An unhappy man threatens suicide by standing on the ledge of a high-rise building for 14 hours.An unhappy man threatens suicide by standing on the ledge of a high-rise building for 14 hours.An unhappy man threatens suicide by standing on the ledge of a high-rise building for 14 hours.
- Nominated for 1 Oscar
- 2 wins & 4 nominations total
Howard Da Silva
- Deputy Police Chief Moskar
- (as Howard da Silva)
Parley Baer
- Bartender
- (uncredited)
George Baxter
- Attorney
- (uncredited)
Leonard Bell
- Cab Driver for Mrs. Fuller
- (uncredited)
Richard Beymer
- Bit Part
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis film is based on a real-life incident that happened July 26, 1938, in New York City. John William Warde, 26, after a 12 hour standoff, leaped 17 floors to his death from the ledge outside a room at the Gotham Hotel.
- GoofsAt the end of the movie the son of Officer Dunnigan enters through the revolving door in a clockwise, wrong, direction. Officer Dunnigan and he hug and then leave the hotel, exiting through the revolving door, again pushing it in a clockwise, wrong, direction even though all revolving doors turn in a counter-clockwise direction. The push handles are clearly visible on the opposite side of the door.
- Quotes
Walter, room service waiter: [Calling to report jumper] Operator!
Hotel Switchboard Operator: [Sips from cup] Good morning.
Walter, room service waiter: This is the waiter in 1505.
Hotel Switchboard Operator: I'll connect you with room service.
Walter, room service waiter: No, no!
Walter, room service waiter: I don't want a waiter, I am a waiter!
[pauses briefly]
Walter, room service waiter: There's a man!
- Crazy credits[END TITLE]
Out of past experience, the emergency rescue squad of the New York Police has developed techniques to deal with problems of this nature quietly, quickly and efficiently. For their expert advice and cooperation in the filming of this picture we are particularly grateful.
- Alternate versionsTwo endings were shot, one in which Richard Basehart dies, one in which he doesn't. Some original prints show the two different endings one right after the other.
- ConnectionsFeatured in Stars of the Silver Screen: Grace Kelly (2013)
Featured review
"I don't mind losing you, but I don't want a whole daisy chain of cops sailing out that window."
A normal beat cop, Officer Charles Dunnigan (Paul Douglas), is tasked with talking a would-be jumper off a ledge fifteen floors above the New York streets.
Overall, Fourteen Hours is an entertaining film with plenty of drama and tension. There are a couple of things that made the movie stand out to me. First, I was incredibly impressed with the way the film was put together by director Henry Hathaway. Fourteen Hours featured far more action than I expected from a film set on a 2'X4' ledge. All of the comings and goings in the hotel room attached to the ledge and everything going on on the street below help keep things interesting and moving. It's an amazing amount of activity for a little piece of concrete. And I was equally impressed with some of the camera work. There were moments filmed from the ledge looking down to the street below that made me feel as if I were there. My vertigo actually kicked in.
Second, the acting is superb. Paul Douglas, in particular, is excellent. He's so believable trying to talk the man off the ledge, all the while conveying the fact that he has no idea what he's doing. And you can see the real care in his voice and face as each new idea is brought forward. Really strong piece of acting. The rest of the cast is just as good, including: Richard Basehart as the confused man on the ledge and Agnes Moorehead as the overwrought mother. I also enjoyed spotting a few uncredited faces in the cast, like Russell Hicks, Harvey Lembeck, and Ossie Davis (especially proud of myself for this one).
Fourteen Hours is also known for being Grace Kelly's first film role. She's fine and all, but her storyline could have been cut without harming the film at all. That extra five minutes weren't really necessary. I won't say the same about the subplot featuring Jeffery Hunter and Debra Paget. Their "cute" little story made for a nice contrast to the drama on the ledge.
7/10
Overall, Fourteen Hours is an entertaining film with plenty of drama and tension. There are a couple of things that made the movie stand out to me. First, I was incredibly impressed with the way the film was put together by director Henry Hathaway. Fourteen Hours featured far more action than I expected from a film set on a 2'X4' ledge. All of the comings and goings in the hotel room attached to the ledge and everything going on on the street below help keep things interesting and moving. It's an amazing amount of activity for a little piece of concrete. And I was equally impressed with some of the camera work. There were moments filmed from the ledge looking down to the street below that made me feel as if I were there. My vertigo actually kicked in.
Second, the acting is superb. Paul Douglas, in particular, is excellent. He's so believable trying to talk the man off the ledge, all the while conveying the fact that he has no idea what he's doing. And you can see the real care in his voice and face as each new idea is brought forward. Really strong piece of acting. The rest of the cast is just as good, including: Richard Basehart as the confused man on the ledge and Agnes Moorehead as the overwrought mother. I also enjoyed spotting a few uncredited faces in the cast, like Russell Hicks, Harvey Lembeck, and Ossie Davis (especially proud of myself for this one).
Fourteen Hours is also known for being Grace Kelly's first film role. She's fine and all, but her storyline could have been cut without harming the film at all. That extra five minutes weren't really necessary. I won't say the same about the subplot featuring Jeffery Hunter and Debra Paget. Their "cute" little story made for a nice contrast to the drama on the ledge.
7/10
helpful•30
- bensonmum2
- Dec 14, 2020
Details
- Runtime1 hour 32 minutes
- Color
- Aspect ratio
- 1.33 : 1
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