After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
It's a dreary Christmas 1944 for the American POWs in Stalag 17. For the men in Barracks 4, all sergeants, have to deal with a grave problem - there seems to be a security leak. The Germans always seem to be forewarned about escapes and in the most recent attempt the two men, Manfredi and Johnson, walked straight into a trap and were killed. For some in Barracks 4, especially the loud-mouthed Duke, the leaker is obvious: J.J. Sefton, a wheeler-dealer who doesn't hesitate to trade with the guards and who has acquired goods and privileges that no other prisoner seems to have. Sefton denies giving the Germans any information and makes it quite clear that he has no intention of ever trying to escape. He plans to ride out the war in what little comfort he can arrange, but it doesn't extend to spying for the Germans. As tensions mount and a mob mentality takes root, it becomes obvious that Sefton will have to find the real snitch if he is to have any peace and avoid the beatings Duke and ... Written by
The film is based on a play of the same name which is based on the experiences and reminisces of its authors Donald Bevan and Edmund Trzcinski both of whom were prisoners of war in Stalag 17B in Austria during World War II. Bevan, a B-17 tail gunner who was shot down over Germany in 1943, was the inspiration for the character Sergeant McIlhenny in Twelve O'Clock High (1949). See more »
The map of Germany in von Scherbach's office in 1944 would include not only Austria and Sudetenland but also Gdansk/Danzig and the Polish Corridor, large parts of western Poland and the Saarland, all considered ethnically German by the Nazis and incorporated into the Reich. This could simply be an obsolete map never discarded. See more »
I'm tellin' ya, Animal, these Nazis ain't kosher.
Ya can say that again!
I'm tellin' ya, Animal, these Nazis ain't kosher!
I said ya can say it again, that doesn't mean ya hafta repeat it!
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Saw it for the first time in 2005- knew nothing about the director or the actors- and I couldn't turn away because I needed to know the answer to the mystery. The acting is superb, the dialogue quick, the plot unexpected. The film seems fresh and subtle compared to Hollywood films of now. Perhaps this is because the special effects are simple; the emphasis is on dialogue. We also watch for clues in the changing surroundings and the characters in the shadows.
I held my breath for the last few minutes. Even after the movie had ended, I wondered "What will happen now? Will the guards burst into the barrack? What will happen the next morning?" The last seconds of the film are peaceful, but the whistling at the end seems too hopeful...surely something will go still wrong!
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