Stuart Whitman, best known for his role in the TV western series Cimarron Strip and his Oscar-nominated turn in the drama The Mark, died in his home in Montecito, California. He was 92.
According to TMZ, Whitman had been in and out of the hospital as a result of skin cancer seeping into his bloodstream. He was surrounded by family at the time of his death.
More from DeadlineR.D. Call Dies: 'Into The Wild', 'Born On The Fourth Of July' Actor Was 70Earl Pomerantz Dies: 'Mary Tyler Moore Show' & 'Cheers' Writer, 'Major Dad' Producer Was 75Mart Crowley Dies: The Trailblazing 'Boys In The Band' Playwright Was 84
Whitman was born on February 1, 1928 in San Francisco before his family would move to Brooklyn. He went on to graduate from Hollywood High School and served in the United States Army in the Corps of Engineers.
According to TMZ, Whitman had been in and out of the hospital as a result of skin cancer seeping into his bloodstream. He was surrounded by family at the time of his death.
More from DeadlineR.D. Call Dies: 'Into The Wild', 'Born On The Fourth Of July' Actor Was 70Earl Pomerantz Dies: 'Mary Tyler Moore Show' & 'Cheers' Writer, 'Major Dad' Producer Was 75Mart Crowley Dies: The Trailblazing 'Boys In The Band' Playwright Was 84
Whitman was born on February 1, 1928 in San Francisco before his family would move to Brooklyn. He went on to graduate from Hollywood High School and served in the United States Army in the Corps of Engineers.
- 3/17/2020
- by Dino-Ray Ramos
- Deadline Film + TV
If, over the last 10 months, you’ve sometimes felt that sitting through 2011’s movies has been somewhat akin to sitting through TV’s summer reruns, that’s because you have been sitting through reruns. Well, reruns Hollywood style.
According to a Box Office Mojo story earlier this year, 2011 will end as a record year for sequels, prequels, and spin-offs. I don’t know if Mojo included remakes in that calculation, but whether they did or didn’t, remakes have certainly added to that oppressive déjà vu feeling which seems to roll into the multiplex every couple of weeks.
And we’re not even considering the familiar-feeling clones and knock-offs. “Oh, yippee, another superhero flick! Another The Hangover wannabe!” It’s like that Twilight Zone where Dennis Weaver is damned to relive the same bad dream over and over; the people take different parts in each cycle, but it’s still the same nightmare.
According to a Box Office Mojo story earlier this year, 2011 will end as a record year for sequels, prequels, and spin-offs. I don’t know if Mojo included remakes in that calculation, but whether they did or didn’t, remakes have certainly added to that oppressive déjà vu feeling which seems to roll into the multiplex every couple of weeks.
And we’re not even considering the familiar-feeling clones and knock-offs. “Oh, yippee, another superhero flick! Another The Hangover wannabe!” It’s like that Twilight Zone where Dennis Weaver is damned to relive the same bad dream over and over; the people take different parts in each cycle, but it’s still the same nightmare.
- 11/6/2011
- by Bill Mesce
- SoundOnSight
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