Thoroughly Modern Millie (1967) 6.8
Millie comes to town in the roaring twenties to encounter flappers, sexuality and white slavers. Director:George Roy HillWriter:Richard Morris |
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Thoroughly Modern Millie (1967) 6.8
Millie comes to town in the roaring twenties to encounter flappers, sexuality and white slavers. Director:George Roy HillWriter:Richard Morris |
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| Complete credited cast: | |||
| Julie Andrews | ... | ||
| James Fox | ... | ||
| Mary Tyler Moore | ... | ||
| Carol Channing | ... | ||
| John Gavin | ... | ||
| Jack Soo | ... |
Oriental #1
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| Pat Morita | ... |
Oriental #2
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Philip Ahn | ... |
Tea
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Anthony Dexter | ... |
Juarez
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Cavada Humphrey | ... | |
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Herbie Faye | ... |
Taxi Driver
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Michael St. Clair | ... |
Baron Richter
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Lisabeth Hush | ... |
Judith Tremaine
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Ann Dee | ... |
Singer
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| Beatrice Lillie | ... | ||
In 1922 New York City, Millie Dillmount and Miss Dorothy Brown are just two of the girls living at the Priscilla Hotel for Single Young Ladies run by Mrs. Meers. Orphaned, Miss Dorothy, just recently arrived, is a naive, old-fashioned girl from a seemingly privileged background who has aspirations to be a stage actress. From more modest means, Millie, in New York for three months, used to be old fashioned, but now has a new modern sensibility and look to match, complete with bobbed hair and dresses with hemlines above the knee. Included in this new modern sensibility is Millie's goal of getting a job as a stenographer, with a quick promotion to being her wealthy boss' "Mrs.". Love is not to factor into the equation. She believes she's found the right employer in the form of chisel-jawed Trevor Graydon of the Sincere Trust Insurance Company. Millie's pursuit of Mr. Graydon is despite the fact that Mr. Graydon sees her as one of the boys, he has old fashioned sensibilities, and Millie ... Written by Huggo
Sad to learn that this was Beatrice Lillie's final movie. But her henchman assistants had better things ahead. Oriental #1 would go on to the 12th Precinct (Jack Soo-Barney Miller) while Oriental #2 would go on to own Arnold's in Milwaukee and help Daniel LaRusso become a karate kid (Pat Morita).
One of my favorite running gags of the movie is the elevator where you have to dance to get it going. Julie Andrews, Mary Tyler Moore and Beatrice Lillie had to dance. Even Pat Morita and Jack Soo danced to the tune of "Japanese Sandman". The last time I ever heard "Japanese Sandman" was the theme to an old local TV farm report show in Houston, Texas (Dewey Compton).