Scarred (1983) User Reviews

Scarring watch of reality

[videorama-759-859391 · 7/10 · 5 March 2016]

Yes, part of the Palace Explosive Video, releases, one of a few, apart from the horrors, is another deserved'd watch that may of slipped through the cracks, with the likes of Rape Squad. And what do we have, another well made pic, with unknowns, and some nice fitting 80's sleaze and wonderful cheese, that warrants a sit down viewing. Yes this starts off, like a lot of films of this ilk: Underage mother/girl, splits to make money to support her kid, by cheaply prostituting herself, and who should come along, but Mr Charming Nice Guy pimp, who takes her in, tests her out, where come morning, our thin lass gets some healthy advice from Mr Pimp, regarding Mcdonald's. Soon, she's meeting other sleazeoids and getting involved of course in porn with flabby male co stars, in wannabe Star Wars'ish pics. Our lass doesn't turn in half a bad performance. But too Scarred is a well intended drama, that constitutes good quality film, and the story never deviates, from the prime character's aim, to make enough money to split and start up her new life with her kid, but too, taking off with her best friend, also a pro, she meets. Only our little hussy star is not the easiest person to like, and she comes off as quite antagonistic, and honestly, isn't someone I really like to get to know, if crossing her in real life. On a realistic level, this movie is really good, and shouldn't be overlooked, where there's a lot of skin, a couple of kinky sex scenes, and some occasional humping too. It's a tight set drama, with some amateurish moments, and may even be a film that came off a bit better, than it intended to be.

Come and tell your Dad about it

[JohnSeal · 6/10 · 3 December 2015]

I'm amazed that no one else has seen fit to review this film! If you're looking for a prime slice of eighties sleaze (or if you prefer, feminist cinema), look no further than Scarred, in which Jennifer Mayo portrays Ruby, a young - VERY young - woman selling herself on the streets to help support her newborn baby. You know it's the eighties, because there's a theater marquee advertising a Devil In Miss Jones/Deep Throat double bill...'now in its 7th smash year!' Despite appearances, however, this is more than straight-ahead exploitation, with director Rosemarie Turko's screenplay clearly staying on the serious side of the tracks. Though Mayo is clearly an inexperienced actress, she does a fine job here, and it's somewhat surprising her film career never took off. And look, there's future director Alex Cox - a year before Repo Man - in a small role as 'Porno Stud'! And then there are those songs by Kim Fields: were they really the product of the 14-year old actress who portrayed Tootie on television's The Facts of Life? I have my doubts, but the possibility provides the curious just one more good reason to scope out Scarred. Oh, you'll also hear first generation LA punks The Plugz performing their excellent song Adolescent, explaining why their music would be featured so prominently in the aforementioned Repo Man. Seriously, why isn't this film better known??

Superbly authentic and passionate

[anthohn · 10/10 · 1 June 2016]

"Scarred" is an impressive first feature with a bold visual palette and startling moments of power and realism, about a teenage girl who turns to prostitution to support her baby. Shot on Hollywood Blvd. by cinematographer Michael Miner (who co-wrote Robocop), it captures a stylish street noir look reminiscent of Taxi Driver and Midnight Cowboy. Jennifer Mayo is remarkably poised and natural as Ruby, the naive, feisty teenage lead. Jackie Berryman brings warmth, humor and solidarity to the mix as supporting lead. David Dean has a few good scenes. The story navigates through a lurid demi-monde of pimps and degenerates, both frightful and hilarious. (the blue movie-making Stars Wars send up scene and the crazed Phil Spector like john scene stick to mind).The pimp barber shop scene is a must see, and the surprise birthday scene is laugh out loud funny. But what prevails is a poignant core of truth in Rose-Marie Turko's writing and directing. It's an un-romanticized look at prostitution and the hardships of a disowned teenage mom forced to fend for herself in the underbelly of America where welfare is a dirty word even to those who need it the most. The scene where Ruby goes to see her one year old baby and the baby does not recognize her is heartbreaking. It is easy to see the two strains the movie was torn into. It started as a student film, won a grant from AFI and the National Endowment for the Arts and grew up into a feature. A distributor put up finishing funds and blew the film up to 35mm, but demanded that a quota of exploitation scenes be added. Turko did her best, adding mordant humor to those scenes. Repo Man's Alex Cox served as assistant director and has a couple of cameos. The film features an excellent, driving rock score, including The Plugz, who scored much of Repo Man. A classic piece of Hollywood Blvd. history with a surprising amount of visual pizazz and narrative talent for a micro budget film. I saw the film on the big screen when it was theatrically released and was blown away; do not be fooled by the blurry, bootleg DVD pirated from a bad VHS. Hopefully a legitimate letter box HD DVD that shows the film as it was supposed to be seen will be released.