Rötmånad (1970) Poster

(1970)

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7/10
Vivid memories
neil-4769 August 2007
Warning: Spoilers
Fame at last! The first to review a film!

Before I do so, I must set it in context. You will note that this film dates back to 1970, which marks the one and only time I saw it, as part of a late night double bill at a small provincial British cinema (under the title What Are You Doing After The Orgy). I was 18, and had grown up in a society which, at that point, was very repressed over sexual matters. This was long before the internet, remember, and UK censors had only recently decided that the sight of pubic hair wouldn't necessarily turn us all into depraved rapists overnight. So, as an impressionable and somewhat sheltered 18 year old on the lookout for some all-too-rare mucky stuff, I turned out for this late night showing.

What I got was a film which, to my way of thinking, did not fit the title under which it was offered. Nor did it particularly fit the genre "comedy" as mentioned above. Perhaps the Swedes found it funny, but I'm pretty sure I didn't, especially given the nature of the ending. I think I didn't find the whole notion of Mum returning and recruiting her teenage daughter into prostitution that comical, either.

I did enjoy the movie, though. The story, which is downright weird, was gripping. And Christina Lindberg as the daughter was so powerfully erotic that the two nude scenes (and there were only two! unless the UK censors had snipped others) have stayed with me throughout the 37 years since then.

Please understand that any comments based on a single viewing 37 years ago, when my native society - and I! - were very different are inevitably going to be somewhat unreliable. But I think I might try to track this film down on DVD nonetheless, so that I can see whether watching it again will be able to conjure up that naive young man from the mists of my personal history.
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8/10
A Swedish classic - with subtitles at long last!
pj-wright-199-64702523 February 2016
Warning: Spoilers
In 2014 Svensk Filmindustri released Rotmanad in its Jan Halldoff 4-disc collection. Amazingly, they thought to add Swedish captions for the hearing impaired, which finally opened this classic for translation into English subtitles. First, this is NOT an "erotic film" in the sense that there is NO pandering to the prurient interests of the audience. True, we see 19-year old Christina Lindberg in a few minutes of nude and semi-nude footage ... but she never engages in anything that might be construed as "sexual". That's what Rotmanad is not. But what, then, is it? It is typically billed as a "comedy" ... but if so, it is a dark comedy ... even tragi-comic. One has to sympathize with Assar Gustafsson (Carl-Gustaf Lindsted), as Anna-Bella's (Lindberg) well-meaning but pathetically hapless father. His carefully-ordered world crashes down around his ears when his estranged wife, Sally - played to perfection by Ulla Sjoblom - unexpectedly returns after an unexplained four-year absence. In the opening title sequence we are led to believe she is desperately fleeing from her recent past - jumping from a bridge (in Stockholm?) and swimming back to her family. Sally is a real piece of work. She is utterly without scruples - a hardened prostitute whose mantra is "eat or be eaten." She's a shrewish bully towards her husband - whom she routinely humiliates by having him serve drinks to her clients, and goes so far as to charge him the going rate to have sex with her. But worse, she openly exploits their teenage daughter, selling her body as a "photographer's model", and coaching her to become a prostitute like herself. When one of Anna-Bella's clients becomes romantically involved with the girl, Sally intervenes - murdering the lad, with the rationale that Anna-Bella can't afford emotions. This triggers a cascade of misfortune for the Gustafsson clan - beginning with Anna-Bella's mortal retribution against her mother. Little did she know that Assar had already planned Sally's death, wiring the whore's love-nest with dynamite. He never has the chance to tell her - getting electrocuted while installing the lightning rod Sally had nagged him about throughout the film. Following in her mother's footsteps, Anna-Bella offers her father's undertaker a roll in the hay in lieu of his fee. Unfortunately, she also uses her mother's booby-trapped love-nest ... leaving the dog, Ludde, as the only surviving member of the family! Dog Days? I guess that's where the title came from. Watch Rotmanad with English subtitles, and I think you'll agree that this is indeed a Swedish classic!
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Not very good, a little sleazy, but kind of interesting nevertheless
lazarillo8 March 2009
I saw this in Swedish (with no subtitles), so I'm a little unsure of the plot, but here goes: Christina Lindberg takes her clothes off a lot.

Seriously though, this movie seems to about a VERY dysfunction Swedish family living on an idyllic lake. The not-particularly-attractive mother is a prostitute who services the men who show up in boats or hydroplanes out in the family boathouse. The oafish father meanwhile serves drinks to his wife's "guests". The wife seems to be trying to introduce the teenage daughter (Lindberg) to the family business by letting her clients photograph her naked or leer at her as she sunbathes topless. Then the daughter falls in love with a boy her age, and the wife, her plans evidently threatened, plots to get rid of the guy. This in turn leads the daughter to take revenge, and the long-suffering husband meanwhile has his own sinister plans. There are some ironic twists, and by the end of the film the English title "Dog Days" will make perfect sense as the family's dog becomes the most significant remaining character.

I don't think this movie is supposed to be a comedy, but it's hard to tell. It's a little serious for an exploitation film, but also a little exploitative for a serious film. It was one of Christina Lindberg's first films. She was probably about 18 or 19 here, but in loose-fitting clothes is believable as a slightly younger character. Without clothes though she looks like a burlesque-era stripper, but that was really her whole appeal--part innocent Swedish schoolgirl, part Gypsy Rose Lee. I've seen almost all of Lindberg's films, and this is pretty much like all the rest--not very good perhaps, a little sleazy, but kind of interesting nevertheless.
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