Federal agent Elliot Ness assembles a personal team of mob fighters to bring Chicago crime boss Al Capone to justice using unconventional means during the mob wars of the 1920s. This fictionalized account of the arrest of Al Capone is heavy on style and gunfire. The end shootout combines a baby carriage and stairs with a nod to Eisenstein's _The Battleship Potemkin_. Written by
Keith Loh <firstname.lastname@example.org>
According to Brian De Palma in the Making of documentary, Mel Gibson was interested in playing Eliot Ness but couldn't commit to the role because he was already signed to a Warner project that was scheduled at the same time as this movie. That Warner project turned out to be Lethal Weapon (1987). See more »
In the movie Ness is portrayed as married with children. In real life, Ness was a young bachelor living with his parents when he was hired as a prohibition agent and used political/family connections to get his Chicago assignment. See more »
1930. Prohibition has transformed Chicago into a City at War. Rival gangs compete for control of the city's billion dollar empire of illegal alcohol, enforcing their will with the hand grenade and tommy gun. It is the time of the Ganglords. It is the time of Al Capone.
[to Al Capone]
An article, which I believe appeared in a newspaper, asked why, since you are, or it would seem that you are, in effect, the mayor of Chicago, you've not simply been appointed to that position.
[...] See more »
The title of the aria "Vesti la giubba" from Leoncavallo's opera "Pagliacci" is misspelled in the closing credits of the film: "Vesti la guibba". See more »
This movie was horrible and I don't understand what all the fuss is about. I heard that it was supposed to be something great (having Robert De Niro as Al Capone seemed very fitting, but he only had about 10 minutes of screen time.) Far too much time was spent focused on Ness and his wife, which I saw as totally irrelevant to the story. Also, Kevin Costner's acting was terrible, as always; Ness' 'team' was extremely lame, and the scene with the baby on the staircase was just asinine. Malone's death was the most ridiculous overly dramatic death scene I have ever seen and was to this movie what Billy Preston's "You Are So Beautiful" was to Carlito's Way: The rock-bottom part of the film; (except for the fact that Carlito's Way was actually halfway decent compared to this hyped up garbage they call a 'good film'). I don't know anyone who's seen this movie, let alone liked it, but I would like to seriously ask anyone who has how they could ever watch this and enjoy it.
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