Called out of retirement to settle the affairs of a friend, Smiley finds his old organization, the Circus, so overwhelmed by political considerations that it doesn't want to know what ... See full summary »
This is the story of Magnus Pym, from his childhood to the end of his career in middle age. As a young man, there is little doubt that his father Rick was the most influential character in ... See full summary »
Taken from the book by John le Carre, George Smiley rallies to the aid of his former intelligence colleague, Ailsa Brimley, to investigate a mysterious letter from a junion master's wife at... See full summary »
Alec Leamas, a British spy is sent to East Germany supposedly to defect, but in fact to sow disinformation. As more plot turns appear, Leamas becomes more convinced that his own people see him as just a cog. His struggle back from dehumanization becomes the final focus of the story. Written by
John Vogel <firstname.lastname@example.org>
Richard Burton and co-star Warren Mitchell were Royal Air Force cadets together at Oxford in 1944, where they knew one another and became friends. From 1944-47, when both were demobilized, they were stationed together at times in Canada and back in England. See more »
In his defense speech of Mundt, the East German defense attorney (played by George Voskovec) says "Smiley was indeed Leamas's friend. He was also a planner in the section called Satellite Four... which operates behind the Iron Curtain." The term "Iron Curtain" would not have been used by officials in East Germany or any of the Soviet bloc countries to refer to the east-west divide. It was originally created by Winston Churchill and the phrase "behind the Iron Curtain" became a derogatory description of the east bloc countries and their socialist systems. The term "Iron Curtain" was seen as serving to keep people in and information out, and people throughout the West used the metaphor in that context. See more »
Back during the Cold War, people actually bought into the bleak misery that was brinkmanship & actors actually took chances, & their agents let them.
Richard Burton is Alec Laemmas, John Le Carre's reluctant spy, whose disillusionment is turned against him to save one last informant: hard to believe that Mr. Burton was then still in the throes of his public romance with Liz Taylor. Grim's the word here: from the opening Checkpoint Charlie Berlin scene to the Dutch shores to the East German countryside--the Cold War's done nobody any favors. Moreover, this harsh treatment of spies & their back-stabbing, double-dealing ways was made just after Ian Fleming's suave James Bond had become a pop movie icon (Bond's "M," Bernard Lee, as a grocer here ["T'get a proper credit, y'need a banker's reference."], gets the crap pummeled outta him by Burton).
Anyway, "Spy" is movie stripped of glamor: everyone gets usurped by people with power. Burton's Laemmas is sent to salvage the good guys' chief informant, a senior GDR official; Claire Bloom's Commie idealist Nancy is called to East Germany under the ruse of cultural exchange, to aid in the hoax. Oscar Werner is mesmerizing ("Were you present for ziss...Sanksgiving?") as the no. 2 man in the Abteilung, on the trail of no. 1, Peter van Eyck, until Laemmas shows up to thwart his plans.
If old cold warriors were only half as conniving as they appear here, whither did they go after the fall of the Soviet Union? Something to which nobody with nanogram of sense has paid much attention.
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