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On the Waterfront (1954)

 -  Crime | Drama  -  22 June 1954 (Japan)
8.3
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Ratings: 8.3/10 from 74,691 users   Metascore: 88/100
Reviews: 256 user | 114 critic | 10 from Metacritic.com

An ex-prize fighter turned longshoreman struggles to stand up to his corrupt union bosses.

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(screenplay), (based upon an original story by), 1 more credit »
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Title: On the Waterfront (1954)

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Top 250 #119 | Won 8 Oscars. Another 21 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Pat Henning ...
Kayo Dugan
...
James Westerfield ...
Tony Galento ...
Tami Mauriello ...
Tillio
John F. Hamilton ...
'Pop' Doyle (as John Hamilton)
John Heldabrand ...
Mott
Rudy Bond ...
Don Blackman ...
Arthur Keegan ...
Abe Simon ...
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Storyline

Terry Malloy dreams about being a prize fighter, while tending his pigeons and running errands at the docks for Johnny Friendly, the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny's thugs, and later meets the dead man's sister and feels responsible for his death. She introduces him to Father Barry, who tries to force him to provide information for the courts that will smash the dock racketeers. Written by Colin Tinto <cst@imdb.com>

Plot Summary | Plot Synopsis

Plot Keywords:

union | murder | longshoreman | dock | pigeon | See more »

Taglines:

Tender love...terrifying conflict! See more »

Genres:

Crime | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 June 1954 (Japan)  »

Also Known As:

The Hook  »

Box Office

Budget:

$910,000 (estimated)

Gross:

$9,600,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The ship that Terry Malloy watches descending the Hudson River is the famous Andrea Doria, who crashed with another ship, capsized and sank in July 26, 1956. See more »

Goofs

In the last scene, as Brando makes his way to the warehouse, after being beaten up by Cobb and the goons, the chalk writing on the sign changes from "8:00 am (plus two lines), to: "5 full crew & 5 Extras" See more »

Quotes

[first lines]
Johnny: [to Terry] You take it from here, Slugger.
See more »

Crazy Credits

Opening credits are shown over a bamboo-type mat background. See more »

Connections

Featured in Hollywood: The Great Stars (1963) See more »

Soundtracks

Here Comes the Bride
(uncredited)
Written by Richard Wagner
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A classic for all the right reasons
31 March 2008 | by (United Kingdom) – See all my reviews

Watching On The Waterfront nowadays, two scenes stand out head and shoulders above the rest. First is the impassioned speech by Father Barry (Karl Malden) to the gathered dock workers in the hull of a ship where he tries to rally them against the mobsters running their lives. Second is the confrontation between Terry and Charlie Malloy (Marlon Brando and Rod Steiger) in the back of a taxi which ends in one brother pointing a gun at the other and Brando's now legendary "contender speech." Both of them are sequences where the characters do nothing but talk but each is a fine example of what makes On The Waterfront the undeniable classic it is; acting, scripting, cinematography, music, everything fits into one cohesive whole and the end result is a welcome addition to any film collection.

The story here concerns Terry Malloy, a New York shipyard worker who finds his conscience bothering him when one of his friends is murdered. Terry at first is a tough guy with a grim outlook ("you know my philosophy on life, give it to 'em before they give to you") who despite his inner turmoil refuses to confess anything to the Police as it would make him a "rat." However, the arrival of Malden's headstrong Preacher and the victim's innocent sister Edie (Eva Marie Saint in her debut appearance) throws his deaf and dumb world into chaos. Soon, Terry finds himself falling for Edie and the Preacher's words hit home, leaving the angry young dockworker to question what's really right. The mob meanwhile aren't too happy about Terry's UNHEALTHY RELATIONSHIP and begin to pile on the pressure, especially his older brother Charlie who's torn between loyalty to his boss and looking out for his younger sibling. Before anyone can put a lid on things, the dockyard becomes a very tense place to be.

Brando of course puts his heart and soul into his performance. Terry by his very nature isn't one to carry his heart on his sleeve and so the great Method Actor is left to convey his turmoil through body language alone. It is a testament to how good he is that you can tell exactly what Terry is feeling even though he hardly ever expresses it verbally. Instead his shoulders hunch with resigned indignation and his eyes spark with anger, Brando playing the part so well he more or less disappears into the character completely. While he may have taken a lot of the credit however, he is far from the only strong presence in the film as Karl Malden's rock hard Preacher is just as compelling, his depiction of the dignified man of Christ who isn't afraid to drink beer and smoke cigarettes with the Wharf rats being a refreshingly positive portrayal of a Catholic leader. Eva Marie Saint meanwhile puts in a convincing portrayal of Edie, but she is hamstrung a little by some old fashioned writing. Her pursuit of her brother's murderers give her some powerful moments but there are a couple of instances where it becomes all too clear that the part was written by a man. However, she still gives us one of the most touching moments in the film, a confrontation with Terry where most of their chat is disrupted by a tug horn that is achingly sad despite the absence of dialogue.

Acting is only one half of the equation of course and needless to say, the story remains constantly gripping. The murder that opens the film leaves an instant grip on the viewer's attention and as Terry spirals further into an intricate web of half truths, things get incredibly dark. The New York tenement blocks that tower over the proceedings provide an imposing sense of claustrophobia while the rooftops are a smoke laden jungle of chimney stacks and TV aerials. However, if you look closely it becomes apparent that the crew still had some fun with the material and there is some subtle humour to be had - a wedding party degenerating into a brawl and a bar full of panicked customers emptying into the streets followed by a shot of one isolated individual desperately jumping into the bathroom.

All in all therefore, On The Waterfront is a film that is thoroughly deserving of its reputation. Brando excels in his role and heads up a highly talented cast giving it their all. Most of all though, it's an engaging and captivating story of urban paranoia, filled with tough guys spitting out slang in barking New York accents. Think you're a big shot, do ya? Huh? Well do us all a favour and check this one out. Ah enough a youse guys, ged outta here.


23 of 28 people found this review helpful.  Was this review helpful to you?

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