Two elderly, overprotective sisters in wartime Liverpool are caught in the flux of uncertain times in this subdued but potent drama, adapted from a novel by Beryl Bainbridge. Billie Whitelaw is the more lively and outgoing Margo, while the stern and taciturn Nellie (Joan Plowright) mourns the erosion of traditional values since the onset of the war. In between them is their orphaned teenage niece, a sheltered, plain-looking girl whose naive attachment to an undeserving American GI leads to unexpected tragedy. The outline suggests a more or less routine coming-of-age melodrama, but the relationship between the two elder sisters is more compelling than the troubled teen romance, if only because the role of Wesley (the American soldier) is less a flesh and blood character than a symbol of anti-Yankee sentiment. Director Jim O'Brien paints a convincing portrait of working class England but otherwise keeps a low profile, letting his actors carry the film (a wise decision, with this cast) and maintaining a not incompatible mood of repressed sexual tension and bittersweet nostalgia (more bitter than sweet).
2 Reviews
An Unexpected Wow!
Moviegoer1928 July 2019
I know a film is powerful when I find myself talking out loud to the characters. This was the case with The Dressmaker. The four main characters: Rita, Margo, Nellie and Jack, each had an intense character to play and did so with great acting. And, the script itself gave them a great vehicle in which to display their considerable skills.
I found myself thinking about something I was taught when writing a filmscript: a main goal of the script is to produce emotion, both in the characters and in the viewers. This film did so in spades. The plot had enough going in it, including the relationships between the main four, to produce intense feelings. Enough so I was compelled to try and tell them what to do or think or say.
The ending was both unexpected and satisfying in a odd way. Having a satisfying ending was a relief after such tension.
If you want to watch a great drama about both familial relationships and their interactions with world events (WWII) don't miss this film.
I found myself thinking about something I was taught when writing a filmscript: a main goal of the script is to produce emotion, both in the characters and in the viewers. This film did so in spades. The plot had enough going in it, including the relationships between the main four, to produce intense feelings. Enough so I was compelled to try and tell them what to do or think or say.
The ending was both unexpected and satisfying in a odd way. Having a satisfying ending was a relief after such tension.
If you want to watch a great drama about both familial relationships and their interactions with world events (WWII) don't miss this film.
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