a comedy of manners; too clumsy and insufficiently fast-paced for slapstick, though it does have a couple of frantic episodes.

The most effective episode has O'Brien slowly beaten up in a prize ring in which Rogell and O'Brien successfully bring off an extremely difficult balancing act. It's funny but it's horrifying. All our sympathy is with O'Brien, but we can't help laughing at him. This sequence alone makes The Admiral Was a Lady worth watching.

If O'Brien seems over-boorish in the early stages of the film, put up with him. His character develops. Unfortunately the other players are stuck with more pasteboard figures. Wanda Hendrix is doubly unfortunate. Not only is she an unsympathetic, over-talkative, meddling little fool, but she stays stupid for the whole film. Her devotion to the mysterious Henry seems ill-balanced. The other players have little to do, including Rudy Vallee. We keep waiting for him to come back, but when he does, he doesn't fulfill our expectations.

OTHER VIEWS: Saddled with a script that obviously thinks it's much funnier than it actually is, The Admiral Was a Lady offers moderate entertainment at best. Rudy Vallee is wasted in a thankless role. Of course it would all be improved a good deal by cutting. I wonder what the U.K. and Australian prints are like? -- JHR writing as George Addison.
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Frantic Madcap
dougdoepke14 April 2019
Four WWII vets cleverly avoid work thanks to humorous scheming of their former head officer, Stevens. Apart from that the subplots multiply and crowd around in attempted screwball fashion.

The movie's an occasionally amusing slapstick. Then again, when I think frantic comedy, tough guy Eddie O'Brien sure doesn't come to mind. He tries hard here, probably too hard, while his middle-age pairing with an angelic looking Hendrix requires a stretch. Still no one was better at fast-talking than the star of noir classic DOA, ironically made the same year as Admiral, i.e. 1950.

Looks to me like someone was trying to juice up the material with a frantic pace, as the scenes speed along without time to really register. That is, my chuckles were too quickly crowded out by the onset of a new scene or dialogue, cutting short my satisfaction. In short, if comedy can be too slow, it can also be too fast as is the case here.

Anyway, it's O'Brien as seldom seen, with Hendrix doing her best in a difficult role. If she looks a bit confused, it's understandable. Then there's the three familiar supporting players just sort of hanging around. True, Sands is now more obscure than the other two, Brodie and Erdman; still, he was certainly a well-known heart-throb for my post-war teen generation. All in all, the flick's just an okay madcap whose few imaginative touches are over-crowded by problems with pacing and plots. Too bad.
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6/10
exciting dashing intro, eclectic style, inner numbness
Cristi_Ciopron16 February 2016
Warning: Spoilers
A numb comedy with Edmond O'Brien; Hillary Brooke has a bit role, as a cool divorcée.

There is some slapstick; the camera-work has gusto, but occasionally, as in the theater scene (the thrown bottle), and when cars show up. The dialogs aren't very witty, and the movie seems to have been written as a sentimental comedy, perhaps it even acquires some warmth; the storyline, suitably episodic, has even a boxing match (as another occasion for slapstick, perhaps a bit rancid), the crew spends a couple of days with the admiral, so there result a few vignettes (on sea, at the theater, at the boxing match). O'Brien exhaled hopelessness and disheartening, and the role behaves him; he looks creepy and disappointed, but his role requires this, and the movie is essentially a vehicle for him, as the other male players are either bland or unlikable (Vallee). His crew, though, isn't very appealing.

The comedy is unusual (and a bit joyless, a bit gloomy, though it wasn't meant as such; but, to be just, this joylessness can't be attributed solely to mediocrity, as the plot reveals the dramatic situations of the crew: only that it does it not gradually, from the beginning, the gleam of dread shows already in the lead's style, and also, though unintentionally, in the vapid cast): a sentimental plot reminding of the '30s, and slapstick gags, and surprising ideas, like the boxing scene. The directing is mediocre, the script: unusual, the cast: variegated and inexpert; the crew should of been colorful, but comes across as indifferent, and almost creepy and untrustworthy, for a girl to team up with them spontaneously, trustingly: for scoundrels and blunderers, the crew is bland, and for bruised guys, they are underplayed. Deeply, O'Brien isn't a comedy actor.

To a certain degree, it builds, despite the numbness; it grows on you. By the end, there is an impression of thoughtful plot.

Wanda Hendrix was A. Murphy's wife.

Here at least, she seems a mediocre actress.
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4/10
Who Will Win Wanda Hendrix?
wes-connors2 July 2010
Following service in World War II, four pals - former employment agent Edmond O'Brien (as James "Jimmy" Stevens), boxer Steve Brodie (as Mike O'Halloran), interior decorator Johnny Sands (as Eddie Hoff), and cab driver Richard Erdman (as Oliver "Ollie" Bonelli) - return to civilian life. But, the four men don't want work to interfere with collecting veterans benefits. On the unemployment line, they meet pretty WAVE Wanda Hendrix (as Jean "The Admiral" Madison), and romance ensues. The curiously mismatched cast start out at a disadvantage, and only make up for the incongruence in a couple of supporting roles.

**** The Admiral Was a Lady (8/4/50) Albert S. Rogell ~ Edmond O'Brien, Wanda Hendrix, Johnny Sands, Steve Brodie
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7/10
Some unfortunate flaws, but more fun than not
I_Ailurophile23 January 2022
I wasn't sure what to expect as I began watching, but to my delight, 'The admiral was a lady' is a solid farce, roundly enjoyable. The narrative is rife with witty dialogue and imaginatively silly scenarios as it follows four veterans working hard to avoid working, and the woman of whom they all become enamored. The cast is wonderful, including Edmond O'Brien (most recognizable, at least to me, for his work in film noir), Richard Erdman (most widely known for his late-career revival on 'Community' as Leonard), Johnny Sands, Steve Brodie, and Wanda Hendrix - to say nothing of those with smaller supporting parts. All involved illustrate fine range and personality as they embody their roles, leaning into the irrepressible lighthearted charm of the picture, and it's a joy to watch them practice their craft. The writing is fun and lively, and Albert S. Rogell's direction is quite capable. The characters, dialogue, scene writing, and the narrative at large are wonderfully funny and engaging; good care was taken to round out the movie with some swell details. The filming locations, set decoration, props, hair and makeup, and the like serve the film well, helping to build the ridiculousness of the plot or complete the characters. Where it's mostly tightly focused on the jocular central premise, this is rather sound.

Regrettably, it's a fair jaunt away from perfect. There are perhaps some points where the feature becomes a little too over the top for its own good. More than that, even at only a hair short of 90 minutes, some beats linger and the title is perhaps a bit overfull and overlong; the utmost comedic energy that carries the picture from the start begins to peter out well before the ending. Why, the ending itself rather leaves major plot points unresolved in a way that makes it feel rushed, and incomplete. I wish the movie were more consistent, with more of a mind for only what's most important. And there's also no missing the mid-century sensibility that to too much of an extent robs the title character of realistic intelligence, exercising tropes that make her little more than a plaything in the hands of men and a poor girl whose good intentions, misdirected, must be corrected before all can end well. Sigh.

Still, my criticisms mostly boil down to "too much" and "too 50s," detractions that portend overenthusiastic production and nothing that couldn't be said of many other pictures. Would that I could say I liked it still more - but I may be nitpicking, and even with its faults, more than not 'The admiral was a lady' is very entertaining. The core of the film is in its humor - the writing, and the performances - and flawed though it may be, it delivers on its promise and is a pretty good time. I don't think I could say this is a movie one should go out of their way to see, but it's worth checking out if you come across it. It's recommendable most of all for fans of the cast, or for comedies of the era, yet surely would hold fairly broad appeal for a general audience. 'The admiral was a lady' isn't essential viewing, but these are nonetheless 87 reasonably deserving minutes.
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4/10
The admiral is a den mother.
mark.waltz15 April 2021
Warning: Spoilers
It's basically one woman cutting around four men, all wanting to marry her, but none of them wanting any responsibility and she goes out of her way to discover why. Wanda Hendricks is not an admiral, just an ensign given that nickname, and basically interfering in the lives of the four men while she has a hidden boyfriend who is secretly dating Hillary Brooke, the ex-wife of Rudy Vallee who wants her back. He knows that the men have overextended their unemployment benefits so has been keeping an eye on them in hopes of scoring a meeting with Ms. Hendrix.

Unfortunately not the laugh out loud fest that I gathered by other comments, I found it rather dull and at times tedious and definitely unromantic. Edmond O'Brien, Stephen Brodie, Johnny Sands and Richard Erdman are the four men in her life (for now), and eventually, some of them will tire of her meddling, having other reasons then what she thinks for not seeking gameful employment.

This generic comedy suffers from the fact that it's an independent release where nobody behind a studio management desk really sat down and critiqued it before letting it before the cameras. Hendrix is pretty but doesn't have strong screen presence, and the direction by Albert S. Rogell is flat. Since there is only one genuine star among the men, it's obvious whom she will end up with. Otherwise, this comedy can go into the bin with others that get dishonorable discharges.
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7/10
some screwball fun
SnoopyStyle20 June 2023
The soldiers are all returning after the war. Jimmy Stevens (Edmond O'Brien) and his three bomber mates are in line to collect their $20 for 52 weeks unemployment benefits. They meet WAVE ensign Jean Madison (Wanda Hendrix) and start calling her Admiral. Jimmy shows her how he and his mates are pulling little schemes to stretch their dollars and stay unemployed. She expects to marry her fiancé, but she discovers that he hasn't even mentioned her name. Somebody is following the group.

There is some fine screwball comedy here. It's a bunch of light-hearted deadbeats. The romance needs some work. Edmond O'Brien is not the most romantic lead. To be fair, he's still better than the other guys. They should have made it a love triangle with Rudy Vallee. Maybe he would bond with her over his singing. That could add more heat to the romance. With fewer characters, their stories become more compelling. The comedy has its moments. The best is on the bus where the guys are searching for her with a loudspeaker. Their slacker adventures are not the funniest back in the day especially when the audience was probably trying to be hard-working citizens. I can see the resistance, but that kind of slacker values are funnier in the present day.
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5/10
Incidentally, there is no admiral in this movie.
planktonrules9 June 2017
I decided to watch this film for one reason...Edmund O'Brien. I love this guy's movies and assumed it would be pretty much like all his films of the era...tough, hard-bitten and entertaining. Imagine my surprise when this turned out to be a comedy! Edmund O'Brien in a comedy!

Jimmy (O'Brien) and his three pals who served together during WWII have an odd way of living. They work their hardest NOT to go to work in order to collect Veteran's unemployment benefits. This is a bit off putting when the film begins...four guys who are essentially scamming the system. Later, it becomes more obvious that at least some of them are suffering from what we'd term today PTSD. Well, the quartet meet up with a lady, Jean (Wanda Hendrix), who also is a vet and they take it upon themselves to show her the ropes of how to scam the system. But she doesn't want to be a professional unemployed vet and is waiting for her fiancé to meet her. The problem is, he never shows up...and so the quartet take her on a series of adventures.

As I already said, the adventures of men who have been avoiding work for five years makes this a tough sell. Many in the audience will feel annoyed at this...particularly how hard they work to avoid working. They are clearly NOT the most honorable of men. But despite this, the film is mildly interesting and makes a decent time-passer. Clearly not among O'Brien's better films and I was hoping to enjoy it much more than I did.
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8/10
Deserves to be better known.
dkelsey31 August 2008
The Hollywood treatment of the problems of returning servicemen after World War 2 took many forms - sob stories, psychological dramas, films noirs, even musicals - but this film is unusual, perhaps even unique, in giving them an irreverent screwball slant. The script sparkles with wise-cracking dialogue, and the action proceeds headlong in unpredictable directions. It is the sort of movie that the phrase "never a dull moment" was coined for. The two leads did full justice to their parts, but they lacked the star status to impress the critics. If Claudette Colbert and Cary Grant had been cast, or Jean Arthur and Jimmy Stewart, they could have performed no better, but this film would now be assured of its place in the annals of screwball comedy instead of being neglected and almost forgotten. Luckily it is not lost. It is available on DVD in eminently watchable condition, albeit without the full restoration that it deserves.
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6/10
I would like it better if I could find a higher quality print of the film
ChrisinDesMoines26 June 2021
Classic screwball comedy cut from the same cloth as the classics like Bringing up Baby or My Man Godfrey, but I think it's lack of popularity is due to two things.

1. It was released in 1950, some time after the "screwball comedy" popularity had waned

2. Most prints of this movie are pretty poor quality

The Internet Archive has a couple copies of this movie available for download for free due to it's public domain status and they are quite watchable but it's not not as crisp of a picture as you should have from movies of that time frame.

Some of the reviews complain about the plot, four veterans "playing the system" in order to avoid work, but that's what makes it a "screwball comedy", the plot lends itself to the hijinks that the characters are involved in.

Personally, I enjoy these types of comedies and if you're a fan of movies like My Man Godfrey, It Happened one Night or early Cary Grant films (Bringing up Baby, His Girl Friday, The Awful Truth etc.) then you'll likely enjoy this as well. Same zany antics and colorful characters with some tender moments driving the story along. It may not be at quite the same level of quality but still enjoyable.
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5/10
Not So Good As A Comedy
boblipton3 February 2024
Edmond O'Brien and his pals are content not to hold regular jobs, but live by their wits in the corners. When they meet ex-WAVE Wanda Hendrix, she is puzzled by their lackadaisical attitude, and they are about to go their separate ways until juke box king Rudy Vallee co-opts them to keep Miss Hendrix away from former and future wife Hillary Brook. At least, that's what O'Brien tells himself as he keeps up a facade of indifference as Miss Hendrix seems to care for one of his handsomer friends.

As a comedy I found it rather weak tea. However, I think it's one of several movies that handles post-War anomie. These are all people who have fought in a war, and on returning to civilian life, are confronted with the sudden loss both of discipline and danger, and a sense of "Did I really risk death so I could go back to the nine-to-five I was doing before the War?" This would peak with the Douglas Sirk soapers of the late 1950s, but for the moment, director Albert Rogell is trying to tell it as a screwball comedy. O'Brien is perhaps a little too real, a little too old, and lacking the comedy chops to bring this off.
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10/10
Amazingly fun!
folsominc215 June 2009
I agree with the other reviewer that this is one of the best in screwball comedies and deserves more recognition than it has gotten in the past. I came across it quite by accident when purchasing a 50 movie video collection. There were some Stooges (not too fond of), East Side Kids (ok but not attractive enough), and a few other good and unusual movies. THIS one stood out as probably one of the best in the collection for its zany twists and turns and fun all around. As another viewer said, it has an unique twist to the "returning soldier" story. I would think it would fit best under the Preston Sturges movies for the amazing wild and funny antics, Rudy Vallee with the ever persistent glasses that Sturges first placed on his nose in Palm Beach Story, and the heart that demonstrates that even the crazies of men with the craziest ideas has a definite purpose in mind and not so crazy after all.

Rudy Vallee and Hillary Brooke as Peter and Shirley Pedigrew nearly steal the show with their wacky relationship, but the sweet romance that builds from the very beginning when Jimmy sees the Admiral is full of innocence and charm.

This is one of those movies that you wish had even more than what has been presented to you because you don't want it to stop. You want more.

This is a perfect example that there are still hidden gems out there in the Golden Age of Hollywood that are still undiscovered.
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10/10
just really funny
dm03228 June 2002
found this gem on a free streaming video site - not likely to see it anywhere else. Really enjoyable movie set just after WWII about a woman ensign (nicknamed the admiral) who falls in with a gang of lovable losers - four ex-GIs who work diligently from dusk to dawn at finding ways to avoid work. There's a silly subplot about them trying to get her back together with her long lost fiancee, and an even sillier sub-sub plot about a rich millionaire and meddling detectives. The main point of interest is the repartee between the "admiral" and the men. Sometimes she's tough as nails, but at other points it's like Dorothy's relationship with the tin man, the lion and the scarecrow. Would really like to see a computer-enhanced remake with Humphrey Bogart as Jimmy, Marilyn Monroe as Jean and Edward Herrmann as the millionaire. Favorite line - "how can such a nice man be so useless?"
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9/10
All things aren't what they seem to be in this warm post-war comedy
SimonJack12 February 2015
This movie is one of those true gems that seems to have slipped through the cracks in time. It wasn't a big hit in its day – most likely because it wasn't made or distributed by one of the major studios. It didn't have the build-up and promotion that the majors gave their films. Nor did it have a big name cast to sell it. But, "The Admiral Was a Lady" has an excellent screenplay with a wonderful story. It's main plot is supplemented with a subplot, and then another, and finally a sort of surprise subplot toward the end.

The title refers to the female lead, Wanda Hendrix who gives an excellent performance of a discharged ensign WAVE, Jean Madison. But the main focus of the film is the character of Jimmy Stevens, a former Army Air Forces bomber pilot and captain, played by Edmond O'Brien. O'Brien is exceptional in this role. Had the film been made by one of the big five or six studios, I think he would have had an Academy Award nomination. The fact that this film, with its particular story, doesn't have any of the glamorous leads of Hollywood in the roles, makes it all the more real and down to earth. That is, real for the times and situations, if not the particular and peculiar circumstances of Jimmy and his crew. O'Brien was 35 when this film was made, and he would go on to win an Oscar and two Golden Globes in his career, with another Oscar nomination.

The rest of the cast were all very good as well. The technical aspects and production were all very good. This is not a film with lots of laughs, and it doesn't have slapstick. Rather, it is a film with a tremendous number of humorous situations. One after another, they build on the plot and form subplots as the film progresses. Each situation or encounter adds more smiles and chuckles. It has just enough repartee between Jimmy and Jean to give added laughter. And over all of this, there is a sense of friendship and camaraderie, and kindness toward others, that gives a special glow to the film.

At some point, viewers may begin to wonder what the heroin voices about this group of discharged World War II vets. "When are they going to stop being deadbeats and get back into life after the war?" Then, the little surprises of the film will start to unravel, thanks to Jean's own kindness and caring for the guys.

The plot has a lot more written into it than meets the eye. If the Armed Forces had more people like Captain Jimmy Stevens, it might have saved considerably in the post-war costs to treat veterans and help them readjust to civilian life in peace time. And, it surely would have benefited countless veterans who for many years – even decades – suffered with what then was called "combat fatigue." Today we know it as PTSD (post traumatic stress disorder). It's very interesting that Wanda Hendrix had just come off a divorce from Audie Murphy. They had married in February 1949 and divorced in April 1950. It was the first marriage for both, but Murphy was suffering form PTSD from his service in WW II. He was the most decorated serviceman of the war, and performed many heroic actions at the risk of his life. But, his experiences left deep scars and he woke up screaming at night from nightmares. He had a terrible temper, slept with a loaded gun at his bedside, and carried weapons with him to the studios. His recovery was very slow.

This movie has some historical value also for its depiction of the time after WWII and the programs to aid veterans adjusting back to civilian life. I don't know of any other film that has anything about the "52-20" program. That was an unemployment assistance program for war-service veterans to help tide them over until they could find work. It paid $20 per week for up to 52 weeks. The program was part of the GI Bill (The Servicemen's Readjustment Act of 1944). The GI bill included college aid, costs for technical school training, the 52-20 program and some other provisions. The American veteran population at the end of the war was 15,163,000. The 52-20 program began in September 1944, and it was extended four more years until 1949. More than 8.7 million veterans received help from the program. In its last year, only 840,000 vets had used their full entitlement, and there were 650,000 veterans still on the rolls. But 14.5 million had returned to the work force or gone on to college or technical training.

Incidentally, the plane that Jimmy and his crew flew (which they called Sinful Sinthia), was a Douglas A-20 Havoc light bomber intruder. The normal crew was two or three, but Jimmy's plane had four. The U.S. made nearly 7,500 of these aircraft that served from 1939 through 1944. Besides the American Army Air Forces, the RAF and Soviet Union used many A-20s. Ohers that also flew them were France, Australia and the Netherlands.

This is a movie that is sure to please most viewers. It's a warm comedy romance that includes a slice of life and history for WWII vets in the years right after the war.
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