Directed by
Mark Rosman |
Writing Credits
Mark Rosman | ... | (written by) |
Bobby Fine | ... | (additional dialogue) |
Cast (in credits order) verified as complete
Produced by
Ed Beyer | ... | co-producer |
John G. Clark | ... | producer (as John G. Clark) |
Robert Maier | ... | line producer |
Thomas W. McMahon | ... | executive producer (as W. Thomas McMahon) |
John Ponchock | ... | executive producer |
Alec Rabinowitz | ... | associate producer |
Mark Rosman | ... | producer |
Music by
Richard Band | ... | (as Richard H. Band) |
Cinematography by
Tim Suhrstedt | ... | director of photography (as Timothy Suhrstedt) |
Editing by
Paul Trejo | ... | co-editor |
Jean-Marc Vasseur |
Casting By
René Eram | ... | (as Rene Eram) |
Richard Steir |
Art Direction by
Vincent Peranio |
Costume Design by
Susan Perez Prichard |
Makeup Department
Diana Mona | ... | hair artist / makeup artist |
Production Management
Robert Maier | ... | production manager |
Alan Treadwell | ... | unit production manager |
Second Unit Director or Assistant Director
René Eram | ... | second unit director (as Rene Eram) |
Paul Schiff | ... | assistant director |
Art Department
Ana Victoria Aenlle | ... | second assistant art director |
Dolores Deluce | ... | scenic artist (as Delores Deluxe) |
Tim Ford | ... | sets assistant |
Betsy Klompus | ... | scenic artist |
Stephen B. Walker | ... | assistant art director |
Sound Department
Sandy Berman | ... | sound effects |
Stuart Deutsch | ... | boom operator |
George Fitzgerald | ... | dialogue editor (as George Fitzgerald III) |
John Roesch | ... | foley artist |
Steven J. Rogers | ... | location sound mixer (as Steve Rogers) |
Joan Rowe | ... | foley artist |
Sandy Berman | ... | supervising sound editor (uncredited) |
Special Effects by
Delores Gamba | ... | assistant effects makeup |
Rob E. Holland | ... | special effects designer / special effects supervisor |
Stunts
Scott Leva | ... | stunt coordinator |
Camera and Electrical Department
Steve Apicella | ... | video operator |
Robert W. Dorsey | ... | key grip (as Robert Dorsey) |
Arthur Eng | ... | assistant camera |
Arthur Gardner | ... | gaffer |
Susan C. Ingram | ... | second assistant camera (as Susan Ingram) |
Kenny Klompus | ... | video operator |
Robert Kreitzer | ... | dolly grip |
Thomas Loizeaux | ... | photographer: second unit (as Tom Loizeaux) |
Tom Nichols | ... | grip |
Felix Rivera | ... | best boy |
Larry Singer | ... | still photographer: production stills |
Editorial Department
Jim Finn | ... | negative matcher |
Annie Kocur | ... | post-production assistant |
Lawrence Mischel | ... | negative matcher |
Rita Stern | ... | assistant editor |
Rachel Talalay | ... | apprentice editor |
Music Department
Richard Band | ... | composer: source music (as Richard H. Band) / conductor (as Richard H. Band) |
Joel Goldsmith | ... | composer: source music |
London Philharmonic Orchestra | ... | music performer (as The London Philharmonic Orchestra) |
Randy Nicklaus | ... | music engineer: Los Angeles |
John Richards | ... | music engineer: London |
Script and Continuity Department
Rachel Talalay | ... | script supervisor |
Additional Crew
Catheryn Casey | ... | production chef |
Judy Coster | ... | production chef |
René Eram | ... | production associate (as Rene Eram) |
Arthur Rabinowitz | ... | production assistant |
Nina Sadek | ... | special consultant |
Alan Shapiro | ... | creative advisor |
Thanks
Lynne Himelstein | ... | special thanks |
Phil Himelstein | ... | special thanks |
Philip L. Parslow | ... | special thanks (as Philip Parslow) |
David Rosman | ... | special thanks |
Donald Rosman | ... | special thanks |
Goldie Rosman | ... | special thanks |
Lily Rosman | ... | special thanks |
David Simon | ... | special thanks |
Helen Simon | ... | special thanks |
Earl Watson | ... | special thanks (as Earl E. Watson Jr.) |
Patrick Winters | ... | special thanks (as Pat Winters) |