Elvis is a singing rodeo rider who drifts into an expensive dude ranch patronized by wealthy glamour girls. The owner, Vera Radford, hires Elvis as a stable man. Pretty physical fitness ... See full summary »
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Elvis is a singing rodeo rider who drifts into an expensive dude ranch patronized by wealthy glamour girls. The owner, Vera Radford, hires Elvis as a stable man. Pretty physical fitness trainer Pam Merritt has a letter from her late grandfather directing her to a cache of gold in the ghost town of Silverado. The sheriff and his gang learn of the letter and plot to take it away from her. Written by
filmfactsman
Elvis made this film in a deal with the floundering Allied Artists which saw him take a pay cut and not record any new material in exchange for 50% of the film's profits. The film was a big earner, which is credited in saving Allied Artists from bankruptcy. See more »
Quotes
Estelle Penfield:
You've got to be kidding me
Lonnie Beale:
[shrugs]
Sorry, dietician's orders.
Estelle Penfield:
But it's such a little steak, and I'm so hungry. Listen, Lonnie, if you would give me another steak, I would be very grateful. Do we understand each other?
Lonnie Beale:
[pauses]
No.
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In Tickle Me (easily one of the great titles of Elvis' illustrious screen career), the King plays -- brace yourself -- a singing rodeo cowboy with a lucrative second job as a handyman at a beauty spa. Naturally, all of the women at the ranch compete for E's attentions, but he's only got eyes for the stunning Jocelyn Lane. The second half of the film gets supremely silly, as the lovers search for a hidden treasure of gold in a haunted house. The horrifyingly awful gags that accompany the climactic sequence belong in a Scooby Doo episode, but are more accurately akin to the Three Stooges -- since writers Elwood Ullman and Edward Bernds had put in time for the eye-gouging, hair-pulling, face-slapping nitwits. Tickle Me has a weird appeal to me, however, as it allows Elvis the opportunity to show off his talent for comedy (an under-appreciated aspect of his acting for which he shows remarkable aptitude).
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In Tickle Me (easily one of the great titles of Elvis' illustrious screen career), the King plays -- brace yourself -- a singing rodeo cowboy with a lucrative second job as a handyman at a beauty spa. Naturally, all of the women at the ranch compete for E's attentions, but he's only got eyes for the stunning Jocelyn Lane. The second half of the film gets supremely silly, as the lovers search for a hidden treasure of gold in a haunted house. The horrifyingly awful gags that accompany the climactic sequence belong in a Scooby Doo episode, but are more accurately akin to the Three Stooges -- since writers Elwood Ullman and Edward Bernds had put in time for the eye-gouging, hair-pulling, face-slapping nitwits. Tickle Me has a weird appeal to me, however, as it allows Elvis the opportunity to show off his talent for comedy (an under-appreciated aspect of his acting for which he shows remarkable aptitude).