"American Playhouse" Come Along with Me (TV Episode 1982) Poster

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7/10
Shirley Jackson's work
maryannhwrd3 January 2012
Warning: Spoilers
I don't think the movie would have made any sense if I hadn't read Shirley Jackson's unfinished story "Come Along With Me." The story fragment, published posthumously,is a very hopeful piece. It shows the newly widowed Mable, for the first time in her life, being able to make her own choices and try out new things.

The story also hints that the character has been ridiculed and put down innumerable times, yet she still has the courage and humor to be snippy with the beautiful but rude young department store clerk and say, "Well if you don't have this blouse in size 44 (a Plus Size), I'll just go across the street and get it there." That statement would not have made sense without reading the story, for sure.

The story is sort of a collection of notes on how Mable would tell everyone to kiss her a_ _ after being put down all her life. The story was unfinished, and the movie has that unfinished feel too.

But since I adore Shirley Jackson, I watch this movie every so often--it always makes me hungry for sugar cookies.
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6/10
Widow Wishes, Widow Dreams.
mark.waltz31 October 2014
Warning: Spoilers
Recently widowed Mabel Lederer can't get through her husband's funeral because she keeps hearing his voice talking to her throughout. Her friends and the minister look on as she tells him to keep quiet, and later on, no sooner has he been buried, she is getting rid of all the junk he had collected over the years, including an art collection she can't stand. With the proceeds of this yard sale, she buys a ticket to the end of the line, and with everybody she talks to on the train, she knows a little something about them that they didn't even tell her. When she arrives to her unknown destination, she meets the world weary Barbara Baxley who tells her of her sister's house where borders are taken in. Ms. Baxley also plays the sister, another recent widow, who has a wheelchair bound son whom Mabel (calling herself Angela Motorman) instantly hits it off with. She meets the other tenants and becomes involved in each of their lives, utilizing her talents to throw a séance where each of their own personalities and greedy needs come to life.

Estelle Parsons is in practically every scene, playing the eccentric Mabel/Angela who has an interest in everything and everyone. She's a bit dotty but not at all dumb, yet anxious to explore a world she has never known on her own. Her character is on her own trip to Bountiful without anyone interfering in her decision to go, and while she lives entirely on her own terms, she never does so foolishly or without contemplating the consequences. Yet, she has an obvious love of the unknown, and this makes her sort of a grizzled Auntie Mame who finds herself after years of simply being a housewife. Parsons utilizes more of her stage training here which will delight the audience who mainly know her from her Oscar winning role as the screaming Blanche in "Bonnie and Clyde" and the lovably obnoxious Beverly from T.V.'s "Roseanne". My favorite line of hers here is "I'm just trying out shoplifting today", which she does unsuccessfully several times.

Another outstanding performance comes from Baxley in her dual role, that vinegary voice a delight in her dual role as sisters who never cross on-screen. Of course, she's on more as the owner of the house who pretty much charges for everything but admits that she won't beat people up if she doesn't get it. Her characters are tired and cynical but yet still filled with compassion and human spirit. Young Martin Kern gives a truly believable performance as the wheelchair bound son who is equally as curious about the world as Parsons is. His acting is very natural and innocent, and his persona fits in with Baxley's performance as well.

As for the tenants, Sylvia Sidney is instantly recognizable as the sour but agreeable bookstore owner who shouts "I'm watching you!" at customers she's convinced are robbing her blind. She's very jealous of Parsons who attracts a fellow tenant whom Sidney has been dating and keeping a tight reign on. Her casting and the teleplay and direction of Joanne Woodward tie this in with two films Ms. Woodward starred in that were directed by husband Paul Newman, "Rachel, Rachel" (where Parsons received an Oscar Nomination as Woodward's school teaching pal) and "Summer Wishes, Summer Dreams" (where Sidney received an Oscar Nomination as Woodward's life-loving mother). Newman is heard, unrecognizably, as Parson's husband.

The séance sequence brings in some rather self-serving clients who all have greedy or emotionally selfish reasons for wanting to hear from the dearly departed. Of course, it all goes awry, not because Parsons is making stuff up as she goes along (like Whoopie Goldberg in "Ghost") but because her clients are all interjecting her with names of people from their past whom they are desperate to hear from. Like the rest of the abbreviated television movie (under an hour), the script in this sequence is totally off the wall with quick one-liners coming from each of the characters who are as off the wall as the script is. What could have been a forced farce with ridiculous stereotypes or unbelievable eccentrics ends up being perfectly fine. I just wish I had the opportunity to see more of Parsons' antics as the character continued her own independent journey as a fun-loving widow with lots of adventures left in her.
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Strange Movie
Michael_Elliott9 December 2010
Come Along with Me (1982)

** 1/2 (out of 4)

Strange made-for-TV drama about a woman (Estelle Parsons) who loses her husband and after the funeral sells the house and all of his belongings. She then heads off East with no real plans in mind but winds up renting a room from a lady (Barbara Baxley) who also recently lost her husband. It should also be mentioned that Parsons character is able to predict the future and communicate with the dead as well as hear her dead husband's voice (Paul Newman). I've seen a lot of strange movies in my life but this made-for-TV thing really took me by surprise. I really can't say it's a good movie because it isn't but at the same time it's so darn strange that I couldn't help but keep watching. Now, I think it's fair to say that this movie wasn't made for a 30-year-old guy so I'm sure the group it was made for will probably enjoy it a little more. I'm really not the type to say any movie is made for a certain person but I will admit that this thing really threw me. I'm going to guess it was meant for those who would connect to this woman who loses her husband but why on Earth did they make it so strange with the séances? What's the real point of showing the various flashbacks to the woman's childhood where we see this skill of being able to talk with the dead? The film thankfully runs just 57-minutes but when the end credits came up I will admit that I was confused at the point of any of it. Woodward made her film directorial debut with this and she handles the material fairly well. She at least keeps the film moving and the simple storytelling is actually a good thing, although I'm still curious what the point of the film was but I'm sure some might get it. Parsons turns in a decent performance but she doesn't have that much to work with. Sylvia Sidney, who worked with both Fritz Lang and Alfred Hitchcock back in the 30s, appears briefly and it was nice to see her. Newman does the voice work of the husband but unless you already knew this you'd probably miss him because of the accent he uses. COME ALONG WITH ME certainly isn't a horrible film but when it's all said and done there's simply not enough here to make it worth viewing.
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3/10
Not Very Good But It's Short
zeemanguy18 March 2003
Just 57 minutes in length is the good news. The story is about a recently widowed lady, Estelle Parsons, selling all her belongings and moving on to start a new life. She has powers to see into the future and she can conduct seances. She takes up residence at a boarding house and interacts with the strange group of folks that reside there. Not a very interesting film. If you are looking for Paul Newman in this he wasn't in my copy. His voice may be but I couldn't recognize it.
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