Claude Lelouch, the Oscar-winning director of “A Man and a Woman,” is getting ready to direct “Finalement…,” his next film which he says will be a sort of sequel to his BAFTA-nominated film “Happy New Year” and “L’aventure, l’aventure.” The lighthearted movie will reteam Lelouch with Metropolitan FilmExport which is co-producing with Lelouch’s banner Les Films 13, and will distribute in France.
Scored by popular French singer Ibrahim Maalouf, “Finalement…” will boast a large ensemble cast of French stars, including Kad Merad (“Baron Noir”), Elsa Zylberstein (“Simone”), Sandrine Bonnaire, Raphael Mezrahi, Michel Boujenah and Barbara Pravi.
Merad will play a powerful lawyer who sees his life take an unexpected turn after a health issue removes his ability to lie and forces him to speak without any filter. Merad’s character embarks on a road trip across France, from Paris to the Normandie, to the Mont St Michel, Avignon...
Scored by popular French singer Ibrahim Maalouf, “Finalement…” will boast a large ensemble cast of French stars, including Kad Merad (“Baron Noir”), Elsa Zylberstein (“Simone”), Sandrine Bonnaire, Raphael Mezrahi, Michel Boujenah and Barbara Pravi.
Merad will play a powerful lawyer who sees his life take an unexpected turn after a health issue removes his ability to lie and forces him to speak without any filter. Merad’s character embarks on a road trip across France, from Paris to the Normandie, to the Mont St Michel, Avignon...
- 5/21/2023
- by Elsa Keslassy
- Variety Film + TV
Studiocanal has signed a deal with Metropolitan Filmexport for worldwide rights to the entire film catalog of acclaimed French director Claude Lelouch.
The deal, announced at the Cannes Film Market on Saturday, includes more than 40 films, among them such French classics as A Man and a Woman (1966) — winner of the 1966 Palme d’Or, as well as two Oscars, for best international film and best original screenplay — Live for Life (1967), Love Is a Funny Thing (1969), The Crook (1970), Money Money Money (1972), Happy New Year (1973), Bolero (1981), Itinerary of a Spoilt Child (1988) and Les Misérables (1995).
Studiocanal has been handling French TV rights for the Lelouch catalog for the past seven years. The new deal will give the group exclusive worldwide distribution rights to the director’s vast catalog, as well as SVOD, free-on-demand and AVOD rights in France. Metropolitan will continue to distribute Lelouch’s films in theaters, on video and through transactional video-on-demand (Tvod) in France.
The deal, announced at the Cannes Film Market on Saturday, includes more than 40 films, among them such French classics as A Man and a Woman (1966) — winner of the 1966 Palme d’Or, as well as two Oscars, for best international film and best original screenplay — Live for Life (1967), Love Is a Funny Thing (1969), The Crook (1970), Money Money Money (1972), Happy New Year (1973), Bolero (1981), Itinerary of a Spoilt Child (1988) and Les Misérables (1995).
Studiocanal has been handling French TV rights for the Lelouch catalog for the past seven years. The new deal will give the group exclusive worldwide distribution rights to the director’s vast catalog, as well as SVOD, free-on-demand and AVOD rights in France. Metropolitan will continue to distribute Lelouch’s films in theaters, on video and through transactional video-on-demand (Tvod) in France.
- 5/20/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Occasionally I drop a teacup to shatter on the floor on purpose. I'm not satisfied when it doesn't gather itself up again. Some day, perhaps, the cup will come together. I just finished writing my review and recap of the first episode of this third season of "Hannibal", which I'll be posting immediately after it airs this Thursday, June 4 at 10 Pm Est, but until then I came across a piece at Wired discussing "Hannibal" composer Brian Reitzell. I think most of us that watch this show love Hannibal's use of the teacup metaphor. I don't know how most interpret it, but I best see it as Hannibal believing himself to be something of a god and/or an agent of chaos. In these terms he views those that come into his circle as a teacup, a collective whole of which he has shattered and won't be satisfied until they...
- 6/2/2015
- by Brad Brevet
- Rope of Silicon
Women in love, men who betray them, resentful daughters, and endless other roles all exist within the genealogy of Claude Lelouch's films. What can life still teach a man who at 76 has not only lived an outstanding existence, but who has used his experiences to imbue many of his 44 films with pure realism. He has reinterpreted his joys and regrets into vivid pieces of cinema for more than half a century. Winner of the Palm d’Or, two Oscars, three Golden Globes, and garnering a collection of other nominations and awards, Lelouch’s career is one marked by its longevity. His extensive filmography includes titles such as the international hit "A Man and a Woman," "Bolero," "Live for Life," "Les Miserables," "And Now My Life," "Happy New Year" and "Crossed Tracks." Perpetually developing a new project, he as prolific now as he was at the beginning, and he has...
- 5/5/2014
- by Carlos Aguilar
- Indiewire
Versatile French actor whose work ranged from popular comedy to melodrama
Annie Girardot, who has died aged 79 after suffering from Alzheimer's disease, was an extremely versatile performer whose distinguished career stretched from the Comédie-Française, through popular comedies and melodramas to the French New Wave and beyond. Jean Cocteau, in whose play La Machine à Ecrire (The Typewriter) she starred, called her "the finest dramatic temperament of the postwar period". Hardly ever considered a sex goddess like her near contemporaries Jeanne Moreau and Brigitte Bardot, the petite Girardot, with her strongly etched features, often set off by short hair, and a warm deep voice was, nevertheless, able to create an erotic charge when needed.
Ironically, following her screen debut in 1956, and after nine French films in four years, she came to international prominence when her voice was dubbed into Italian in Luchino Visconti's Rocco e i Suoi Fratelli (Rocco and His Brothers,...
Annie Girardot, who has died aged 79 after suffering from Alzheimer's disease, was an extremely versatile performer whose distinguished career stretched from the Comédie-Française, through popular comedies and melodramas to the French New Wave and beyond. Jean Cocteau, in whose play La Machine à Ecrire (The Typewriter) she starred, called her "the finest dramatic temperament of the postwar period". Hardly ever considered a sex goddess like her near contemporaries Jeanne Moreau and Brigitte Bardot, the petite Girardot, with her strongly etched features, often set off by short hair, and a warm deep voice was, nevertheless, able to create an erotic charge when needed.
Ironically, following her screen debut in 1956, and after nine French films in four years, she came to international prominence when her voice was dubbed into Italian in Luchino Visconti's Rocco e i Suoi Fratelli (Rocco and His Brothers,...
- 3/2/2011
- by Ronald Bergan
- The Guardian - Film News
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