84
Metascore
15 reviews · Provided by Metacritic.com
- 100The A.V. ClubNoel MurrayThe A.V. ClubNoel MurrayStalag 17's irreverence likely didn't revolutionize moviemaking for adults so much as it paved the way for the likes of M*A*S*H and Animal House. Then again, that alone is an achievement worth celebrating.
- 100TV Guide MagazineTV Guide MagazineUnlike previous POW films, Wilder and co-writer Edwin Blum's script, based on the play by Donald Bevan and Edmund Trzcinski, presents the prisoners not as paragons of patriotic virtue but as real, self-interested, bored soldiers trying to survive. Holden is magnificent as the heel-turned-hero, but Stalag 17 is full of wonderful, well-directed performances.
- 100Chicago TribuneMichael WilmingtonChicago TribuneMichael WilmingtonIt's a shame the dippy TV knockoff Hogan's Heroes has supplanted memories of this great dark WWII POW comedy. Seeing it makes you understand why Schindler's List was a long-time Wilder project. [17 Oct 1995, p.3C]
- 88ReelViewsJames BerardinelliReelViewsJames BerardinelliStalag 17, despite often being labeled as one of Wilder's "lesser" films, is a bona fide classic, and an example of how an accomplished director can meld many elements into a workable whole.
- Wilder takes the Broadway play, as well as the genteel camaraderie familiar from the British POW films, shakes it all up, makes it tougher, funnier, cruder and subtler.
- 80The New York TimesBosley CrowtherThe New York TimesBosley CrowtherA humorous, suspenseful, disturbing and rousing pastime.
- 80EmpireDavid ParkinsonEmpireDavid ParkinsonInteresting depiction with a pretty decent performance from Holden and supported by a credible cast.
- 70Chicago ReaderChicago ReaderIt's chock-full of typical Wilder cynicism and the offhand transvestite humor that would reach its apotheosis in Some Like It Hot, but its wit falters as the melodramatic tension builds. The resulting letdown is terrific, but along the way there is some of the funniest men-at-loose-ends interplay that Wilder has ever put on film.
- 60Time OutTime OutThe problem is that the two moods aren't properly cross-fertilised, with the resolute bleakness of the settings and Wilder's direction positing a reality that is constantly undercut by the comic opera crew of Germans headed by Preminger. A fascinating film, nevertheless.