I suppose there’s a more interesting film to be made about the great composer Ennio Morricone, but watching Giuseppe Tornatore’s loving and comprehensive “Ennio” makes it almost impossible to care. An uncomplicated and reverent tribute that was shot before the late maestro’s death in 2020 (and would feel like a two-and-a-half-hour tribute reel if not for the fact that Morricone himself is the film’s most frequent talking head), this straightforward biodoc is almost perversely generic for a movie that’s meant to honor one of cinema’s greatest radicals.
And yet, do you really not want to see Clint Eastwood deadpanning that Morricone’s music “helped dramatize me, which is really hard to do”? Would a less conventional documentary have been able to squeeze Bruce Springsteen, Wong Kar-wai, and James Hetfield into the same film, or include so much of what Bernardo Bertolucci had to say about...
And yet, do you really not want to see Clint Eastwood deadpanning that Morricone’s music “helped dramatize me, which is really hard to do”? Would a less conventional documentary have been able to squeeze Bruce Springsteen, Wong Kar-wai, and James Hetfield into the same film, or include so much of what Bernardo Bertolucci had to say about...
- 2/7/2024
- by David Ehrlich
- Indiewire
The second edition of the Transmissions ’13: A Festival of Independent Cinema organised by the Lightcube Film Society will be held in Sri Aurobindo Centre for Arts and Communication, New Delhi from November 14-18, 2013.
The festival will showcase experimental films, short films, feature films and student films. The festival will also host panel discussions, video sessions, lectures, post-film discussions. Film literature, film criticism magazines, posters will also be up for sale during the festival.
Some of the films to be screened are 23 Winters by Rajesh Jala, City of Photos by Nishtha Jain, Chitrasutram by Vipin Vijay, Riyaaz by Gurvinder Singh and Ekti Naadir Naam by Anup Singh.
The pass to the festival will cost Rs 500 for general public and Rs 300 for students. Buy tickets from here. For more details call at 7838340196 or 9910161947 or write to lightcubefilmsociety@gmail.com / anuj.malhotra@lightcube.in
Schedule:
14th November 2013
4:30 Pm – 5 Pm: Opening
6:30 Pm: 23 Winters (2013)
Dir.
The festival will showcase experimental films, short films, feature films and student films. The festival will also host panel discussions, video sessions, lectures, post-film discussions. Film literature, film criticism magazines, posters will also be up for sale during the festival.
Some of the films to be screened are 23 Winters by Rajesh Jala, City of Photos by Nishtha Jain, Chitrasutram by Vipin Vijay, Riyaaz by Gurvinder Singh and Ekti Naadir Naam by Anup Singh.
The pass to the festival will cost Rs 500 for general public and Rs 300 for students. Buy tickets from here. For more details call at 7838340196 or 9910161947 or write to lightcubefilmsociety@gmail.com / anuj.malhotra@lightcube.in
Schedule:
14th November 2013
4:30 Pm – 5 Pm: Opening
6:30 Pm: 23 Winters (2013)
Dir.
- 11/11/2013
- by NewsDesk
- DearCinema.com
Directors Paolo and Vittorio Taviani have been unjustly overlooked for two decades. Now they're back with a prize-winning new film acted by a cast of prison inmates
The Taviani brothers are among the last titans of classic Italian cinema. They came of age in the era of Rossellini and Pasolini; they count Bertolucci among their contemporaries; they have been a nurturing influence on younger countrymen such as Nanni Moretti. They won the Palme d'Or at Cannes in 1977 for Padre Padrone, an odyssey of rural hardship shot through with transformative fantasy and theatricality. It begins with the Sardinian farmer's son, on whose memoir the film is based, handing a prop to the actor who will be playing him; another scene allows us access to the inner monologue of a goat with which a boy is having sex ("I am going to shit in your milk!"). That playfulness persists in the wartime...
The Taviani brothers are among the last titans of classic Italian cinema. They came of age in the era of Rossellini and Pasolini; they count Bertolucci among their contemporaries; they have been a nurturing influence on younger countrymen such as Nanni Moretti. They won the Palme d'Or at Cannes in 1977 for Padre Padrone, an odyssey of rural hardship shot through with transformative fantasy and theatricality. It begins with the Sardinian farmer's son, on whose memoir the film is based, handing a prop to the actor who will be playing him; another scene allows us access to the inner monologue of a goat with which a boy is having sex ("I am going to shit in your milk!"). That playfulness persists in the wartime...
- 3/1/2013
- by Ryan Gilbey
- The Guardian - Film News
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