Set in 1943 Scotland during World War II, Janie is young housewife married to a man named Dongal, 15 years her senior. As part of a war rehabilation program, Janie and Dongal welcome three ... See full summary »
Life is rough in the coal mines of 1876 Pennsylvania. A secret group of Irish immigrant miners, known as the Molly Maguires, fights against the cruelty of the mining company with sabotage ... See full summary »
The commander of a failed 1928 Arctic airship expedition is remembering the events of the "Italia" airship flight, crash and subsequent rescue efforts. The "ghosts" of people involved in ... See full summary »
Rich playgirl Kit Jordan (nee Katherine Lawson Chandler) is in Acapulco vacationing with her current husband, Pete Jordan, formerly an American beach boy working the Acapulco shores for ... See full summary »
A gang of hijackers led by Ray Petrie (Ian McShane) seize a British plane as it is landing in Scandinavia. Ruthless military police chief Colonel Tahlvik (Sean Connery) is assigned to ... See full summary »
Lana Turner is a female American journalist who has an affair with BBC war correspondent, Sean Connery, during WWII. When Connery is killed in action, Turner returns to his hometown to console his wife. Written by
Ray Hamel <email@example.com>
During the shooting of the movie in England, Sean Connery was confronted by a gun-waving Johnny Stompanato, hoodlum boyfriend of Lana Turner. The jealous hood warned Connery to keep away from Lana. Connery answered by decking Johnny. Shortly thereafter, back in the U.S., Stompanato met his end at the hands of the frightened, butcher-knife-wielding teenage daughter of Lana Turner, Cheryl Crane. See more »
Whilst on assignment in a very 1950s-looking WW2 London, a plastic-haired US ace-journo' (Turner) and an impossibly baby-faced Cornish ace-journo' (Connery) are lost in the throws of a torrid affair, despite the disapproval of colleagues (stiff-upper-lip Longdon, laconic James). However, even as declarations of undying love are uttered, dark clouds loom in the form of Turner's newspaper boss and erstwhile lover Sullivan, and Connery's shock disclosure that he has a wife and child tucked away in his native Cornish village. When Connery is killed in a plane crash, a devastated Turner makes a pilgrimage to his native Cornwall where her path crosses that of his wife and child...
Risible weepy, serving as a star vehicle for Lana and an early showcase for the handsome young Connery, both of whom fail miserably to convince. Turner seems to possess only three facial expressions, even when trying to stay upright in her stilettos as she totters round 'St. Giles' (actually Polperro) - witness her horribly 2-D efforts to comfort Martin Stephens after his nightmare. Meanwhile Connery's description of his Cornish fishing village birthplace is delivered in such a rich Edinburgh brogue as to be quite giggle-some.
So often the case with British cinema of the 40s and 50s, it's the support players who steal the show - Glynis Johns' is a beautifully judged and modulated depiction of a woman recovering from grief. Her resolute kindness, generosity and warmth make her reaction to the final reel revelations all the more believable. Sid James shines as a world-weary American journalist trying to juggle loyalties, and Stephens' post-nightmare scene is desperately convincing.
Sadly however, excellent support playing, and beautiful location shooting are just not enough to save this overwrought turkey.
12 of 14 people found this review helpful.
Was this review helpful to you?