Sundance Cassidy and Butch the Kid (1969) User Reviews

An amusing piffle

[dinky-4 · 6/10 · 15 May 2005]

The premise here is that two estranged brothers must spend six peaceful months together in order to inherit $300,000 from a rich uncle. This premise, however, is merely an excuse to put the two brothers into a series of comic adventures in the American West -- circa early 1900s. While none of these adventures is original or memorable, they combine to produce an easy-going "spaghetti western" which never takes itself too seriously and which therefore qualifies as a pleasant time-killer. (Incidentally, the movie's Italian title translates as "Alive or Preferably Dead." The American title shamelessly tries to capitalize on another film's success but it has nothing to do with the famous characters portrayed by Paul Newman and Robert Redford.) This movie is helped by the fact that the two brothers, (and they actually look like brothers), are played by such handsome and agreeable actors as Giuliano Gemma and Nino Benvenuti. Gemma, (billed as "John Wade" for American audiences), got his start wearing nothing but a towel in 1959's "Ben-Hur" when he appeared as one of the muscular Roman athletes who observe Messala placing a bet with the Shiek on the outcome of the chariot race. Benvenuti, (here billed as "Robert Neuman"), first achieved fame as a boxer in Rome's 1960 Olympics. Despite being personable and good-looking, he only appeared in two movies. Not surprisingly, opportunities are found to show off these hunks' physiques by stripping them to the waist. Gemma is shown sitting in a tub, taking a bubble bath, while Benvenuti sheds his shirt when he chops a load of firewood. Both men are also shirtless when they're tortured by the Bad Guys who apparently poke burning sticks into their chests. Alas, both the American theatrical release and the videotape release drastically cut this torture scene. The two brothers are shown tied up and threatened but then the action jumps forward. The brothers now have burn marks on their chests but no torture was actually shown.

Sydne Rome, (billed here as "Karen Blake"), makes a spunky and appealing heroine but at the end of the movie one realizes she's just been added to the proceedings to persuade viewers that the two brothers -- appearances to the contrary -- are really "straight."

(November 2007 update: Having viewed a DVD of this movie under its Italian title, some new comments are in order. This Italian version is longer and more detailed than the American version known as "Sundance Cassidy and Butch the Kid." It contains the complete torture scene which turns out to be quite different than expected. The two brothers, stripped to the waist, are laid face-up on the floor with their hands tied behind their backs. The bad guy approaches with a smoldering stick taken from a nearby fireplace but does not, as expected, poke it into the brothers' chests. Instead he uses it to draw a smudgy line across the floor. Then he tells his gang-members they can throw hot pennies at the brothers but they cannot step across the line. The gang-members reach into the fireplace with their gloved hands, scoop up hot coins, and gleefully toss them at the brothers' bare chests. The brothers squirm and writhe, trying to avoid the scorching missiles, but some still hit their targets. Then a distraction occurs, the brothers manage to free themselves with no more damage than a few burn marks on their chests. It's puzzling why the American prints cut most of this scene since it's not especially violent and is played more for comic than sadistic effect. The beginning of the movie also varies from the Italian to the English-language print. The Italian version begins with a scene "back East" in which Monty Mulligan leaves a Christmas party, fights off four street-thugs intent on robbing him, and then encounters four more men who demand that he repays his gambling debts. Monty's unable to do so but is saved by the arrival of a messenger from a lawyer's office. The scene then shifts to this office where the lawyer reads to Monty details of his uncle's will. At this point the movie switches to its Wild West setting which is where the English-language prints pick up the story.)

Hilarious and sympathetic but average Spaghetti/Paella Western co-produced by Italy/Spain

[ma-cortes · 5/10 · 25 March 2017]

This Chorizo/Pasta Western displays noisy action , thrills , stirring adventures , shoot'em up , slapdash , and results to be pretty amusing . Two brothers , Monty (Giuliano Gemma) and Ted (Nino Benvenutti) , will inherit $300,000 from the valuable inheritance of their deceased uncle if they manage to live together for six months . This is an amusing film including booze , banks & broads! . The roguish brothers have their hands in everything , but especially on a beautiful young (Sidney Rome) who is kidnapped , she is daughter of a banker (Jorge Rigaud) to pay a huge rescue . Meanwhile , the funny couple helped by Barnds (Antonio Casas) carry out bank hold-up , assault stagecoaches , take on their nasty enemy Jim (Cris Huerta) and hoodlums (Alvaro De Luna , Simón Arriaga , Dan Van Husen , José Canalejas , among others) .

This amusing , engaging movie is crammed of fist-fights , punches , kicks , moving stunt-work , colorful outdoors and lots of humor . ¨Alive and preferably dead" or "Sundance Cassidy and Butch the Kid" is just a mildly amusing action comedy Western , about on the level of a lesser Bambino/Bud Spencer - Tritinity/Terence Hill movie . Giuliano Gemma is top-notch as a likable freewheeling rogue , meanwhile taking on an ominous villain , Chris Huerta . This is a nice and funny juvenile story for Giuliano Gemma fans , as he's delightful and attractive . It packs action , fist-play , slapdash , humor with tongue-in-cheek and is quite bemusing . This is an acceptable S.W. full of action , shootouts , fist-play and some touches of humor in charge of Giuliano Gemma/Monty Mulligan and Nino Benvenuti/Ted Mulligan characters . They are very fine , they ravage the screen , they jump , bounds and leaps , hit and run ; plus , lots of jokes , laughs , they are a complete show , delivering a nice chemical . Gemma starred several films of all kinds of genres as ¨Master touch¨ with Kirk Douglas , ¨Stay away¨ with Amidou , as well as ¨Africa Express¨ and ¨Safari Express¨with Ursula Andress and with similar artist and technician team , but especially Westerns as ¨Arizona Colt¨ with Fernando Sancho and Nello Pazzafini and ¨California ¨ with William Berger and Romano Puppo . This release ¨Vivi or Preferibilmente Morti (original title)¨ or ¨Alive or preferably dead¨ has some cool moments and a great number of hilarious scenes , adding a wonderful Sidney Rome as the kidnapped lady in mystery . The film isn't always good , sometimes is fresh and diverting and on a couple of memorable occasions , it's frankly delicious . The movie displays innumerable laughs , jokes and slapstick . In this very mild entertainment picture appears usual secondaries seen in several Spaghetti/Tortilla Westerns , many of them uncredited in brief appearances , such as : Antonio Casas , Julio Peña , Alvaro De Luna , José Canalejas , Simón Arriaga ,Luis Barboo , Victor Israel , Dan van Husen , Julio Pérez Tabernero , Miguel Del Castillo , Rafael Albaicin and special mention for the fatty Chris Huerta . It's a co-production Spanish-Italian and , of course , shot on location in Manzanares Del Real , La Pedriza , Colmenar Viejo and Madrid surroundings , that is well photographed in Eastmancolor by Manuel Rojas , though a perfect remastering is necessary because of the film-copy is washed-out . There are many fine technicians and professional assistant direction and decent production design by Antonio Cortés , a magnificent scenario on the villages , ranch , an spectacular assault on a train and barren outdoors , dirty landscapes under a glimmer sun and fine sets . The musician Gianni Ferrio -Spaghetti Western's usual-, composes an agreeable soundtrack and well conducted and splendid leitmotif ; it's full of enjoyable sounds and lively score , including catching ballads .

The motion picture written by Ennio Flaiano was middlingly directed by Duccio Tessari . This Italian writer/filmmaker Duccio Tessari so consistently mixed the good with the mediocre that it became quite impossible to know what to expect from him next . He wrote several Westerns as ¨A fistful of dollars ¨, ¨A train to Durango¨ , ¨Seven guns for McGregor¨ , ¨The return of McGregor¨ . He directed five Westerns with abundant touches of humor as ¨Vivi o Preferibilment Morti¨, ¨Don't turn the other cheek¨ and ¨Zorro¨ with Alain Delon and , of course , ¨Ringo¨ and sequel ¨The return of Ringo¨ at his best , mostly starred with his fetish actor Giuliano Gemma . This is a passable entertaining juvenile that will appeal to Italian comedy buffs . Rating : Average , only for Giuliano Gemma and Spaghetti/Paella Western fans.

Silly Slapstick-Western With Gemma

[Witchfinder-General-666 · 4/10 · 27 June 2007]

A Spaghetti Western enthusiast, I will always have utmost respect for Giuliano Gemma for his performances in genre-greats such as "Day Of Anger" (1967) and "Price Of Power" (1970) as well as in other films, such as Dario Argento's stunning Giallo "Tenebre" (1982). Duccio Tessari's "Vivi O, Preferiblmente, Morti" aka "Sundance Cassidy And Butch The Kid" of 1969, however, is certainly the worst movie I've ever seen Gemma in, an utterly silly slapstick-Spaghetti Western that tries to imitate the style of satirical SWs starring Bud Spencer and Terrence Hill, but fails. Although the movie is amusing in some parts, and certainly not a total disaster, it is just too silly and not as funny as it should be, and Gemma is probably the only good reason to watch it.

Two estranged brothers, city gambler Monty (Giuliano Gemma) and Wild West farmer Ted Mulligan (Nino Benvenutti) inherit 300.000 Dollars from their late uncle, on condition that they endure to live together for six months. The two start a fight over everything, and trouble begins as soon as Monty arrives in Ted's hometown...

Besides Gemma, the only other Spaghetti Western regular appearing in "Sundance Cassidy..." are Antonio Casas (who should be known to lovers of the Italian Western for his appearances in "The Good, The Bad And The Ugly", "The Big Gundown", "Face To Face", "Price Of Power", "A Pistol For Ringo" and others), and Cris Huerta ("Navajo Joe", "They Call Him Holy Ghost", "Cemetary Without Crosses"), who plays the obese leader of an outlaw gang. Apart from Gemma and Casas, and one kinda funny, recurring gag, the movie has little to offer except for very flat gags. Beautiful Sydne Rome has a supporting role, but that doesn't turn the movie into a highlight either.

All things considered, "Vivi O, Preferiblmente, Morti" is kinda funny in some scenes and an acceptable time waster if you're looking for featherbrained entertainment, but the only people I would really recommend it to are hardcore-fans of Giuliano Gemma. Others, watch Bud Spencer and Terence Hill flicks instead. 4/10

Another bad Spaghetti Western-Comedy

[astrofilms-1 · 1/10 · 19 October 2004]

This film is also known as Sundance and the Kid in the U.S. release. Starting as early as the 1970's most Euro-Westerns started going downhill in quality and budget. So Italian producers started combining the usually dramatic Spaghetti Westerns with comedy and later in 1970's with martial arts! This film, Sundance and the Kid, is just plain awful in everything from the acting to the screenplay. This turkey was cranked out to compete with the more original Spaghetti Western comedies with Italian actors Bud Spencer and Terence Hill such as Boot Hill, They Call Me Trinity, Trinity is Still My Name..etc. and also perhaps to certain extent the quality U.S. film Butch Cassidy and the Sundance Kid with Robert Redford and Paul Newman which is recommended if you want to see a quality made comedy-western.

Ironically, in my opinion, Italian directors made the very best westerns and the very worst westerns. On most all these Spaghetti Western-Comedies everything from the title of the movie to the names of the Italian actors, directors and sometimes even the production crew would change their names to American names and add awful English dubbing all designed to sound more American so it would sell better. In Spaghetti Westerns everything in fact is made in Italy but to make $$$ they had to make it look like an American made western as much as possible...but sometimes failed miserably as in this movie.

Lightweight but Amusing Italian Western

[azjimnson · 7/10 · 30 June 2010]

Not all of the slapstick works, but there are more hits than misses. Frankly I think the humor and production values are better here than all but the first of "Trinity" western-comedies. The English dubbing is not "awful," as one reviewer stated. It's actually better than in many spaghetti Westerns. I liked the attention to detail in the depiction of even minor characters, like the bank employees & dishonest doctor who encases one brother in a total body cast. While I agree the American distributors were guilty of giving this film an terrible "let's cash on on a better movie" title, I don't think seeing the prelude would have added much.The picture already seems a bit too long, with a throw in the kitchen sink approach to the screen writing ("Then's let's have them try this and fail, an then this..."), when a plot more focused on one or two criminal acts might have been better. I also watched this as part of the Mill Creek 20 pack, mostly to get Monte Hellman's "China 9, Liberty 32" and "The Big Gundown" I have only found one (so far) that was truly unwatchable ("Apache Blood"). My main complaint is being deprived, in most cases, of seeing the films in the original Techniscope widescreen process (similar to Superscope but invented at Technicolor's Italian lab), which, through setting the number of frames per inch of film higher in the camera, used only half as much film as Cinemascope or Panavision did. Some complained they could see more grain in the projected image in theaters, but in many cases that worked to the film's advantage, contributing to a gritty washed out look. As with Superscope (now called Super 35), the anamorphic squeeze was done in the lab on an optical printer, enabling the directors to use normal rather than expensive anamorphic lenses in shooting these movies. Unlike Techniscope, Superscope used a normal frame in the camera, so did not save any film stock. The price of film stock was a large part of the cost of making feature movies back then. Now, with digital video, it's not an issue.

Whoopsy boing pap flap

[Bezenby · 4/10 · 22 August 2017]

Oh great: another Italian Comedy Western that's low on laughs and everything else to boot. This is even more disappointing as it was directed by Duccio Tessari of Tony Arzenta fame, and it stars Guilliano Gemma of loads of great films fame. Sometimes these tongue-in-cheek comedies work (like Run Man Run and Fistful of Lead) but most seem to rely on lame slapstick that you've seen Charlie Chaplin do several hundred years previously.

This one involves two brothers who hate each other, but who also have to spend six months living together in order to receive an inheritance from a dead Uncle. Don't ask me why. There's a bunch of bad guys who are harassing Gemma's brother who periodically turn up throughout the film to ruin Gemma's increasingly dumb attempts at crime sprees (including robbing a bank where everyone who enters the bank trips over the same step…hmm).

Gemma does get to show off his trapeze skills and there's an axe fight on a train that results in an entire carriage being destroyed, but no one in their right mind is ever going to want to watch this unless they are obsessively watching their entire collections of Italian films. Ahem.

Other comedies not being reviewed any time soon: My Name is Trinity, My Name is Nobody, Cry! Onion, Life is Tough, Eh, Providence, Trinity is Still My Name etc etc.

an amusing eurowestern

[spider89119 · 6/10 · 4 July 2014]

This is a comedy western, but it isn't one of those totally awful ones that are more annoying than funny. This one genuinely provides some good laughs. Some of the slapstick in this film even reminds me of The Three Stooges. Especially one particular fight scene in a flooded hotel room.

I would probably have given this movie seven or eight stars if the music score was better. It isn't terrible or anything, but it just isn't spaghetti western style music. What we have here instead is the kind of music one would expect from a Hollywood western, with some vocals thrown in here and there. To me, the musical style is a very important component in the spaghetti western genre, and it can definitely make or break these films.

The acting is above average, and the quality of this film is decent. Giuliano Gemma always delivers a fine performance. The action scenes are well done, and the film features what would have been a very fancy and unique looking early automobile. I don't know what make it was.

Overall I found this movie to be quite entertaining. It is worth watching for fans of the genre.

Sundance and Butch

[BandSAboutMovies · 3/10 · 15 June 2022]

Alive or Preferably Dead is also known as Sundance and the Kid and Sundance Cassidy and Butch the Kid, an attempt to win the audience of Butch Cassidy and the Sundance Kid. It was directed by Duccio Tessari, who wrote A Fistful of Dollars and would go on to direct A Pistol for Ringo. Its story comes from Ennio Flaiano, who wrote ten movies with Fellini, and has a screenplay by Tessari and Giorgio Salvioni (The Tenth Victim).

In the U. S. version, everyone gets an American name: Giuliano Gemma is John Wade; Nino Benvenuti becomes Robert Neuman; Sydne Rome is Karen Blake and director Tessari is called Arthur Pitt.

Country mouse Ted Mulligan (Nino Benvenuti, a former boxer) and city mouse Monty (Giuliano Gemma) inherit $300,000 if they can live together for six months. As soon as Ted arrives, he insults local tough "Bad Jim" Williams (Robert Huerta) who responds by burning down his brother's house. Soon, the two of them are doing odd jobs, including robbing banks and kidnapping Rossella (Sydne Rome, What?, Some Girls Do) who they both fall for.

It's all rather goofy and really a predecessor of the sillier Italian westerns that were soon to come riding into town.

Fast And Funny Vehicle For Giuliano Gemma

[FightingWesterner · 8/10 · 28 June 2014]

In order to claim an inheritance, fancy-pants Giuliano Gemma, a problem gambler, must go west and live with his brother for six months. Though they don't like each other very much, the two use the time to embark on an inept crime spree that keeps getting interrupted by a gang of real criminals.

A genuinely likable and often times really funny western comedy, this is a good showcase for Italian western superstar Gemma, who gets to show off his charisma, as well as his prowess as an action star, doing all or most of his own stunts.

There's some good action action sequences here too, including a rowdy bath-time punch-out/gunfight and an exciting train robbery climax, all leading to a finale that actually rips off the final scene of The Graduate!

Forgettable spaghetti western

[Wizard-8 · 2 June 2012]

Notorious American B movie producer Edward L. Montoro retitled this spaghetti western "Sundance Cassidy and Butch the Kid" when he released it to American theaters in the '70s. But the only connection this movie has to "Butch Cassidy and the Sundance Kid" is that both are westerns and both have comic bits. If the makers of this spaghetti western had copied the American movie's quality, we might have had something here. Oh, there are a few minor amusing bits, and there is some impressive stunt work on display (some of it actually performed by the actors instead of their stunt doubles.) But on the whole, this is a tired enterprise that feels endless at times. The American print I saw was cut by about twenty five minutes, and judging from what survived the editing, I think the original Italian version would be much harder to sit through.