After reading the diary of an elderly Jewish man who committed suicide, freelance journalist Peter Miller begins to investigate the alleged sighting of a former SS-Captain who commanded a ... See full summary »
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Alec Leamas, a British spy is sent to East Germany supposedly to defect, but in fact to sow disinformation. As more plot turns appear, Leamas becomes more convinced that his own people see him as just a cog. His struggle back from dehumanization becomes the final focus of the story. Written by
John Vogel <firstname.lastname@example.org>
So many poor Cold War spy movies were made in the 1960s, ranging from shtick to schlock. This one is a standout -- great acting, great atmosphere, great plot. It's darker, grittier, and more realistic than any other films of this genre from the mid-60s, and wears even better with age (no "mind control machines" or other ridiculous retro gadgets).
Le Carré is often credited for making the spy novel transcend genre fiction and enter into the realm of literature. It is apt that a similar statement can be said about a movie based on Le Carré; it moves beyond "spy movie" into brilliant cinema. Heavily recommended.
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