Red Beard (1965)
"Akahige" (original title)

In 19th century Japan, a rough tempered yet charitable town doctor trains a young intern.

Director:

Akira Kurosawa

Writers:

Masato Ide (screenplay), Hideo Oguni (screenplay),

Stars:

Toshirô Mifune, Yûzô Kayama, Tsutomu Yamazaki

Nominated for 1 Golden Globe. Another 9 wins & 1 nomination.

Cast

Cast overview, first billed only:
Toshirô Mifune	...	Dr. Kyojô Niide
Yûzô Kayama	...	Dr. Noboru Yasumoto
Tsutomu Yamazaki	...	Sahachi
Reiko Dan	...	Osugi
Miyuki Kuwano	...	Onaka
Kyôko Kagawa	...	Madwoman
Tatsuyoshi Ehara	...	Genzô Tsugawa
Terumi Niki	...	Otoyo
Akemi Negishi	...	Okuni, the mistress
Yoshitaka Zushi	...	Chôji
Yoshio Tsuchiya	...	Dr. Handayû Mori
Eijirô Tôno	...	Goheiji
Takashi Shimura	...	Tokubei Izumiya
Chishû Ryû	...	Mr. Yasumoto
Haruko Sugimura	...	Kin, the madam

Storyline

In a charity hospital, a hard-bitten but honorable older doctor, Dr. Niide, takes a young intern under his guidance through the course of a number of difficult cases.

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Plot Keywords:

clinic | doctor | intern | japanese | japan | 

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Genres:

Drama

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Certificate:

Not Rated

Details

Country:

Japan

Language:

Japanese

Release Date:

19 December 1968 (USA)

Also Known As:

Red Beard

Filming Locations:

Toho Studios, Tokyo, Japan

Company Credits

Production Co:

Kurosawa Production Co., Toho Company

Technical Specs

Runtime:

185 min

Sound Mix:

4-Track Stereo

Color:

Black and White

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Toshiro Mifune usually appeared in several films a year for Toho, doing many cameos and guest roles. However, he chose not to do any that year as he filmed Red Beard, allowing himself to be fully immersed in what would be his last film for Kurosawa.

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Goofs

At the brothel where young Otoyo is being rescued: when Red Beard (Toshiro Mifune) prepares to step out of the brothel opening to confront the thugs gathered outside, from the inside camera view, right before he steps through the door flap, there are a couple of thugs standing just right outside the opening. But from the outside shot, which shows Red Beard stepping out, the nearby thugs have changed position, and are now standing much farther away from the opening.

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Quotes

Dr. Noboru Yasumoto: Are these things the rule here?
Genzo Tsugawa: Red Beard's rules. He's the dictator here. A good doctor, dedicated to his work. Many daiyamo and rich people trust him. But he's stubborn, inconsiderate, radical... and proud.

User Reviews

Towards enlightenment

"Red Beard" is the noble conclusion to Kurosawa's monochrome period which undoubtedly contained his finest work. Although there were beautifully choreographed action scenes still to come in "Kagemusha" and "Ran", nothing was quite the same after this quiet meditation on the stirrings of humanity in a dark and otherwise uncaring world. The period is early 19th century, the place a hospital for the socially impoverished run by a doctor who manages to combine idealism and pragmatism, the two essential ingredients needed to facilitate the emergence of enlightenment. Although the great Toshiro Mifune dominates the film as the hospital head, it is the effect of his presence on the young doctor who pays him a visit that is the main theme of the narrative. Yasumoto, selfish and ambitious, has no intention to begin with of devoting his services to the hospital but one by one his defences collapse as he learns from the example of an idealist who has shed all vestiges of selfishness. There are constant reminders that medicine was at a rudimentary stage in its development and of the dedication needed by pioneers at a time when most answers still remained unknown and everything was largely a matter of easing rather than curing. I would not claim that "Red Beard" is among Kurosawa's half dozen greatest works. At just over three hours it sprawls in a discursive way. A lengthy flashback of a dying patient's reasons for seeking a form of absolution rather impedes the narrative flow in spite of some impressive visuals of snowscapes and an earthquake. But then the structure of the whole film rather has the episodic quality of a soap opera where momentum is maintained by proceeding from one crisis to another. Nevertheless it is full of wonderfully contrasted sequences from the knockabout humour of Mifune applying his medical skills to warding off a group of assailants by breaking their limbs like matchsticks to the tender scene of the young doctor being nursed back from sickness by the girl rescued from enslavement in a brothel. And then there is the rain. Where would a Kurosawa film be without those torrential downpours to remind us of the physical discomfiture that a journey towards enlightenment entails.