Directed by
| Therese Conte | ||
| Sean Roche | ||
Writing Credits
| David G. Brown | ||
| Therese Conte | ... | (additional screenplay) |
| Sean Roche | ... | (additional screenplay) |
| Kevin Kilroy | ... | (additional screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
| David G. Brown | ... | producer |
| Therese Conte | ... | producer |
| Marcus Robertson | ... | executive producer |
| Marc Schwartz | ... | co-producer |
Music by
| Gregory Conte | ||
Cinematography by
| Connie Holt | ||
Editing by
| Robert L. Sinise | ... | (as Robert Sinise) |
| Jerry Weldon | ||
Production Design by
| Bobbi Peterson Himber | ||
Art Direction by
| Bobbi Peterson Himber | ||
Makeup Department
| Pamela S. Westmore | ... | makeup artist |
Production Management
| Timothy Silver | ... | unit production manager (as Tim Silver) |
Second Unit Director or Assistant Director
| Simon Barron | ... | second assistant director |
| Dawn Kirk | ... | third assistant director |
| Timothy Silver | ... | first assistant director |
Art Department
| Edward Vicol | ... | assistant art director |
Sound Department
| Sherrie Bayer Burke | ... | sound editor (as Sherrie Bayer) |
| Robert Deschaine | ... | re-recording mixer (as Bob Deschaine) |
| David Dockendorf | ... | sound mixer |
| Kim Fowler | ... | foley artist |
| Alan Holly | ... | re-recording mixer |
| Don MacDougall | ... | sound mixer |
| John L. Mack | ... | sound mixer (as John Mack) |
| Steve Picard | ... | boom operator |
| Jeff Rosen | ... | sound editor |
| Kenneth H. Wiatrak | ... | sound recordist (as Ken Wiatrak) |
| David Wolpa | ... | sound: second unit (as Dave Wolpa) |
Stunts
| William Barbour | ... | stunts |
| Lee Blitstein | ... | stunts |
| Scott Alan Cook | ... | stunt coordinator (as Scott Cook) |
| George Oliver Hale | ... | stunts (as George Hale) |
| John Niginey | ... | stunts |
Camera and Electrical Department
| David Chung | ... | second assistant camera |
| Charles Fichera | ... | gaffer: second unit |
| Fritz Hershey | ... | assistant camera |
| Paul McIlvaine | ... | grip |
| Michael Molnar | ... | gaffer |
| Bob Myers | ... | grip |
| George Sandoval | ... | key grip |
| Mark Scholl | ... | best boy |
| Brian Sweeney | ... | first assistant camera |
| Robert D. Yeoman | ... | gaffer: second unit (as Bob Yeoman) |
Costume and Wardrobe Department
| Nancy Flaherty | ... | wardrobe |
| Meg Morrison | ... | wardrobe |
Editorial Department
| Sally Banta | ... | assistant editor |
| David G. Brown | ... | supervising editor |
| Jay Cason | ... | negative cutter |
| Therese Conte | ... | supervising editor |
| Michael Renaud | ... | supervising editor: sports scenes (as Mike Renaud) |
| Jeff Rosen | ... | assistant editor |
Music Department
| Steve Gibbons | ... | music recordist |
| Jerry Hudgins | ... | music mixer |
| Douglas M. Lackey | ... | music editor (as Doug Lackey) |
| Gerry Lentz | ... | music recordist |
Script and Continuity Department
| Jill Gurr | ... | script supervisor |
Additional Crew
| Joe Caracappa | ... | production assistant |
| Larry Dillon | ... | production assistant |
| Ed McCormick | ... | production assistant |
| Dale Tate | ... | title designer |
