Wild Strawberries
(1957)
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Wild Strawberries
(1957)
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| Cast overview, first billed only: | |||
| Victor Sjöström | ... | ||
| Bibi Andersson | ... | ||
| Ingrid Thulin | ... | ||
| Gunnar Björnstrand | ... |
Dr. Evald Borg
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Jullan Kindahl | ... |
Agda
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Folke Sundquist | ... |
Anders
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Björn Bjelfvenstam | ... | |
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Naima Wifstrand | ... |
Mrs. Borg, Isak's Mother
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Gunnel Broström | ... |
Mrs. Alman
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Gertrud Fridh | ... |
Karin Borg, Isak's wife
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Sif Ruud | ... |
Aunt Olga
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Gunnar Sjöberg | ... |
Sten Alman /
The Examiner
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| Max von Sydow | ... |
Henrik Åkerman
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Åke Fridell | ... |
Karin's lover
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Yngve Nordwall | ... |
Uncle Aron
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With the exception of his elderly housekeeper Miss Agda who he treats almost like a surrogate platonic wife, widowed seventy-eight year old Dr. Isak Borg, a former medical doctor and professor, has retreated from any human contact, partly his own want but partly the decision of others who do not want to spend time with him because of his cold demeanor. He is traveling from his home in Stockholm to Lund to accept an honorary degree. Instead of flying as was the original plan, he decides to take the day long drive instead. Along for the ride is his daughter-in-law Marianne, who had been staying with him for the month but has now decided to go home. The many stops and encounters along the way make him reminisce about various parts of his life. Those stops which make him reminisce directly are at his childhood summer home, at the home of his equally emotionally cold mother, and at a gas station where the attendants praise him as a man for his work. But the lives of other people they ... Written by Huggo
Wild Strawberries can be praised for so many reasons, but chief among them in my own mind is the way in which the film so perfectly conveys its themes of self-examination and the contemplation of one's own mortality (particularly through its stunning use of flashbacks). Bergman's autobiographical story also benefits from the brilliant casting of Swedish film legend Victor Sjostrom as Isak Borg, whose towering performance is essential to the success of Wild Strawberries. I read that Bergman based the coffin dream sequence on a frequent nightmare that he had -- and it never ceases to amaze me just how effective it remains even after all these years. Wild Strawberries seems like a quiet, thoughtful, introsepective movie -- and it is; it is also one of world cinema's most impressive motion pictures.