Directed by
Errol Morris |
Writing Credits
Errol Morris | ... | (written by) (uncredited) |
Cast (in credits order) complete, awaiting verification
Produced by
Brad Fuller | ... | associate producer |
David Hohmann | ... | assistant producer |
Lindsay Law | ... | executive producer |
Mark Lipson | ... | producer |
Gary T. McDonald | ... | producer (as Gary McDonald) / producer: prison interview (as Gary McDonald) |
Music by
Philip Glass |
Cinematography by
Robert Chappell | ... | director of photography |
Stefan Czapsky | ... | director of photography |
Editing by
Paul Barnes |
Production Design by
Ted Bafaloukos |
Art Direction by
Lester Cohen |
Makeup Department
Theo Mayes | ... | key hair stylist: Bruno Le Salon (as Theodore Mayes) / key makeup artist: Bruno Le Salon (as Theodore Mayes) |
Production Management
Shelley Houis | ... | production manager |
Steven Stoke | ... | unit manager |
Art Department
Christine Cornell | ... | courtroom drawings |
Daniel Talpers | ... | assistant art director |
Pamela Woodbridge | ... | property master |
Sound Department
Steve C. Aaron | ... | additional production sound (as Steven Aaron) |
James Allen | ... | dialogue editor |
Blaise Dupuy | ... | assistant sound engineer |
Brad Fuller | ... | sound |
Miles Green | ... | sound recording engineer |
Jaime Kibben | ... | dialogue editor (as Jamie Kibban) |
Jack Leahy | ... | re-recording mixer |
Samuel Lehmer | ... | Re-Recording Mixer / sound effects editor |
Sheila McFarland | ... | sound assistant |
Marnie Moore | ... | sound assistant |
Larry Oppenheimer | ... | sound assistant |
Leslie Shatz | ... | additional sound effects |
Randy Thom | ... | re-recording consultant |
Mel Zelniker | ... | additional re-recordist |
Jeff Kliment | ... | sound effects editor (uncredited) |
Special Effects by
Matt Vogel | ... | special effects |
Camera and Electrical Department
Michael C. Blundell | ... | best boy (as Mike Blundell) |
Ned Burgess | ... | additional photographer |
Mel Cannon | ... | second electric |
Philippe Carr-Forster | ... | additional photographer (as Philip Carr-Forster) |
Tim Chin | ... | grip |
Mary Cybulski | ... | second assistant camera |
Kenny Davis | ... | key grip |
Mike DePrez | ... | second electric (as Michel Deprez) |
Joseph Dianda | ... | grip (as Joe Dianda) |
John Geisler | ... | gaffer |
Richard Kamper | ... | assistant camera |
Michael J. Latino | ... | first assistant camera (as Mike Latino) |
Sally Roy | ... | assistant camera |
Newton Thomas Sigel | ... | additional photographer (as Tom Sigel) |
Peter Sova | ... | additional photographer |
Allen Stillman | ... | lighting technician |
David Waterston | ... | assistant camera |
Animation Department
Randall Balsmeyer | ... | animation designer |
Costume and Wardrobe Department
Elizabeth Hickox | ... | wardrober |
Editorial Department
Vida Fitzgerald | ... | editorial intern |
Joseph Horowitz | ... | editorial consultant |
Brian Katkin | ... | assistant editor |
Elizabeth Kling | ... | contributing editor |
Michael Kolvek | ... | color timer |
Robert Mowen | ... | editorial intern |
Teresa O'Brien | ... | post-production coordinator |
Bruce Shaw | ... | associate editor |
Lesley Topping | ... | assistant editor (as Leslie Topping) |
Aaron D. Weisblatt | ... | assistant editor (as Aaron Weisblatt) |
Location Management
Félix Olivier | ... | location scout |
Music Department
Dan Dryden | ... | music contractor: music administrator |
Blaise Dupuy | ... | assistant engineer |
Miles Green | ... | recording engineer |
Rory Johnston | ... | associate music producer |
Kurt Munkacsi | ... | music producer: Euphorbia Productions Ltd. |
Michael Riesman | ... | conductor |
Additional Crew
Ted Bafaloukos | ... | title designer |
Ellen Barrie Aaronson | ... | production office coordinator (as Ellen Aaronson) |
Jay Boggis | ... | additional interlocutor |
Veronica Brady | ... | production office coordinator |
Fred Cassidy | ... | production assistant |
Paul Conklin | ... | production assistant |
Sean Coughlin | ... | opticals: IP/IN |
Anne-Marie Fendrick | ... | production assistant (as Ann Marie Fendrick) |
Richard Guay | ... | production auditor |
Sarah Horowitz | ... | research assistant |
Dmitry Kibrik | ... | production assistant |
Nancy Kriegel | ... | assistant auditor |
Marshall Persinger | ... | craft service |
Dale Pierce-Johnson | ... | production assistant |
Joe Ponzi | ... | technical consultant |
Lisa Schechter | ... | production office coordinator |
Craig Schlichter | ... | production assistant |
Susan Sheehan | ... | production assistant |
Charles Silver | ... | production consultant |
Mark Singer | ... | additional interlocutor |
Chris Strand | ... | production assistant |
Carah von Funk | ... | production assistant |
John Pierson | ... | producer's representative (uncredited) |
Thanks
George Beto | ... | special thanks: The Criminal Justice Center, Sam Houston State University (as Dr. George Beto) |
Jay Byrd | ... | special thanks: The Texas Department of Corrections |
Phil Guthrie | ... | special thanks: The Texas Department of Corrections |
Robert Hobbs | ... | special thanks: The Jefferson County District Attorney's Office |
Paul McWilliams | ... | special thanks: The Jefferson County District Attorney's Office |
Noel Ian Morris | ... | dedicatee |
Peter Phillips | ... | special thanks: The Criminal Justice Center, Sam Houston State University (as Dr. Peter Phillips) |
Dennis Powell | ... | special thanks |
Randy Schaffer | ... | special thanks |
Jeff Scheftel | ... | special thanks |
Volker Schlöndorff | ... | special thanks: Bioskop Film (as Volker Schlondorff) |
Julia Sheehan | ... | special thanks |
Robert Smith | ... | special thanks |
Fred Strype | ... | special thanks: The Irving Film Commission |
Henry M. Wade | ... | special thanks: The Dallas County District Attorney's Office (as Henry Wade) |
Suzanne Weil | ... | special thanks |