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Dog Day Afternoon (1975)

 -  Crime | Drama  -  21 September 1975 (USA)
8.1
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Ratings: 8.1/10 from 149,500 users  
Reviews: 233 user | 97 critic

A man robs a bank to pay for his lover's operation; it turns into a hostage situation and a media circus.

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(screenplay), (based upon a magazine article by), 2 more credits »
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Top 250 #221 | Won 1 Oscar. Another 15 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Sully Boyar ...
...
Sal
Beulah Garrick ...
Margaret
...
Jenny
Sandra Kazan ...
Deborah
...
Miriam
Amy Levitt ...
Maria
John Marriott ...
Howard
Estelle Omens ...
Edna
...
...
Stevie
...
...
Carmine Foresta ...
Carmine
Edit

Storyline

Based upon a real-life story that happened in the early seventies in which the Chase Manhattan Bank in Gravesend, Brooklyn, was held siege by a gay bank robber determined to steal enough money for his male lover to undergo a sex change operation. On a hot summer afternoon, the First Savings Bank of Brooklyn is held up by Sonny and Sal, two down-and-out characters. Although the bank manager and female tellers agree not to interfere with the robbery, Sonny finds that there's actually nothing much to steal, as most of the cash has been picked up for the day. Sonny then gets an unexpected phone call from Police Captain Moretti, who tells him the place is surrounded by the city's entire police force. Having few options under the circumstances, Sonny nervously bargains with Moretti, demanding safe escort to the airport and a plane out of the country in return for the bank employees' safety. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

The Most Bizarre Bank Siege Ever See more »

Genres:

Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 September 1975 (USA)  »

Also Known As:

Tarde de perros  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (1975)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

Al Pacino originally turned down the lead role. See more »

Goofs

During the bullhorn negotiation, the amount of shadow on the street and on the green sports car changes during close-up on Sgt. Moretti. See more »

Quotes

Sonny: Kiss me.
Det. Sgt. Eugene Moretti: What?
Sonny: Kiss me. When I'm being fucked, I like to get kissed a lot.
See more »

Crazy Credits

Opening credits prologue: What you are about to see is true - It happened in Brooklyn, New York on August 22, 1972. See more »

Connections

Referenced in Best Men (1997) See more »

Soundtracks

Amoreena
(Uncredited)
(Elton John / Bernie Taupin)
Album "Tumbleweed Connection" 1970
This Record Co. Ltd.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A spark called Pacino
2 March 2005 | by (Pristina, Kosovo) – See all my reviews

It was so freshening and attractive to see His Majesty, Mr. Al Pacino, in this breathtaking movie of 1970s. The first thing that a discerning eye would notice throughout the film is the undying uniqueness of Pacino's originality. This was just another movie destined to reassuring viewers of Al's status of an icon. The movie itself is endearing and entertaining. Though the movie is supposed to appear like a bank robbing, and in a sense it is, but deep in the heart robbing is simply a way to achieve a totally different goal, of course other than money! It is about affection and mutual caring. It's about what situations a person is ready to embark into in order to show how much he cares for another one. And I guess this is the point of the whole movie, which is stylistically decorated with dozes of sarcasm and pleasantry with sporadic undertones of bravery. The characters are all innocent which innocence seems to relate them to each other. What I deem as very courageous here are the thematic elements, homosexuality. I guess the time when the movie was made the society had still been ruled by prejudiced mentalities that could really ruin this innocuous piece of art. For this, I praise the very daring Sidney Lumet, one of my favorite directors. 10/10


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