A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Based upon a real-life story that happened in the early seventies in which the Chase Manhattan Bank in Gravesend, Brooklyn, was held siege by a gay bank robber determined to steal enough money for his male lover to undergo a sex change operation. On a hot summer afternoon, the First Savings Bank of Brooklyn is held up by Sonny and Sal, two down-and-out characters. Although the bank manager and female tellers agree not to interfere with the robbery, Sonny finds that there's actually nothing much to steal, as most of the cash has been picked up for the day. Sonny then gets an unexpected phone call from Police Captain Moretti, who tells him the place is surrounded by the city's entire police force. Having few options under the circumstances, Sonny nervously bargains with Moretti, demanding safe escort to the airport and a plane out of the country in return for the bank employees' safety. Written by
After the initial title sequence (Elton John, "Amoreena") there is no background or incidental music on the soundtrack (the start of the Looney Tunes opening music is heard after the TV/phone interview, but it's cut-off after a few seconds, and also Uriah Heep's "Easy Living" is heard briefly through a hand-held radio.). See more »
News photographers are seen with green, badge-shaped "Working Press" cards. In 1972, when the movie is set, these cards were red. Green cards were issued in 1973. See more »
Finally, a 'great' 70's film that lives up to the hype
Being such a big movie fan, I discovered there were still many "great" films, especially from the 70's, I haven't seen yet. "Love Story," "The Way We Were," "Straw Dogs" and more, I check them out and they're all overrated tripe.
I was hoping "Dog Day Afternoon" wouldn't fall into that category, and it hasn't. It's actually a very gripping tale and filmed just beautifully, and casted even better. Al Pacino of course is great, and even though he does walk a little close to the "overacting" line (a line he crosses throughout his entire career to some degree) he just stays safe here.
Charles Durning was excellent as the head cop trying to keep things cool, and the scene with him and Pacino simply bickering back and forth is priceless. When the FBI take over at one point, he pretty much disappears for the rest of the movie and it's very noticeable.
This was actually filmed just blocks from where I grew up in Brooklyn so that's another reason I always wanted to see it. I'm shocked this hasn't been on the list for potential remakes, another decent movie ready to be ruined by today's Hollywood.
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