| Christopher Cazenove | ... | Tom | |
| Celia Gregory | ... | Sarah | |
| Diana Dors | ... | Mrs. Ardoy | |
| Robert Urquhart | ... | Harry | |
| Jacob Witkin | ... | Woodcutter | |
| Adrian Mann | ... | Tadek Kuchinsky | |
| Victoria Wood | ... | Sophy | |
| Sophie Kind | ... | Eloise | |
| Matthew Dorman | ... | Young Boy | |
| Wilhelmina Green | ... | Young Girl | |
| Corinna Reardon | ... | Small Girl | |
| Daniel Payne | ... | Small Boy | |
| Natalie Payne | ... | Irenya | |
| Daniel Kipling | ... | Andreas |
| Episode Crew |
Directed by | |||
| Tom Clegg | |||
Writing credits | ||
| Murray Smith | (screenplay) | |
Produced by | |||
| Brian Lawrence | .... | producer | |
| David Reid | .... | producer | |
| Roy Skeggs | .... | producer | |
Original Music by | |||
| Paul Patterson | |||
Cinematography by | |||
| Frank Watts | |||
Film Editing by | |||
| Chris Barnes | |||
Casting by | |||
| Eileen Garstka | |||
Production Design by | |||
| Carolyn Scott | |||
Makeup Department | |||
| Eddie Knight | .... | makeup artist | |
| Eddie Knight | .... | makeup designer | |
| Daphne Vollmer | .... | hair stylist (as Daphne Volmer) | |
Production Management | |||
| Ron Jackson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ken Baker | .... | assistant director | |
Art Department | |||
| Bob Bell | .... | assistant art director | |
| Richard Rooker | .... | assistant art director | |
Sound Department | |||
| Peter Best | .... | dubbing editor | |
| John Bramall | .... | sound | |
| Jack T. Knight | .... | dubbing editor (as Jack Knight) | |
| Otto Snel | .... | dubbing mixer | |
| Bryan Tilling | .... | dubbing editor | |
Special Effects by | |||
| Ian Scoones | .... | special effects | |
Camera and Electrical Department | |||
| Neil Binney | .... | camera operator | |
| Steve Birtles | .... | gaffer | |
Costume and Wardrobe Department | |||
| Laura Nightingale | .... | costume supervisor | |
Music Department | |||
| Marcel Durham | .... | music editor | |
| Philip Martell | .... | music supervisor | |
Other crew | |||
| Lorely Farley | .... | continuity | |
| Jack Gill | .... | presenter | |
| Margaret Nicholas | .... | production assistant | |
| Anthony Read | .... | story editor | |
| Mike Widd | .... | production accountant | |
| Callum McDougall | .... | production runner (uncredited) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Horror section | IMDb UK section | Add this title to MyMovies |
I remember first seeing this in 1980 as part of THE HAMMER HOUSE OF HORROR series and everyone was talking about it at school on Monday . I saw it for a second time last night and to be honest it`s not much cop . It`s just another predictable story of a newly wed couple getting lost and spending the night at a creepy mansion that`s owned by a woman with a west country accent and being a horror story it`s always bad news to spend a night at a mansion owned by someone with a west country accent
Two things I noticed about watching it for the second time : First up is the very poor budget . Unless I`m imagining it there only seems to be one set used and the set designer hides this fact by using different furniture scene to scene ( I might be wrong of course ) while the werewolf make up is absolutely laughable . Secondly watching it a second time you can`t fail to notice how predictably it all plays out . In many ways the story is structured like a whodunnit and just like any whodunnit it`s only worth watching once at most