The life of a divorced television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.The life of a divorced television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.The life of a divorced television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
- Nominated for 2 Oscars
- 16 wins & 24 nominations total
Anne Byrne Hoffman
- Emily
- (as Anne Byrne)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaMeryl Streep shot her scenes during breaks in filming Kramer vs. Kramer (1979).
- GoofsIn the first scene at Elaine's, as Isaac is beginning to say something, two people (presumably customers of the restaurant, as it was running while they were shooting) walk in front of the camera. Isaac laughs, and quickly recovers with an impromptu remark about how his girlfriend has to go and do homework.
- Quotes
Isaac Davis: All the times I come over here, I can't understand how you can prefer her to me.
Jill: You can't understand that?
Isaac Davis: No. It's a mystery to me.
Jill: Well, you knew my history when you married me.
Isaac Davis: I know. My analyst warned me, but you were so beautiful that I got another analyst.
- Crazy creditsOne of the very few Woody Allen films to not have traditional opening credits, save the production company bumper (United Artists), and the film title MANHATTAN is seen as a long vertical flashing bright neon sign, located on the side of a New York City building, and is seen for under seven seconds just before Woody Allen narrates his first line.
- ConnectionsEdited into Intimate Portrait: Diane Keaton (2001)
- SoundtracksRhapsody in Blue
(1924)
Music by George Gershwin
Performed by New York Philharmonic (as The New York Philharmonic)
Conducted by Zubin Mehta
Piano soloist: Paul Jacobs
Music director: Zubin Mehta
Featured review
A maddening tribute to an egomaniac
I used to hold this film as somewhat of a sacred cow when I first saw it in 1979. I was a proscribed Woody fan and
although I still like a few of his movies, this is no longer one of them, on recent review.
I recently purchased copies of Manhattan and Annie Hall.
I watched the latter first and it charmed my socks off again. One classic scene after another signals the height of Allen's art in this hilarious masterwork. Manhattan is a different story.
Perhaps my recent viewing of Wild Man Blues has hipped
me to what an whining, pampered egomaniac Mr. Allen is.
Perhaps it's the irony of his Chaplin-like dalliances with young women that have set me against him. But I now watch Manhattan
and see a pathetic, overblown Allen literally feeding lines to his
fellow actors to give him some smarmy comeback that never fails to show how intellectually superior he is. Different from Annie Hall, Allen is no longer the underdog but an ugly, obnoxious
over-lord...
His characters in Manhattan, are cardboard. They are not real and
the situations are not real. I have no feeling for anyone in this
movie, except Woody, who I feel contempt for, given his massive
and unfunny self-indulgence. It's pathetic to see Allen set up
Hemingway with lines that a teenager would never say in a million
years, just to trump up his flaccid ego. Everyone in this movie actually feeds him lines to trump up his ego.
Like Stardust Memories, this one shows Woody at his self- indulgent worst. This movie looks wonderful and sounds wonderful with the Gershwin score, but on further review, this
one's hollow and ultimately a maddening tribute to an egomaniac.
although I still like a few of his movies, this is no longer one of them, on recent review.
I recently purchased copies of Manhattan and Annie Hall.
I watched the latter first and it charmed my socks off again. One classic scene after another signals the height of Allen's art in this hilarious masterwork. Manhattan is a different story.
Perhaps my recent viewing of Wild Man Blues has hipped
me to what an whining, pampered egomaniac Mr. Allen is.
Perhaps it's the irony of his Chaplin-like dalliances with young women that have set me against him. But I now watch Manhattan
and see a pathetic, overblown Allen literally feeding lines to his
fellow actors to give him some smarmy comeback that never fails to show how intellectually superior he is. Different from Annie Hall, Allen is no longer the underdog but an ugly, obnoxious
over-lord...
His characters in Manhattan, are cardboard. They are not real and
the situations are not real. I have no feeling for anyone in this
movie, except Woody, who I feel contempt for, given his massive
and unfunny self-indulgence. It's pathetic to see Allen set up
Hemingway with lines that a teenager would never say in a million
years, just to trump up his flaccid ego. Everyone in this movie actually feeds him lines to trump up his ego.
Like Stardust Memories, this one shows Woody at his self- indulgent worst. This movie looks wonderful and sounds wonderful with the Gershwin score, but on further review, this
one's hollow and ultimately a maddening tribute to an egomaniac.
helpful•8726
- jz1360
- Feb 1, 2004
Details
- Release date
- Country of origin
- Language
- Also known as
- Chuyện Tình Manhattan
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $9,000,000 (estimated)
- Gross US & Canada
- $39,946,780
- Opening weekend US & Canada
- $485,734
- Apr 29, 1979
- Gross worldwide
- $40,194,067
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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