Not really much of a plot to this movie, other than there are girls fantasizing about sex a lot. They also have real sex as well and you get to see the fantasies and the sex. Plays out in a very dreamlike state especially at the beginning and it is very well done. The only complaint I have is more of a matter of personal taste as I could have done without all the oral sex being done to the guys. Still, as much as I usually don't care for that in most adult films it was actually done a bit better here so it did not detract as much as it would have usually. The girls are very cute and good looking, the sex is very steamy and hot and you get to see the gals in cute uniforms too. It has it all for the most part. The story though is basically just the girls thinking about their teachers and at one point sneaking out of the all school girl dorm to be with their boyfriends. Another small complaint is that the ending sex scene was not all that great, as it just seemed to end a bit abruptly. All the other sex scenes though are done well and end in a more satisfying for all way.
4 Reviews
Not hot enough to be considered a "classic"
fertilecelluloid24 September 2008
Warning: Spoilers
Well-meaning, mildly erotic porn flick set at a girls' school. The same location appeared a year or so later in Don Coscarelli's "Phantasm". Yes, indeed, the Morningside Mortuary location was originally the setting for this X-rated romp. As expected, various semi-cute students enjoy harmless liaisons with their teachers. The poster art was the most erotic thing about the film; it reminded me of those fantastic porno paperbacks from the 70's with titles such as "In His Sister's Bed" and "Balling the Neighbors". The sex here is very standard and not particularly titillating. There are too many boring blowjob scenes and not enough teasing or panty flashing. Better to seek out the amazing "Taboo 2", "Hanky Panky", or "Surrender in Paradise" if you want something ultra-hot from this period. Nowadays, "Little Girls Blue" seems innocent and nostalgic. It's just not hot enough to be considered a "classic".
Straight "A" All the Way
Nodriesrespect13 November 2010
Warning: Spoilers
Schoolgirl skin flicks are a dime a dozen and this classic proves the cream of an unwieldy crop. The terminally PC might cringe at the enduring popularity of the fetish but are strongly advised to accept it as just that : role playing that requires adult women to adopt both the stylized garb (plaid skirt and white knee socks remaining particular favorites) and imagined mannerisms of teenage girls. No more harmless than playing nurse dress-up for example and unlikely to induce an entire generation of practicing pedophiles who wouldn't be interested in the obvious pretend aspect anyway. Objections out of the way, let's proceed to the film at hand, shall we ? Joanna Williams was indeed a real female fornication filmmaker, driven out of the closet (sort of) by various print and Internet sources as a former sexploitation starlet though they rarely agree which one. Apparently, she starred in Ron Garcia's decidedly odd THE TOY BOX but this doesn't exactly narrow it down as that flick contained seemingly every skin-baring diva worth her salt of the late '60s, early '70s simulated sex heyday. Producer William Dancer may have been the one to perpetuate the young girl theme, underage if rarely spelled out, as even his work away from Williams, including SMALL TOWN GIRLS by the enigmatic Tom Janovich and TOMBOY by "Hans Christian" (recently outed on the AV Maniacs forum as possibly Danish born DoP Henning Schellerup, his nationality serving as clue to the Andersen reference), focuses predominantly on nubile nymphets, to coin a tag-line, "old enough to know better, too young to care..." Assumptions aside, LITTLE GIRLS BLUE turns out to be the high watermark of a fruitful collaboration which also yielded the likes of the mind-boggling Annette Haven showcase SOFT PLACES and their take no prisoners rape and revenge drama EXPENSIVE TASTES.
While it's safe to say few if any will watch this baby for either plot or acting, both producer and director (doubling up on writing duties) show enough regard for their audience as not to foist anything blatantly sub-par onto them. The slender narrative thread provides plenty of at least partially plausible possibilities for the student body and faculty of the Townsend School for Girls - which was to have been the original title - to interact and although none of the performances come even close to qualifying as award material, for all the weight that ultimately carries in this genre, there's nothing particularly punishing here either. As an early example of a type of adult movie geared specifically towards the inveterate girlie watcher who has little use for intrigue, it has the considerable advantage of four fresh young faces cast as the eager beaver high school honeys who will do "anything" for passing grades. Tamara - sometimes "Samantha" - Morgan as blonde ringleader Kathy only holds one other major credit for the same team's mildly underwhelming CHOPSTIX. Gap-toothed redhead Lori Blue who plays Marium, the object of gym coach Carl Regal's fevered yet artistically surprisingly well-rendered fantasies, had surprising longevity however, even reprising her role in the fluffy 1983 sequel. As did Chris Petersen (a/k/a "Elaine Wells", not to be confused with Eileen Welles), one of two brunettes. She's the inexperienced Buffy with English teacher Paul Thomas. Rarely seen Casey Winters plays Debbie (now there's an iconic name for a puerile porn protagonist !) and appeared in both Bob Chinn's entertaining TELEFANTASY and Ann Perry's overrated adult western SWEET SAVAGE as well. Donna Ruberman from Stu Segall's sleeper TEENY BUNS is the girl in the artsy opening fantasy with Turk Lyon. Eagle-eyed eroticists may spot the likes of Nancy Hoffman and the late Kristine Heller as extras, although the equally late Jim Holliday claimed the latter does have an actual sex scene but that her face was never shown.
Particularly well-photographed by one presumably pseudonymous "John Fielder" and judiciously edited (knowing when NOT to cut is just as important in porn) by Michael Zen on an early assignment on the industry's straight side, the movie scores where so many comparable efforts have failed miserably. Believable enough to work as fantasy, but not to a degree where it might get busted, it conjures up genuine eroticism through superior cast chemistry and deft directorial touches. Morgan becomes the centerpiece in a scalding threesome with Jon Martin and Ken Scudder in the barn, inter-cut with Winters getting it on with Blair Harris in a convertible, when they sneak out of school to be with their boyfriends. Blue shines in the blue ball and square root fantasy bits but gets surreptitiously replaced by Winters for the left alone in the dorm room switcheroo climax with the endearingly nerdy Regal, who racked up a surprising amount of screen credits for someone so seemingly challenged - if actually quite proficient - in the stud department, appearing in Joe Bardo's love letter to Rene Bond DO YOU WANNA BE LOVED ? and Gary Graver's more fun than a barrel of monkeys GARAGE GIRLS among many others.
While it's safe to say few if any will watch this baby for either plot or acting, both producer and director (doubling up on writing duties) show enough regard for their audience as not to foist anything blatantly sub-par onto them. The slender narrative thread provides plenty of at least partially plausible possibilities for the student body and faculty of the Townsend School for Girls - which was to have been the original title - to interact and although none of the performances come even close to qualifying as award material, for all the weight that ultimately carries in this genre, there's nothing particularly punishing here either. As an early example of a type of adult movie geared specifically towards the inveterate girlie watcher who has little use for intrigue, it has the considerable advantage of four fresh young faces cast as the eager beaver high school honeys who will do "anything" for passing grades. Tamara - sometimes "Samantha" - Morgan as blonde ringleader Kathy only holds one other major credit for the same team's mildly underwhelming CHOPSTIX. Gap-toothed redhead Lori Blue who plays Marium, the object of gym coach Carl Regal's fevered yet artistically surprisingly well-rendered fantasies, had surprising longevity however, even reprising her role in the fluffy 1983 sequel. As did Chris Petersen (a/k/a "Elaine Wells", not to be confused with Eileen Welles), one of two brunettes. She's the inexperienced Buffy with English teacher Paul Thomas. Rarely seen Casey Winters plays Debbie (now there's an iconic name for a puerile porn protagonist !) and appeared in both Bob Chinn's entertaining TELEFANTASY and Ann Perry's overrated adult western SWEET SAVAGE as well. Donna Ruberman from Stu Segall's sleeper TEENY BUNS is the girl in the artsy opening fantasy with Turk Lyon. Eagle-eyed eroticists may spot the likes of Nancy Hoffman and the late Kristine Heller as extras, although the equally late Jim Holliday claimed the latter does have an actual sex scene but that her face was never shown.
Particularly well-photographed by one presumably pseudonymous "John Fielder" and judiciously edited (knowing when NOT to cut is just as important in porn) by Michael Zen on an early assignment on the industry's straight side, the movie scores where so many comparable efforts have failed miserably. Believable enough to work as fantasy, but not to a degree where it might get busted, it conjures up genuine eroticism through superior cast chemistry and deft directorial touches. Morgan becomes the centerpiece in a scalding threesome with Jon Martin and Ken Scudder in the barn, inter-cut with Winters getting it on with Blair Harris in a convertible, when they sneak out of school to be with their boyfriends. Blue shines in the blue ball and square root fantasy bits but gets surreptitiously replaced by Winters for the left alone in the dorm room switcheroo climax with the endearingly nerdy Regal, who racked up a surprising amount of screen credits for someone so seemingly challenged - if actually quite proficient - in the stud department, appearing in Joe Bardo's love letter to Rene Bond DO YOU WANNA BE LOVED ? and Gary Graver's more fun than a barrel of monkeys GARAGE GIRLS among many others.
Great seventies fetish
MartinOaks13 January 2024
Sensational staging, and a blatantly feminist look at the sexual adventures of the most daring students at Townsend, a school for young ladies. The cinematographic resources of Lease (a renowned actress for adults, who here directs under the name Joanna Williams) are evident, not only in the special montages that superimpose different shots to explain a thought or a dream, but in the ability to mix small subtle and irreverent gags while the surreal brushstrokes merge with the plot. Bill Matchton's music, with the whisper of a harp and the sound of Rhodes, fits perfectly in the different sexual sequences, but also in those that surprise with a transition or original and fun sequences.
Little Girls Blue was approaching the end of a decade that was glorious for adult cinema, and the homage paid to the schoolgirl fetish closes here a paradigm that was not repeated with the second part, 5 years later.
Little Girls Blue was approaching the end of a decade that was glorious for adult cinema, and the homage paid to the schoolgirl fetish closes here a paradigm that was not repeated with the second part, 5 years later.
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