In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story of five mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality blurs as the tale advances.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
Near a gray and unnamed city is the Zone, an alien place guarded by barbed wire and soldiers. Over his wife's objections, a man rises in the early morning and leaves her with their disabled daughter to meet two men. He's a Stalker, one of a handful who have the mental gifts (and who risk imprisonment) to lead people into the Zone to the Room, a place where one's secret hopes come true. His clients are a burned out popular writer, cynical, and questioning his talent; and a quiet scientist more concerned about his knapsack than the journey. In the deserted Zone, the approach to the Room must be indirect. As they draw near, the rules seem to change and the stalker faces a crisis. Written by
The Zone of the film was inspired by a nuclear accident that took place near Chelyabinsk in 1957. Several hundred square kilometers were polluted by fallout and abandoned; of course there was no official mention of this forbidden zone at the time. See more »
The characters at the heart of Tarkovsky's "Stalker" are people who embark on an arduous journey only to discover that they had no idea what they wanted to gain from it. The central character is a "stalker," a man who makes a living by illegally escorting people through a restricted area to The Room, a place where their greatest wish will supposedly come true. Exactly why the area is restricted is never made perfectly clear; in the novel this film is partially based on, "The Roadside Picnic," it was a site where aliens briefly landed, and The Room was an object they left behind almost as if it were refuse. But Tarkovsky would rather not settle for such a flat explanation. To him, The Room is a place that means different things to the people who journey there, and the stark, ravished landscape they must journey through consists of the phobias and anxieties that they can hardly bear to face. The expedition the men experience is a long and often maddening one, and there are many scenes where the camera lingers on a beautifully composed shot so that the viewer can take time to understand how the characters fit into the settings and how those settings form both natural and supernatural obstacles.
Andrei Tarkovsky was an artist who did not like giving solid answers to the questions his films posed. He sculpted his stories so that viewers who had the patience and self-discipline to stay attentive all the way through could draw their own conclusions. If there is any specific meaning to "Stalker," it is that we have to fully understand anything for which we are willing to alter our lives.
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