Called out of retirement to settle the affairs of a friend, Smiley finds his old organization, the Circus, so overwhelmed by political considerations that it doesn't want to know what ... See full summary »
This is the story of Magnus Pym, from his childhood to the end of his career in middle age. As a young man, there is little doubt that his father Rick was the most influential character in ... See full summary »
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
Taken from the book by John le Carre, George Smiley rallies to the aid of his former intelligence colleague, Ailsa Brimley, to investigate a mysterious letter from a junion master's wife at... See full summary »
Alec Leamas, a British spy is sent to East Germany supposedly to defect, but in fact to sow disinformation. As more plot turns appear, Leamas becomes more convinced that his own people see him as just a cog. His struggle back from dehumanization becomes the final focus of the story. Written by
John Vogel <email@example.com>
In his defense speech of Mundt, the East German defense attorney (played by George Voskovec) says "Smiley was indeed Leamas's friend. He was also a planner in the section called Satellite Four... which operates behind the Iron Curtain." The term "Iron Curtain" would not have been used by officials in East Germany or any of the Soviet bloc countries to refer to the east-west divide. It was originally created by Winston Churchill and the phrase "behind the Iron Curtain" became a derogatory description of the east bloc countries and their socialist systems. The term "Iron Curtain" was seen as serving to keep people in and information out, and people throughout the West used the metaphor in that context. See more »
So many poor Cold War spy movies were made in the 1960s, ranging from shtick to schlock. This one is a standout -- great acting, great atmosphere, great plot. It's darker, grittier, and more realistic than any other films of this genre from the mid-60s, and wears even better with age (no "mind control machines" or other ridiculous retro gadgets).
Le Carré is often credited for making the spy novel transcend genre fiction and enter into the realm of literature. It is apt that a similar statement can be said about a movie based on Le Carré; it moves beyond "spy movie" into brilliant cinema. Heavily recommended.
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