The Migrants (1974 TV Movie) User Reviews

Real Acting

[thurberdrawing · 8/10 · 16 March 2007]

I saw this TV movie when it originally aired in 1974. I was thirteen. I had just seen my first Tennessee Williams play ("The Glass Menagerie") at a local repertory theatre and was smitten with his work. My memory is that I watched this and thought it was great. In the thirty-three intervening years I haven't met a single person who has seen this. I've looked for it for years. Yesterday, I noticed a videotape of it in my local library and I borrowed it. It is a very moving, realistic drama of a family of migrant farmers. I am surprised to find I am only the second customer to review this at this webpage. THE MIGRANTS is based on a story by Tennessee Williams and adapted by Lanford Wilson. The authorship alone should be a reason more people would even hear of this, but this is as obscure as can be. Maybe because it was a TV movie, distribution is problematic. But I doubt it. I see that it was nominated for multiple Emmys and didn't get any. Maybe the fact that THE GRAPES OF WRATH covers the same territory so definitively keeps people from separating THE MIGRANTS from Steinbeck's epic (or from Ford's.) I'll give a list of reasons I still find this intriguing: 1) Cloris Leachman gives a performance equal to the one she gave in THE LAST PICTURE SHOW. 2) Ron Howard gives the performance of his life. He was indeed right for a Tennessee Williams character. 3) Sissy Spacek, pre-CARRIE, packs a lot of emotion (and sympathy) into a relatively small role. 4) Tennessee Williams 5) Lanford Wilson It's not earth-shattering, but it is a very solid drama which appeals to the viewer's sense of outrage over the treatment of the people who farm the land. For fans of oddity, there is another aspect worth a mention. This is ANOTHER pairing of Ron Howard and Cindy Williams. If you don't count crossover episodes of HAPPY DAYS and LAVERNE AND SHIRLEY (but you do count the LOVE, American STYLE episode which served, essentially, as a pilot for HAPPY DAYS, or an audition for the George Lucas film I'm about to mention) Ron Howard and Cindy Williams appeared together in two pretty big vehicles: The LOVE, American STYLE episode I've mentioned and, of course, the giant hit, American Graffiti. But nobody's heard of THE MIGRANTS.

I have to look at the positive, "they were a hard working family of nomads"

[Ed-Shullivan · 6/10 · 23 August 2019]

Unlike today's younger family society that relies far too heavily on the government to put food on their plate (food stamps), a roof over their head (social housing), and a regular pay check (social and medical welfare) this family of nomads, the Barlow family, toiled in farmers fields picking fruit and/or vegetables from daylight to daybreak as they traveled in a caravan with other migrant workers from one farmers fields, to the next.

As much as the work needed to be completed by menial workers who were shunned from actually entering the towns, they toiled in the nearby fields and their foreman would go into town and pick up any supplies that the migrant workers needed and charge them a little more for his services.

This nomadic life still exists for many families, but mainly by immigrant workers who are not afraid of hard work unlike many North American people are today. The film has a stellar cast of A-lister actors and their solid performances are well worth watching. It is a tough life as migrant workers that they had no choice in becoming migrant workers as a family and it is a good reminder for all of us that our lives could be so much worse, so suck it up butter cup and appreciate what we have today.

A solid 6 out of 10 rating

Vastly Underrated

[Lance0812 · 9/10 · 29 September 2008]

I agree with Fred's assessment that this film should be known (and shown) more widely. I saw it when it first ran on TV many years ago and it was one of the most powerful made-for-TV movies ever. In fact, I'd rate it right up there with "Requiem For A Heavyweight" - the original, not the movie adaptation. I had a black-and-white TV at the time and if this was made in color it should not have been. After all these years one scene is so stuck in my mind that I can still hear and see the delivery. The story, of course, is about the bleak lives of migrant workers and nothing says more about their lack of a future than the moment when Cloris Leachman emerges from the tent in which her daughter (?) has just given birth to a baby. "Is it a boy or a girl?" someone asks. Cloris, face twisted in agony, wails, "Oh, God, what difference does it make?"

As emotionally powerful as "The Grapes Of Wrath"

[ChrissP-2 · 10/10 · 17 June 2000]

Recommended by a friend, I reluctantly watched this film, dreading the thought of watching familiar actors reenact the Joad family. Instead, I was mesmerized by a life made real by the extraordinary talents of Cloris Leachman and Ron Howard. This IS the Joad family, as they existed in more recent times in the South. The film continues to haunt my thoughts years later.

Cloris Leachman's Bravura Scene

[poetcomic1 · 9/10 · 22 September 2012]

Lots of low-key, powerful acting. The moments of emotional 'pay off' are built slowly and with great care. Did Ron Howard ever have a better moment on screen then the time he almost escapes the migrant life but finds himself trapped again when a family member dies and he is needed to work and cries out with real anguish "Nothing ever works out!"?

But the real gem of the film? It is the moment when Cloris Leachman 'loses it'. A sadistic sheriff is going to confiscate the family's pitiful but 'illegal' rabbit trap which is the only way they can put some meat on the table. Her authentic and 'full body' hysteria is the equal of her Academy Award winning moment at the end of The Last Picture Show. She literally holds nothing back - in both films it is scary its so good!

A young Sissy Spacek plays Ron Howard's sister and Cindy Williams (of Laverne and Shirley fame) is natural and delightful as Ron's girlfriend. The sets, people and detail are realistic and not 'prettied up'. When I look at all the crap on DVD, why can't they give this a decent treatment? Who wrote this? LANFORD Wilson, famous playwright and he used a TENNESSEE WILLIAMS short story as the basis - meeting and working it out with Tennessee!

One scene remembered

[noir59 · 15 August 2009]

I also have a scene from this movie that stuck in my head. The older man, (I believe he was the husband of Cloris Leachman)is unloading the baskets of fruit from the back of the truck. He starts staggering around and coughing up blood, but he continues to try to work. He finally falls and dies while working. Just the desperation in his face of trying to work even though he was deathly ill really struck a cord in me.

I saw this movie one night on one of the local channels. I hope someone will rerun this film. I couldn't remember the name of the film, I just remembered it starred the fabulous Ms.Cloris Leachman and it was a sad and touching film.

Tennessee Williams story designed for prestige

[moonspinner55 · 5/10 · 4 September 2017]

Acclaimed TV-movie from CBS features Ron Howard as the eldest child in a gypsy-living, crop-picking family who dreams of his independence, guiltily planning for the day when he can make a life for himself in the city--far away from the long, sweaty days out in the fields. Lanford Wilson adapted the short story by Tennessee Williams, showing us the hardships behind this caravan of migrating workers who pick up and go from one crop to the next in the southeast. Still, with such attention to the milieu, one feels the character content comes up short. Wilson and director Tom Gries spend so much time telegraphing us that one of the workers is sick, we have nothing much to look forward to except his demise (and the burden this will place upon matriarch Cloris Leachman). Meanwhile, Howard's relationship with factory-line worker Cindy Williams (reunited from 1973's "American Graffiti") is sketchy--and it comes as a surprise to learn later that she's 'underage'. Emmy-nominated Leachman performs her role without affectation or vanity, and her wry way with a line of dialogue (neither saint nor sinner) ultimately makes the film worth-seeing, although it isn't an emotional or touching picture, as it was undoubtedly meant to be. Wilson and Gries haven't shaped the characters with care, introducing us to them within a flurry of activity. The effect is off-putting, and the finale--a hopeful question mark--doesn't begin to resolve the central family's issues.

Men for others...

[GoUSN · 10/10 · 22 September 2018]

As a senior at an all-boys Jesuit high school, we the entire student body were required to watch this. It was part of the school's relentless insistence that we in all ways should be Men for Others.

I've remebered this film ever since as my awakening awareness of the poor.

Filmed in my hometown

[ganders-55767 · 5/10 · 16 June 2020]

This movie was filmed at various locations in Cumberland County, New Jersey, where I've lived my whole life. I was five years old when this movie was filmed. I remember going with my parents one time to see the cast and film crew shoot a scene in a field near where I grew up. After the filming concluded, the cast signed autographs for fans at the local fire hall. It was all really great having Hollywood come to a small town like ours.

Life for Some....

[JLRMovieReviews · 10/10 · 26 February 2013]

Cloris Leachman is the matriarch of this family, that travels wherever the work is. When it's spring, it's time to be here to pick that, Or, if it's fall, we go south. Sissy Spacek, Ron Howard, Cindy Williams, Ed Lauter, and David Clennon costar in this TV movie that is painfully real and is based on a Tennessee Williams story. Bad luck seems to find them and they are always behind the eight ball with no sign of change in sight. Cloris Leachman is a standout and is totally in character. It's amazing just how much she is immersed in her role, looks-wise and in terms of desperation of her situation. And, it's interesting to see Ron and Cindy paired together, before being in American Graffiti and Happy Days together. This may be disturbing for some, but it is one TV-movie that should never be forgotten.

They're going to keep moving forward regardless of the opticals in the road.

[mark.waltz · 10/10 · 19 April 2022]

There have been many stories based on the lives of farming migrants who were greatly abused by the people who put them to work, often fighting themselves in debt rather than being recipients of the salary. For this family, led by Cloris Leachman and Ed Lauter, making ends meet is a difficult task, but with hard and perseverance and the ability to rise above their tragedies, they will indeed do it. Sissy Spacek is the oldest daughter, pregnant antibiotic to go into labor any day, and Ron Howard, the oldest son, is definitely the Tom Joad of the family. Indeed, he is a Henry Fonda of the 70's, determined to help his family as much as possible in spite of the fact that he has to deal with crooked land owners who take advantage of the workers.

A 1981 TV movie, "Amber Wavea", also dealt with the issues of migrant working families and their dealings with the crooked men who took advantage of their vulnerabilities. They seem to be living life without any hope, but with Leachman leading the way, they will persevere even though a tragic event occurs that not only threatens to destroy the family but put them further into debt to a point where they would not be able to get out of it. The cast is excellent, particularly Leachman and Howard, and he is reunited with Cindy Williams from "American Graffiti". I was disturbed by a scene where she threatens to yell rape simply because he won't listen to her because of all the things on his mind, but that's just one minor complaint. She means well and is determined to help him, and the film does redeem her from that threat. This was based on a Tennessee Williams story I had never heard of, although it seems more like something that Horton Foote or William Inge would write. It is a little depressing, but then again it's important to show the abuse these struggling families face.

Question about movie

[debitubs · 23 May 2009]

Is this the movie where Sissy's character has a daughter that died and she shows the money she had been hiding to give her daughter a nice funeral instead of a "poor" one? I have been looking for that movie and this is the one that sounds the most like it but I am not sure.The movie I am talking about is a wonderful one but I do not remember the name. Only that she worked on the side as a seamstress or something close to it. But I thought Sissy's role was a larger one than this gives her credit for. Any help will be appreciated. I would love to watch it again as this has been stuck in my head for years. But for some reason THE MIGRANTS does not sound exactly like I was thinking the one I remember. But I never know with my memory.