A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (... See full summary »
Basquiat tells the story of the meteoric rise of youthful artist Jean-Michel Basquiat. Starting out as a street artist, living in Thompkins Square Park in a cardboard box, Jean-Michel is "... See full summary »
Benicio Del Toro
A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (The Temple of the Golden Pavilion (Kinkaku-ji), Kyoko's House, and Runaway Horses), while the fourth depicts 25 November 1970, "The Last Day"... Written by
Nick Lopez <email@example.com>
There are two versions of the film, one with English narration by Roy Scheider, the other with Japanese narration by Ken Ogata. The Ogata version also has scenes added by Paul Schrader that were cut out from the original 1985 release. These scenes were added by Schrader to the Criterion DVD release. Paul Schrader : "We did quite a bit of work on it--John Bailey and I worked a week redoing the D.I. and balancing the color. We did great work to the soundtrack. We added a short little scene that I had cut out featuring Chishu Ryu, the Ozu actor, that I always regretted cutting out--we found the original negative and I put that back in. I did some sky replacement at the end of "Runaway Horses" because I wasn't really happy with the shots at the end. We were able to go back and replace the natural sky with an artificial sky. Then we went back to the original digital on Philip Glass' soundtrack and so the sound is much better on the Criterion version. We also put Ken Ogata's narration in, so now it finally has Japanese narration." See more »
There were two cadets outside the building, not just Morita. See more »
It was as s-small as this, but grew so big... it filled the world like... tremendous music. That's the p-p-power of beauty's eternity. It poisons us. It blocks out our lives.
Please, enough of your pride! Beauty is like a rotten tooth. It rubs against your tongue, hurting, insisting on its importance. Finally you go to a dentist and have it pulled. Then you look at the small bloody tooth in your hand and say, "Is that all it was?" That's the way it is.
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Yukio Mishima is acknowledged to have been a real person, but his acts have been fictionalized by writers. Other persons and events in this film are fictitious. Any similarity to actual persons and events is unintentional. See more »
One would think that a film based on the life of the Japanese author Yukio Mishima would be a daunting if not impossible task. However Paul Schrader has indeed made a film "about" Mishima that is both superb & complex. While it is not a literal biography, Schrader & his co-screenwriter Leonard Scharder (his brother) have taken several incidents from his life, including his sucide and crafted what can best be described as incidental tableaus that are visually sparse and stunning. Mishima's homosexuality is almost not there, due to legal threats from his widow, but in spite of this, the film is still terrific, and one of the best films I saw in 1985. I should also mention the important contribution of Philip Glass who did the score, which adds an additional texture to the film, and is superior to the one he did for Scorsese's Kundun. Also notable is John Bailey's fine crisp beautifully colored cinematography and the great production design & costumes by Eiko Ishioka who went on to do the memorable costumes for Coppola's Dracula for which she received a well deserved Oscar. Hopefully this film will soon be available on DVD.
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