Directed by
Mark Rydell |
Writing Credits
William Faulkner | ... | (novel) |
Irving Ravetch | ... | (screenplay) & |
Harriet Frank Jr. | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
Steve McQueen | ... | associate producer (uncredited) |
Irving Ravetch | ... | producer |
Robert E. Relyea | ... | executive producer |
Rick Rosenberg | ... | associate producer |
Music by
John Williams |
Cinematography by
Richard Moore | ... | director of photography |
Editing by
Thomas Stanford |
Casting By
Lynn Stalmaster |
Production Design by
Charles Bailey | ||
Joel Schiller |
Set Decoration by
Phil Abramson |
Costume Design by
Theadora Van Runkle |
Makeup Department
Pat Abbott | ... | hair stylist (as Patricia Abbott) |
Emile LaVigne | ... | key makeup artist |
Production Management
Jack N. Reddish | ... | production manager |
Second Unit Director or Assistant Director
Tim Zinnemann | ... | assistant director (as Tim Zinneman) |
Charles Ziarko | ... | dga trainee assistant director (uncredited) |
Art Department
Frank Agnone | ... | props |
Tom Fairbanks | ... | props (as Thomas Fairbanks) |
Joseph Hurley | ... | visual consultant |
Glenn Melts | ... | construction coordinator |
Craig Binkley | ... | lead man (uncredited) |
Sound Department
Gene S. Cantamessa | ... | boom operator (as Gene Cantamessa) |
John Oliver | ... | sound recordist |
Clem Portman | ... | re-recording mixer |
Jerry Rosenthal | ... | sound effects supervisor (as Gerald S. Rosenthal) |
Jack Solomon | ... | sound mixer |
Special Effects by
A. Paul Pollard | ... | special effects (as Aubrey P. Pollard) |
Visual Effects by
Ray Mercer | ... | optical effects |
Marv Rubin | ... | optical effects |
Bud S. Smith | ... | optical effects (as Bud Smith) |
John Urie | ... | optical effects |
Stunts
Carol Daniels | ... | stunts (uncredited) |
Donna Hall | ... | stunts (uncredited) |
Loren Janes | ... | stunt double: Steve McQueen (uncredited) / stunts (uncredited) |
Regina Parton | ... | stunts (uncredited) |
Camera and Electrical Department
Andrew M. Costikyan | ... | additional photographer |
Clifford Hutchison | ... | gaffer |
Edmond L. Koons | ... | camera operator (as Ed Koons) |
Charles J. Renaud | ... | key grip (as Charles Renaud) |
Mel Traxel | ... | still photographer |
David M. Walsh | ... | camera operator (as David Walsh) |
Jim Coe | ... | still photographer (uncredited) |
Costume and Wardrobe Department
Joanne Haas | ... | costumes |
Alan Levine | ... | costumes |
Andrea E. Weaver | ... | key costumer: women (uncredited) |
Editorial Department
Neil Travis | ... | associate film editor |
Music Department
Robert Takagi | ... | music editor (as Robert Y. Takagi) |
Louise Di Tullio | ... | musician: flute (uncredited) |
John Williams | ... | conductor (uncredited) |
Script and Continuity Department
Meta Rebner | ... | continuity |
Marshall J. Wolins | ... | continuity (as Marshall Wolins) |
Transportation Department
Stanley Hustis | ... | transportation |
Additional Crew
Lelia Alexander | ... | researcher |
Stanley Beck | ... | dialogue coach |
Von Dutch | ... | car provider |
Ray Mercer | ... | titles |
Marv Rubin | ... | titles |
Bud S. Smith | ... | titles (as Bud Smith) |
John Urie | ... | titles |
Dick Webb | ... | ramrod (as Richard Webb) |
Bruce Lee | ... | personal conditional trainer: Steve McQueen (uncredited) |