After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
An inordinately complex man who has been labeled everything from hero, to charlatan, to sadist, Thomas Edward Lawrence blazed his way to glory in the Arabian desert, then sought anonymity as a common soldier under an assumed name. The story opens with the death of Lawrence in a motorcycle accident in Dorset at the age of 46, then flashbacks to recount his adventures: as a young intelligence officer in Cairo in 1916, he is given leave to investigate the progress of the Arab revolt against the Turks in World War I. In the desert, he organizes a guerrilla army and--for two years--leads the Arabs in harassing the Turks with desert raids, train-wrecking and camel attacks. Eventually, he leads his army northward and helps a British General destroy the power of the Ottoman Empire. Written by
Peter O'Toole was nearly killed during the first take of the Aqaba scene. A gun (used to signal the beginning of the scene) went off prematurely, and O'Toole's camel panicked, throwing him to the ground, while the extras on horseback began charging. Fortunately for O'Toole, his camel stayed still and stood over O'Toole, saving him from being trampled. See more »
After the dissolution of the Arab Council, Ali disappears into the shadows leaving Auda alone by the reflecting pool. He looks briefly at the reflected moon in it, then turns toward camera as if to stare directly at it. But for the moon's reflection to be visible to the camera, the moon must be behind him. See more »
The fact that 744 people on the Internet Movie Database gave Lawrence of Arabia a "1" one the the 1-10 scale is outright obscene. Not only is Lawrence of Arabia one of the best cinematic achievements of all time, and historically intriguing to boot, it's a just plain great film with a little bit of something for everyone, including a rich historical plot, vibrant characters, great setting, and plenty of fabulously choreographed battle scenes. The film is also topical for today's society, for example: "Why is terrorism so popular in the middle east today? Well, it might just have something to do with the fact T.E. Lawrence encouraged the Arab tribes to deal with their Ottoman occupiers using bombs and machine guns." How anyone with eyes and ears could dislike this movie that much is beyond my comprehension.
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