A Stranger in My Arms (1959) Poster

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6/10
Meet The Beasleys
bkoganbing25 June 2017
A Stranger In My Arms tells the story of the Beasley family who are trying in every way possible to honor their son who was died in the Korean War. He was the center of the universe for his overbearing and dominating mother Mary Astor.

Peter Graves is the son and he was the navigator on pilot Jeff Chandler's ship. It was Chandler and Graves alone on a rubber life raft in the Pacific. Now Chandler who is a test pilot is being pressured to got Graves's small town where his family are the local Cartwrights have built a veteran's hospital in his memory.

But they want a whole lot more than that and they want Chandler to help them get it. Flashbacks to life on that raft with Chandler and Graves show why Chandler balks at the idea.

Sad that Ross Hunter did not want to splurge for a little color and more than likely his favorite leading man from Universal Rock Hudson was unavailable. But Chandler does well in the part of the test pilot who while he has his own issues just does not want to knuckle under to unreasonable pressure.

One of those pressures is June Allyson widow of Graves and Chandler heard enough from Graves as to how much he really loved his wife. But she's all American wife June Allyson and probably someone Chandler thinks he needs to complete him.

A cruder pressure is that of bribery. Charles Coburn plays the grandfather and patriarch of the Beasley clan. He's a rather ruthless sort used to getting his way. He really gets Chandler's back up with what he wants.

There's a rebel in the clan and it's young Sandra Dee who wants very much to get out from under even throwing herself at Chandler. But she's still a felony.

Finally there's Mary Astor who is the mother from hell. No wonder Graves went to war. She's the best thing in A Stranger In My Arms.

The film is soap opera, but well cast and well done soap opera. The question is that can true feelings that Chandler and Allyson might start can ever grown in such a stifling atmosphere? Peter Graves really expands his casting range with this. Usually he's an all American good guy, even in Stalag 17 he was although he was using that against type as the German planted informer. Here he's something completely different than what you would expect from him.

Some have disparaged A Stranger In My Arms, but I think there's a lot worthwhile in this film.
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7/10
Bucking for the Medal of Honor...
planktonrules17 December 2016
Major Pike Yarnell (Jeff Chandler) is an Air Force test pilot when the film begins. He seems like a bit of a grouch and when the widow of a fellow pilot comes to ask Pike to come to a memorial service for her husband, Pike is oddly indifferent. Despite her assuming he wouldn't attend, he unexpectedly shows up for the service. And, following the service, he goes to stay with the dead man's rich family. There, you learn, slowly, about the sort of people they are...particularly the dead man's mother (Mary Astor) and grandfather (Charles Coburn)...who are rather awful. As to the dead guy (Peter Graves), you only slowly learn about who he was and how he dies through the course of the film...and Pike tries very hard to spare his family the disgraceful truth about the dead 'hero'.

Thi is a very good movie and the portions involving the dead man are showing using several flashbacks. I liked the mystery about the guy and the way the truth came out. The only portion that didn't quite work for me was the romance with the widow (June Allyson)...which seemed a bit fast and forced. Still, a good film with a few powerful scenes. Worth seeing.
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6/10
Tolerable, if somewhat obtuse soaper from producer Ross Hunter...
moonspinner5518 August 2009
Wealthy, deluded matriarch--who keeps most of her relatives neatly under her thumb--hopes to shower her deceased Air Force pilot son with honors and medals he may not have earned; meanwhile, her widowed daughter-in-law hopes to get vital information from the husband's co-pilot, who survived eleven terrible days lost at sea with the man in question and is now attempting to steer clear of his partner's family. Ross Hunter-produced collection of secrets and soap suds, adapted from Robert Wilder's book "And Ride a Tiger", is well-acted but gets off to a rather stiff and confusing start. The plot does manage to gather some steam at the halfway mark and, though the character-driven action is a bit stagy, the people on-screen are surprisingly complicated. Jeff Chandler always performed most capably in a lower key, but here he gets to be a bit more animated (particularly in his scenes with flirtatious teen Sandra Dee) and it suits him. June Allyson is an odd choice for his romantic interest; initially it appears as though Allyson is phoning her performance in, yet she approaches the role in an unusual way which garners not only interest but sympathy. The most colorful role is held for Mary Astor as the Queen Bee, and she's an intimating force (you can believe that one word from her sends everyone scuttling about doing her bidding). Not a great picture by any means, but a thoughtful, tolerable one, with attractive photography and a pretty (if derivative) score supervised by Joseph Gershenson. **1/2 from ****
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7/10
I married a dead man.
ulicknormanowen31 July 2022
After working in the Third Reich era (his works were light and neutral) , Helmut Kautner became the best German director just after the war ;those who might attack him for desecrating a would be American hero should see his movies in which he took a firm stand against the Nazis horrors ( Des Teufels General,1955 ) or in which he displays a pacifist attitude ("die letzte Brücke= the last bridge" 1954) or "die Gans von Sedan ".

"Thousands of soldiers were killed in action, says the hero (Chandler) ,only four got this medal!"; this is mainly the story of an over possessive mom (Astor) who seems out of a Tennessee Williams play (Mrs Venable in "suddenlly last Summer " comes to mind when they visit the greenhouse); her house is almost a museum dedicated to her beloved son, mother's pride : his widow (Allyson) is nothing but another piece in it .

Little by little, with flashbacks introduced all along the movie at the right place, one discovers that the picture of the so called hero was not the man the ceremony celebrates .It may sometimes sound soap opera, which Sandra Dee's presence reinforces ,but, all in all, it may also represent a plea for a square deal for the true heroes who died unsung (and for those who survived and to whom the society was not always fair and grateful).
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4/10
No thanks!
JohnHowardReid4 June 2017
Warning: Spoilers
By all standards, this is a second-string movie with producer Ross Hunter taking time out from the Technicolor opulence of Magnificent Obsession and All That Heaven Allows to make a small black-and-white picture.

The script is a soggy, contrived and artificial affair that wouldn't grip the attention of the most indiscriminate female picturegoer. It is impossible to believe in any of the characters or to have any sympathy with their motives or indeed the whole basis of the plot. The players face an impossible task and it is sad to see a fine actor like Conrad Nagel wasted in trumpery like this. Mary Astor has a rare unsympathetic role which she plays to the hilt but without inspiring conviction. Jeff Chandler is his usual stiff, wooden self and June Allyson her usual wearily masculine bundle of sweetness and light, while Sandra Dee plays an obnoxiously forward teenager. Charles Coburn has one of the smallest roles of his career, though he makes the most of his two scenes. Peter Graves has a small part in the flashback sequences aboard a life raft afloat in the studio tank.

Director Helmut Kautner does what he can with this hokum with long tracking shots during dialogue scenes; but I am afraid that no matter how he directed it, the end result would be the same — sticky. Production values are extremely moderate. An obvious stand- in does Miss Allyson's horse-riding and other production credits are nothing to rave over.
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9/10
A difficult case to handle, as such a case is untouchable for any family
clanciai2 June 2018
Although you more and more during the progress of the film learn to share the hatred of her that gradually becomes evident in the protagonists, Mary Astor actually makes the most remarkable performance in this film about a mother's tragedy, all caused by herself and she herself understanding it least of all. The war drama is just the frame, from the beginning you must suspect that Jeff Chandler has something to hide, some terrible secret about the truth that can't be revealed, and the entire film is building up towards this revelation. This was apparently Helmur Käutner's only American film, but he was a fine stylist in cinematography with only credits on his record and several German classics. June Allyson always has a special knack of cheering up a film, and here it is needed indeed. She is the only straight and sane person with a cool head in this sordid family business, and no wonder Jeff Chandler accepts her invitation alhough he has reason tu suspect the worst. Peter Graves as the war hero plays a small part and only thirsting and dying on that raft on a desert sea under the sun, but he makes it all right. Also Charles Coburn has a small but extremely significant part in (unconsciously) releasing the gradual detonation of a family bomb, and Jeff Chandler goes through with his difficult and delicate part with honest honour - his hell is actually the worst. This is in character very much like a Douglas Sirk film, but it goes deeper, probing untouchable undercurrents that are utterly out of bounds for discussion in a family, but the autopsy is expertly performed, leaving Mary Astor totally naked.
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5/10
The dying hero
jotix10011 April 2010
Warning: Spoilers
One wonders what the creators of this film, or Universal International pictures, saw in the Robert Wilder novel that is the basis of this ill conceived movie. The people responsible for this 1959 release must have thought they had a winner, otherwise, it makes no sense what comes out on the picture. Helmut Kautner's direction didn't add anything to the finished product.

We are presented with a bunch of one dimensional characters that are as false as a two cents coin. The dashing pilot, Pike Yarnell, is seen doing maneuvers that might make his jet crash recklessly. He is visited by Christina, the widow of Donald Beasley, a wealthy Southern man, who died as both men were trying to survive in the high seas.

To make matters worse, the mother of the dead man, Mrs. Beasley, a powerful Southern woman, wants to have Yarnell testify about her son's valor in getting a posthumous medal that will honor his courage and bravery, when it was just not so. In the process, Christina Beasley, the widow, falls in love for the dashing Pike Yarnell. Oy vey!

The film, as presented, is full of clichés and stereotypes. Most of the cast is wasted in roles that are easily forgotten. The great Mary Astor appears as the dead man's mother. Charles Coburn makes a brief appearance as the grandfather of Donald Beasley. June Allyson and Jeff Chandler showed no chemistry at all. The young Sandra Dee is seen as the rebellious Southern belle too wise for her young years.
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5/10
Welcome to Astor's place.
mark.waltz8 December 2019
Warning: Spoilers
That is Mary Astor. She pretty much owns this film from start to finish, giving an incredible performance in a script that is filled with mediocrity. Her character may be a typical harridan overbearing mother, but the way Astor plays the part, she becomes something tragic and ultimately touching as she is forced to face the truth. Astor and daughter-in-law June Allyson are grieving over the death of Peter Graves, Astor's son and Allyson's husband. grave died apparently on a raft in the middle of the Korean War, and when the sole survivor of the raft, Jeff Chandler, arrives in the states, Allyson confronts him. All June wants is to get some information on his last days, but Chandler refuses to talk, coming to the memorial service and upon meeting Astor and Graves' grandfather, Charles Coburn, seems reluctant to your testimony that would give Graves the Congressional medal of Honor. This creates a huge argument with Graves family leading to Allyson storming out when she realizes the extent to which Astor and her family would go to.

June Allyson (not one of my favorite leading ladies) gives a decent performance, and fortunately has changed her hairstyle that she had had from the early 1940's on. She avoids the tearing us of many of her previous melodramas. Chandler holds back until he needs to reveal the truth, and that makes his performance stronger. Coburn, in one of his last films, makes the most out of his imperious patriarch character in his field scenes, and Conrad Nagel is soft-spoken as Graves father. However, Sandra Dee never stops chattering, and makes the role of the sister completely annoying.

Astor, a star since the silent era, is commanding in a performance that in other hands would come off as completely hateful and one-dimensional. by the end of the film, you can't help feel anything but pity for her, and the denouncement is very similar to what happened to Martha in "Who's Afraid of Virginia Woolf". This would have been so much better if it didn't have all the soap opera elements attached to it, especially if it had been presented as a post-war film rather than as a tearjerker.
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