Jean Cocteau, considered one of the foremost French artists of the 20th century, wrote and narrated this bizarrely familial tale about a brother and sister who have a strong love/hate relationship that expresses itself in high-strung shouting bouts that result in one of them storming out of the room. Clearly, this is a volatile relationship that is only made worse when the elder sister, Elisabeth, marries a young, rich mogul named Mike who unexpectedly leaves his entire fortune to her. Adding to this drama is the brother, Paul, being injured in a snowball fight and forced to rest extensively in Elisabeth's mansion.
As a young girl and man that are acquaintances of the siblings enter the equation, the drama heats up which leads to serious revelations and underlying feelings coming to the surface. Such a story in the early 1950s had to be seen, even in Europe, as somewhat controversial given the incestuous undertones of Elisabeth and Paul's relationship. Even so, to see classic Cocteau as directed by a young, up-and-coming Jean-Pierre Melville still feeling out his soon to be unique and inspired style.
Though at times a bit French-flavored melodrama and bizarre psycho- sexual encounters, Les Enfants Terribles still has enough power and creative camera work to engage the viewer up until the blunt conclusion.