Lelia Goldoni, who sparkled as the lead in John Cassavettes’ Shadows and played a friend of Ellen Burstyn’s character in Martin Scorsese’s Alice Doesn’t Live Here Anymore, has died. She was 86.
Goldoni died Saturday at The Actors Fund Home in Englewood, New Jersey, her friend Jd Sobol announced.
Goldoni also appeared in the original The Italian Job (1969), in John Schlesinger’s The Day of the Locust (1975), in Philip Kaufman’s remake of Invasion of the Body Snatchers (1978) and in Robert Mulligan’s Bloodbrothers (1978).
A second cousin of famed New York Yankees shortstop Phil Rizzuto, Lelia Vita Goldoni was born in New York on Oct. 1, 1936. She was raised in Los Angeles, where she was one of the Lester Horton Dancers alongside Alvin Ailey and Carmen de Lavallade.
Goldoni studied acting with Jeff Corey and at age 19 moved back to New York, where she became a student at a drama...
Goldoni died Saturday at The Actors Fund Home in Englewood, New Jersey, her friend Jd Sobol announced.
Goldoni also appeared in the original The Italian Job (1969), in John Schlesinger’s The Day of the Locust (1975), in Philip Kaufman’s remake of Invasion of the Body Snatchers (1978) and in Robert Mulligan’s Bloodbrothers (1978).
A second cousin of famed New York Yankees shortstop Phil Rizzuto, Lelia Vita Goldoni was born in New York on Oct. 1, 1936. She was raised in Los Angeles, where she was one of the Lester Horton Dancers alongside Alvin Ailey and Carmen de Lavallade.
Goldoni studied acting with Jeff Corey and at age 19 moved back to New York, where she became a student at a drama...
- 7/27/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Unsung actress Beverly Garland becomes TV’s first lady cop, in what’s claimed to be the first TV show filmed on the streets of New York City. This one-season wonder from 1957 has vintage locations, fairly tough-minded storylines and solid performances, from Bev and a vast gallery of stage and TV actors on the way up.
Decoy
(Policewoman Decoy)
TV Series
DVD
Film Chest Media
1957-’58 / B&W / 1:33 flat full frame (TV) / 39 x 30 min. / Street Date May 30, 2017 / 19.98
Starring: Beverly Garland
Art Direction (some episodes): Mel Bourne
Original Music: Wladimir Selinsky
Written by Lillian Andrews, Nicholas E. Baehr, Cy Chermak, Jerome Coopersmith, Don Ettlinger, Frances Frankel, Steven Gardner, Abram S. Ginnes, Mel Goldberg, Saul Levitt, Leon Tokatyan
Produced by Arthur H. Singer, David Alexander, Stuart Rosenberg, Everett Rosenthal
Directed by Teddy Sills, Stuart Rosenberg, David Alexander, Michael Gordon, Don Medford, Arthur H. Singer, Marc Daniels
How did I experience...
Decoy
(Policewoman Decoy)
TV Series
DVD
Film Chest Media
1957-’58 / B&W / 1:33 flat full frame (TV) / 39 x 30 min. / Street Date May 30, 2017 / 19.98
Starring: Beverly Garland
Art Direction (some episodes): Mel Bourne
Original Music: Wladimir Selinsky
Written by Lillian Andrews, Nicholas E. Baehr, Cy Chermak, Jerome Coopersmith, Don Ettlinger, Frances Frankel, Steven Gardner, Abram S. Ginnes, Mel Goldberg, Saul Levitt, Leon Tokatyan
Produced by Arthur H. Singer, David Alexander, Stuart Rosenberg, Everett Rosenthal
Directed by Teddy Sills, Stuart Rosenberg, David Alexander, Michael Gordon, Don Medford, Arthur H. Singer, Marc Daniels
How did I experience...
- 5/16/2017
- by Glenn Erickson
- Trailers from Hell
A version of this article originally appeared on EW.com.
In the wake of of Mary Tyler Moore‘s death Wednesday at age 80, many are looking for ways to pay tribute and rewatch her trailblazing work.
And while fans can watch The Mary Tyler Moore Show any time on Hulu, iTunes and Amazon, many networks are honoring Moore by airing special programming and reruns of her greatest hits. From new specials to documentaries to the best episodes of The Mary Tyler Moore Show, here’s your guide to where you can see that winning smile (all times Et unless otherwise...
In the wake of of Mary Tyler Moore‘s death Wednesday at age 80, many are looking for ways to pay tribute and rewatch her trailblazing work.
And while fans can watch The Mary Tyler Moore Show any time on Hulu, iTunes and Amazon, many networks are honoring Moore by airing special programming and reruns of her greatest hits. From new specials to documentaries to the best episodes of The Mary Tyler Moore Show, here’s your guide to where you can see that winning smile (all times Et unless otherwise...
- 1/26/2017
- by Lanford Beard
- PEOPLE.com
Shadows
Written by John Cassavetes
Directed by John Cassavetes
USA, 1959
“We did everything wrong, technically…. The only thing we did right was to get a group of people together who were young, full of life, and wanted to do something of meaning.” – John Cassavetes
As one of the first movies to be produced outside of the Hollywood studio system, John Cassavetes’ self-financed Shadows (1959) is a pioneering movie in the history of American independent cinema. Favoring an approach influenced by theatre, Cassavetes cast amateur actors and friends in a semi-improvised character study about three siblings living in 1950’s New York. Produced on a small budget, Shadows was shot in Cassavetes’ own apartment and out on the streets of Manhattan, while friends stood on look out watching for the police.
In the final credits of Shadows Cassavetes mischievously proclaimed, “The film you have just seen was an improvisation”. If Jean-Luc Godard’s...
Written by John Cassavetes
Directed by John Cassavetes
USA, 1959
“We did everything wrong, technically…. The only thing we did right was to get a group of people together who were young, full of life, and wanted to do something of meaning.” – John Cassavetes
As one of the first movies to be produced outside of the Hollywood studio system, John Cassavetes’ self-financed Shadows (1959) is a pioneering movie in the history of American independent cinema. Favoring an approach influenced by theatre, Cassavetes cast amateur actors and friends in a semi-improvised character study about three siblings living in 1950’s New York. Produced on a small budget, Shadows was shot in Cassavetes’ own apartment and out on the streets of Manhattan, while friends stood on look out watching for the police.
In the final credits of Shadows Cassavetes mischievously proclaimed, “The film you have just seen was an improvisation”. If Jean-Luc Godard’s...
- 11/1/2011
- by Tom Jarvis
- SoundOnSight
The patriarch of Hollywood's Berg family, Dick Berg, has died after a fall at his home in Los Angeles. He was 87.
A TV and movie writer and producer, Berg died on Tuesday.
Born in New York in 1922, he arrived in Hollywood in the early 1940s and became a dialogue coach for movie cowboy Roy Rogers.
But writing was his first love and many of his early scripts were turned into dramas for the Kraft Television Theatre and Robert Montgomery Presents series in the U.S.
By the late 1950s, Berg was an in-demand writer in Tinseltown and enjoyed careers at leading studios MGM, 20th Century Fox and Universal, where he created detective drama Johnny Staccato starring John Cassavetes.
He moved into TV production in the 1960s at Universal and was the man behind shows like Checkmate and Bob Hope Presents the Chrysler Theatre, which offered aspiring writers the chance to get their original teleplays aired.
By the end of the 1960s, Berg was producing films like House of Cards and Counterpoint and TV movies and mini-series such as Wallenberg,The Martian Chronicles and Elmore Leonard's Pronto.
A former president of the Hollywood Chapter of the National Academy of Television Arts and Sciences, Berg was presented with the American Film Institute's Charles Fries Producer of the Year Award in 2000.
Berg also succeeded as a father - his sons are A. Scott Berg, who is a Pulitzer Prize-winning author; Jeff, who is chairman of International Creative Management (Icm) talent agency; Tony, a record producer and executive; and Rick, a manager and producer.
A TV and movie writer and producer, Berg died on Tuesday.
Born in New York in 1922, he arrived in Hollywood in the early 1940s and became a dialogue coach for movie cowboy Roy Rogers.
But writing was his first love and many of his early scripts were turned into dramas for the Kraft Television Theatre and Robert Montgomery Presents series in the U.S.
By the late 1950s, Berg was an in-demand writer in Tinseltown and enjoyed careers at leading studios MGM, 20th Century Fox and Universal, where he created detective drama Johnny Staccato starring John Cassavetes.
He moved into TV production in the 1960s at Universal and was the man behind shows like Checkmate and Bob Hope Presents the Chrysler Theatre, which offered aspiring writers the chance to get their original teleplays aired.
By the end of the 1960s, Berg was producing films like House of Cards and Counterpoint and TV movies and mini-series such as Wallenberg,The Martian Chronicles and Elmore Leonard's Pronto.
A former president of the Hollywood Chapter of the National Academy of Television Arts and Sciences, Berg was presented with the American Film Institute's Charles Fries Producer of the Year Award in 2000.
Berg also succeeded as a father - his sons are A. Scott Berg, who is a Pulitzer Prize-winning author; Jeff, who is chairman of International Creative Management (Icm) talent agency; Tony, a record producer and executive; and Rick, a manager and producer.
- 9/3/2009
- WENN
Dick Berg, a prominent television writer and producer whose career ranged from live TV to movies of the week and longform programming, died Tuesday at his home in Los Angeles after a brief illness. He was 87.
His producing credits range from "Bob Hope Presents the Chrysler Theater" to the detective series "Checkmate" to the miniseries "Space" and "The Martian Chronicles."
With his wife of 63 years, Barbara, he also headed something of a modern-day Hollywood dynasty. Their sons are Icm chairman and CEO Jeff Berg, author A. Scott Berg, music producer and executive Tony Berg and producer and manager Rick Berg.
"More than anybody I can think of in television, my father proved to be extremely successful on a commercial level without every compromising quality," Scott Berg said. "It wasn't just that he had a great eye for talent -- especially writers -- but he really knew how to get the best out of everybody.
His producing credits range from "Bob Hope Presents the Chrysler Theater" to the detective series "Checkmate" to the miniseries "Space" and "The Martian Chronicles."
With his wife of 63 years, Barbara, he also headed something of a modern-day Hollywood dynasty. Their sons are Icm chairman and CEO Jeff Berg, author A. Scott Berg, music producer and executive Tony Berg and producer and manager Rick Berg.
"More than anybody I can think of in television, my father proved to be extremely successful on a commercial level without every compromising quality," Scott Berg said. "It wasn't just that he had a great eye for talent -- especially writers -- but he really knew how to get the best out of everybody.
- 9/2/2009
- by By Gregg Kilday
- The Hollywood Reporter - Movie News
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