Another movie that is part of my permanent video collection and never get tired of watching, STEEL MAGNOLIAS is the beautifully expanded version of Robert Harling's play about the relationship between six women who frequent the same beauty parlor. I am pretty sure the first phrase that comes to mind for most people when this film is mentioned is "Chick Flick", but, as a male, I happily admit to loving to watch this movie over and over again, not just because of the six charismatic performances by the actresses, but because this film also has one of the funniest screenplays ever written. Claree: "The only thing that separates us from the animals is our ability to accessorize." Truvy: "Ruth Robeline...now there's a story...her whole life has been an experiment in terror...first her husband was killed in WWII and then her son was killed in Vietnam... I tell you, when it comes to suffering, she's right up there with Elizbeth Taylor." Claree: "well, you always know what I say...if you can't think anything nice to say about anybody, come sit by me." Ouiser: "I'm not crazy...I've just been in a bad mood for the last thirty years." And just when you think your sides about to split open from laughing so hard, the film takes a tragic turn and you're reaching for the Kleenex. The scene in the cemetery is riveting, thanks primarily to a flawless and raw performance by Sally Field, who climaxes what is already a beautiful and commanding performance in the film, with her rage against God as her only outlet of grief at the moment. This scene makes me cry every time I watch the movie. An appeal to the gentlemen out there who have never seen this movie: Give it a chance. I did and I have never regretted it.
190 Reviews
Six sympathetic magnolias bend but don't break
roghache9 March 2006
This wonderful comedy drama romance tells the tale of a close knit group of six Southern women (of varying ages) in a small Louisiana town. The film gives us a glimpse into their daily lives over a period of several years, their laughter, their joy, and their tears, all through the lens of their enduring friendship.
Here are the six magnolias...
M'Lynne (Sally Field)...perhaps the steeliest of all the magnolias, who has a bittersweet relationship with her grown daughter
Shelby (Julia Roberts)...everyone's favorite girl next door, M'Lynne's endearing, diabetic daughter; we see her planning her very pink wedding (wait till you see the groom's cake!) and charting a difficult path, given her medical history
Truvy (Dolly Parton)...the married but lonely hairdresser with the heart of gold, who owns and operates Trudy's Beauty Parlor, center of social life for these ladies, site of gossip, teasing quips, and comfort
Ouisser (Shirley MacLaine)...the sarcastic spinster and cantankerous comic relief who is frequently seen carting her little dog around and exchanging barbs with her Old Nemesis, M'Lynne's husband, Drum
Clairee (Olympia Dukakis)...the charming, gossiping widow and town bigwig
Annelle (Daryl Hannah)...the shy, awkward new girl in town, who has a mysterious past and lands a job at the beauty parlor, under Truvy's mentoring
Through these six, we see the strength that lies behind the legendary Southern lady's charm (well, maybe Ouisser's not that charming!) and supposed flower fragility, their humor, their optimism, their faith, and above all, their banding together and supporting each other in the face of adversity.
I understand that this movie is based on a well known play by a famous Louisiana playwright. The women depicted in the film are by and large good Christian, church going folk, which is laudable. My initial reaction was to blame Hollywood for mocking Annelle's newfound deep faith and having her act as though she hadn't a clue in her dim witted Southern head. The playwright may have intended to cast her as going overboard and being too judgmental. If so, I personally don't consider this a kind or necessary depiction, and find Annelle to be very sincere and kind hearted.
However, otherwise this is simply a "funny tearjerker" and a great movie.
Here are the six magnolias...
M'Lynne (Sally Field)...perhaps the steeliest of all the magnolias, who has a bittersweet relationship with her grown daughter
Shelby (Julia Roberts)...everyone's favorite girl next door, M'Lynne's endearing, diabetic daughter; we see her planning her very pink wedding (wait till you see the groom's cake!) and charting a difficult path, given her medical history
Truvy (Dolly Parton)...the married but lonely hairdresser with the heart of gold, who owns and operates Trudy's Beauty Parlor, center of social life for these ladies, site of gossip, teasing quips, and comfort
Ouisser (Shirley MacLaine)...the sarcastic spinster and cantankerous comic relief who is frequently seen carting her little dog around and exchanging barbs with her Old Nemesis, M'Lynne's husband, Drum
Clairee (Olympia Dukakis)...the charming, gossiping widow and town bigwig
Annelle (Daryl Hannah)...the shy, awkward new girl in town, who has a mysterious past and lands a job at the beauty parlor, under Truvy's mentoring
Through these six, we see the strength that lies behind the legendary Southern lady's charm (well, maybe Ouisser's not that charming!) and supposed flower fragility, their humor, their optimism, their faith, and above all, their banding together and supporting each other in the face of adversity.
I understand that this movie is based on a well known play by a famous Louisiana playwright. The women depicted in the film are by and large good Christian, church going folk, which is laudable. My initial reaction was to blame Hollywood for mocking Annelle's newfound deep faith and having her act as though she hadn't a clue in her dim witted Southern head. The playwright may have intended to cast her as going overboard and being too judgmental. If so, I personally don't consider this a kind or necessary depiction, and find Annelle to be very sincere and kind hearted.
However, otherwise this is simply a "funny tearjerker" and a great movie.
Flawed But Extremely Entertaining Mixture of Comedy and Drama
gftbiloxi2 October 2005
An extremely episodic story of several smalltown southern women whose social lives revolve around meetings in the local beauty parlor, STEEL MAGNOLIAS' script and performances are dogged by an aura of artificiality--but it scarcely matters, for the film is a tremendous amount of fun.
Some of the performances are more successful than others, with Shirley MacLaine, Olympia Dukakis, Julia Roberts, and Darryl Hannah coming out on top (I am greatly surprised that so many other reviewers dislike Hannah's performance, which seems to me considerably less artificial than many others--but perhaps since I'm actually Southern I have a different perspective). Sally Fields and Dolly Parton are less successful, but not in any sense that actually distracts from the fun. Perhaps most surprising in a film which focuses on women are the brief but impressive performances from the male supporting cast, which includes effective performances by Tom Skerrit, Sam Shepherd, and Dylan McDermott, and which serve to ground the film with a sense of the broader community in which the women live.
The script abounds in zinging one-liners ("If you can't say something nice, come sit by me!") and often hilarious situations (imagine Olympia Dukakis surrounded by naked men in the highschool football team's locker room); it also contains some very touching segments sure to choke up all but the most heartless viewer. And although the story is extremely manipulative and rather predictable, those factors don't actually get in the way of its effectiveness. While probably not a "great film" by any serious standard, it is tremendously good-natured, well-intended, and extremely entertaining, and most people will find that it lingers pleasantly in mind and holds up well under repeated viewings.
Gary F. Taylor, aka GFT, Amazon Reviewer
Some of the performances are more successful than others, with Shirley MacLaine, Olympia Dukakis, Julia Roberts, and Darryl Hannah coming out on top (I am greatly surprised that so many other reviewers dislike Hannah's performance, which seems to me considerably less artificial than many others--but perhaps since I'm actually Southern I have a different perspective). Sally Fields and Dolly Parton are less successful, but not in any sense that actually distracts from the fun. Perhaps most surprising in a film which focuses on women are the brief but impressive performances from the male supporting cast, which includes effective performances by Tom Skerrit, Sam Shepherd, and Dylan McDermott, and which serve to ground the film with a sense of the broader community in which the women live.
The script abounds in zinging one-liners ("If you can't say something nice, come sit by me!") and often hilarious situations (imagine Olympia Dukakis surrounded by naked men in the highschool football team's locker room); it also contains some very touching segments sure to choke up all but the most heartless viewer. And although the story is extremely manipulative and rather predictable, those factors don't actually get in the way of its effectiveness. While probably not a "great film" by any serious standard, it is tremendously good-natured, well-intended, and extremely entertaining, and most people will find that it lingers pleasantly in mind and holds up well under repeated viewings.
Gary F. Taylor, aka GFT, Amazon Reviewer
Based On A Real Life Incident
Lechuguilla23 April 2005
This film is worth watching for two reasons. First, it is based on a tragic, real life event. As such, an enhanced credibility sustains the film's underlying premise, and thus renders a much greater potential for viewer impact and depth of meaning, as opposed to a work of fiction. Second, quite aside from its autobiographical roots, the film has entertainment value, expressed mostly as snappy, funny dialogue, delivered competently by an ensemble cast of likable actresses. Attention to detail in costumes and production design, and adroit film editing, further amplify the film's overall technical quality.
"Steel Magnolias" is a story about the close knit relationships between six ordinary Southern women, living in a small town in Louisiana. The film has a homespun, unpretentious feel to it, rather like "Fried Green Tomatoes".
The plot alternates between humorous, small, everyday events and good-natured quips, on the one hand ... and on the other hand, the seriousness and heartache attendant to life's unexpected crises. Through the laughs and tears, the six women learn to endure hard times, and thus emerge from their struggles with grace and dignity.
Finding something to criticize here is not easy. I can think of several changes that I would have made, to satisfy my own personal preferences. But the film is solid and substantial, as is. I suppose one could zero in on the acting. A couple of the cast members overact their parts, at some point or another in the film.
Overall, "Steel Magnolias" is technically well made. And the content engages our interest, as a result of its true-to-life theme, its all star cast, and some very clever dialogue.
"Steel Magnolias" is a story about the close knit relationships between six ordinary Southern women, living in a small town in Louisiana. The film has a homespun, unpretentious feel to it, rather like "Fried Green Tomatoes".
The plot alternates between humorous, small, everyday events and good-natured quips, on the one hand ... and on the other hand, the seriousness and heartache attendant to life's unexpected crises. Through the laughs and tears, the six women learn to endure hard times, and thus emerge from their struggles with grace and dignity.
Finding something to criticize here is not easy. I can think of several changes that I would have made, to satisfy my own personal preferences. But the film is solid and substantial, as is. I suppose one could zero in on the acting. A couple of the cast members overact their parts, at some point or another in the film.
Overall, "Steel Magnolias" is technically well made. And the content engages our interest, as a result of its true-to-life theme, its all star cast, and some very clever dialogue.
A thoroughly decent drama with an all-star cast
smatysia21 May 2019
A thoroughly decent drama with an all-star cast. While none of the male characters were fleshed out, that simply wasn't the focus of the movie, and I understand that in the source play, none of them ever appeared on-stage. The women were all very strong, if sometimes foolish, and the acting was first-rate. Nice photography of Natchitoches.
Be prepared to laugh til you cry with this one!
MyMovieTVRomance15 October 2021
Now that I've recently watched "Beaches" I feel like I need to watch this again, to compare which chick-flick I like more. Those two, plus "Fried Green Tomatoes" tend to be mentioned together as ultimate weepy chick-flicks, and I've seen them all, but I don't remember liking this one quite as much as "Beaches". I'll have to watch again to see...
UPDATE: I watched it again, and I have to say there was far more laughter than tears here, which I appreciate. "Beaches" (1988) actually made me cry more than this one, which surprised me, given the reputation of "Steel Magnolias" (1989) as being one of the ultimate tearjerkers. But, this movie shows that it's not the amount of tears, but the quality of them that makes for a great tearjerker!
The subject of losing a loved one was handled with rage, comic relief, and ultimately grace. It made me cry, without bringing me totally down, which is a kind of miracle, really.
This is a tearjerker, but not a bitter one, like "Miss You Already" is- instead, it was one wherein, as I traveled through life with these women, I felt less resentment, and had fewer regrets, despite the bitter-sweetness of it all. This movie managed to take what could be very depressing subject-matter, and inject dignity and an uplifting quality into it. By the end, I didn't feel like cursing the Almighty for allowing such suffering (as I sort of did with "Miss You Already" and to a lesser degree, "Beaches"), instead, by the end, I just had a line said by Dolly Parton's character lingering in my heart- i.e. "God works in mysterious ways." And somehow, that made it alright and gave me such comfort!
Yes, this is a tearjerker, but like it's tagline says, "It's the funniest film that'll ever make you cry!" As I said, it's far more laughter than tears here, and I mean laugh out loud moments! So, be prepared to laugh til you cry with this one! It is indeed a classic! Do I like it more than "Beaches" (1988) though? No, I don't think so, cause I have a soft spot for Bette Midler and her Easy Listening music and her comedic ways. That said, this one is right up there with it, and definitely one of the best of its kind!
UPDATE: I watched it again, and I have to say there was far more laughter than tears here, which I appreciate. "Beaches" (1988) actually made me cry more than this one, which surprised me, given the reputation of "Steel Magnolias" (1989) as being one of the ultimate tearjerkers. But, this movie shows that it's not the amount of tears, but the quality of them that makes for a great tearjerker!
The subject of losing a loved one was handled with rage, comic relief, and ultimately grace. It made me cry, without bringing me totally down, which is a kind of miracle, really.
This is a tearjerker, but not a bitter one, like "Miss You Already" is- instead, it was one wherein, as I traveled through life with these women, I felt less resentment, and had fewer regrets, despite the bitter-sweetness of it all. This movie managed to take what could be very depressing subject-matter, and inject dignity and an uplifting quality into it. By the end, I didn't feel like cursing the Almighty for allowing such suffering (as I sort of did with "Miss You Already" and to a lesser degree, "Beaches"), instead, by the end, I just had a line said by Dolly Parton's character lingering in my heart- i.e. "God works in mysterious ways." And somehow, that made it alright and gave me such comfort!
Yes, this is a tearjerker, but like it's tagline says, "It's the funniest film that'll ever make you cry!" As I said, it's far more laughter than tears here, and I mean laugh out loud moments! So, be prepared to laugh til you cry with this one! It is indeed a classic! Do I like it more than "Beaches" (1988) though? No, I don't think so, cause I have a soft spot for Bette Midler and her Easy Listening music and her comedic ways. That said, this one is right up there with it, and definitely one of the best of its kind!
It's a Chick Flick
SnoopyStyle8 March 2014
Shelby Eatenton (Julia Roberts) is getting married to Jackson (Dylan McDermott). Her parents M'Lynn (Sally Field) and Drum (Tom Skerritt) are getting ready. Things revolve around Truvy Jones (Dolly Parton)'s beauty parlor. Truvy takes pity on the bumbling Annelle Dupuy (Daryl Hannah) hiring her. Next door neighbor Ouiser Boudreaux (Shirley MacLaine) is angry at all the fuss. Clairee Belcher (Olympia Dukakis) loves to crack jokes at Ouiser's expense. Shelby is weak with diabetes. She suffers attacks. She shouldn't have children, but some time after the wedding, she announces that she's pregnant.
Sure it's a chick flick. But it's not a frivolous chick flick. There are big emotional melodrama. It's overwrought at times. The impressive cast is able to tame this beast. The best part is that these chicks are good friends. It's a chick flick in the best sense. There are some cute fun moments, some big lines, and some down right sharp jabs. Then there are the big cry moments. It's all there.
Sure it's a chick flick. But it's not a frivolous chick flick. There are big emotional melodrama. It's overwrought at times. The impressive cast is able to tame this beast. The best part is that these chicks are good friends. It's a chick flick in the best sense. There are some cute fun moments, some big lines, and some down right sharp jabs. Then there are the big cry moments. It's all there.
The flavor of the South
PeachHamBeach25 October 1999
Every time I see this movie, I want to eat a plateful of jambalaya and smell the sweet aroma of a magnolia. No other movie I've seen quite captures the essense of southern living like Steel Magnolias. This movie has everything, hysterical comedy and satisfying drama. Everyone was great: Sally Field as M'Lynn, a mother who still worries about her very grown up daughter; Julia Roberts as Shelby, a special young woman who feels that having a baby is worth risking everything; Dolly Parton as Truvy, a lonely beautician who brightens like a light bulb when her little shop is full of "hens" : ) ; Olympia Dukkakis as Clairee, the town bigwig who loves to gossip; Daryl Hannah as Annelle, a very religious young woman who drives her friends crazy with her sudden fits of prayer; and of course who can forget Shirley McLaine as Ouiser, the grouchy old wretch who tows her pathetic dog around and mercilessly cusses out the equally obnoxious Drum (Tom Skerrit)??? A very satisfying movie for comedy and drama lovers alike. A totally feel good, yet very real movie.
Steel Magnolias
henry8-314 January 2023
Set during social get togethers - national holidays, births, deaths and weddings, this is the story of a group of Louisiana friends played by an all star cast who support each other through thick and thin whilst always keeping their tongues well sharpened.
Whilst this is all very Hollywood and perhaps a little too sugary in places for some tastes, it is riddled with genuinely wonderful characters and laugh out loud caustic one liners. Yes it has a chunk of heartbreaking, which seemed inevitable almost from the opening credits yet the friends and their acid tongues keep the wit of the film on focus. The cast are of course great with Field leading the pack, Roberts strong in her first major role but with Dukakis, MacLaine and Skerritt get all the big laughs. I thought this was going to be too Peyton Place for my tastes but I liked it more than I expected.
Whilst this is all very Hollywood and perhaps a little too sugary in places for some tastes, it is riddled with genuinely wonderful characters and laugh out loud caustic one liners. Yes it has a chunk of heartbreaking, which seemed inevitable almost from the opening credits yet the friends and their acid tongues keep the wit of the film on focus. The cast are of course great with Field leading the pack, Roberts strong in her first major role but with Dukakis, MacLaine and Skerritt get all the big laughs. I thought this was going to be too Peyton Place for my tastes but I liked it more than I expected.
Probably my favorite movie...
Pookyiscute8 April 2006
Although there are several films that I would rank in the top ten best of all time, this is probably my favorite, and is a good past time to watch that never lets me down. As many times as I've seen this film (and it's a lot), it never fails me; with tears, laughter and excellent acting and reality. Julia Roberts, as I recall was nominated for her portrayal as a young woman with diabetes, and in my opinion, should have won for this and not for "Erin Brockovich". But, the real gem and overlooked one in the movie is Sally Field. This is by far and away, her best role and performance she ever snagged, and nailed, and I rank her performance in this as one of my top five best performances in motion picture history of all time.
All the characters and performances in this are excellent, including one such, by Daryl Hannah, who I don't care for, but love in this movie. In fact, her character Anell, is the only role I've ever liked her in, and applaud her work in it.
Among the cast there are very few men, but my favorite is Tom Skerrit, who plays Sally Field's husband, and father to Julia Robert. Shirley MaClain, Olympia Dukakis, and Dolly Parton are the other three co-stars, that follow behind the three previous, and all make their characters unique.
The basis of the film, is a beauty parlor, and although it might sound hokey, it's really not. Some might call it a chick flick, but I have to say that I know men have even gotten teary-eyed from this film. It's wonderfully directed, only in that, it makes you feel apart of the never ending friendship that's between this group of women. The experiences that they have and the trials and tribulations they go through. Although not the whole movie is set in the hair salon, a good portion of the film is, but it is done in just the right amount, and is written very well.
I recommend it for girls of all ages, and men who want to impress their girlfriends with a great flick for a Friday night. It is one of the best films of all time, and if for no other reason, you should watch this merely to see the performance Sally Field gives, because it is amazing.
All the characters and performances in this are excellent, including one such, by Daryl Hannah, who I don't care for, but love in this movie. In fact, her character Anell, is the only role I've ever liked her in, and applaud her work in it.
Among the cast there are very few men, but my favorite is Tom Skerrit, who plays Sally Field's husband, and father to Julia Robert. Shirley MaClain, Olympia Dukakis, and Dolly Parton are the other three co-stars, that follow behind the three previous, and all make their characters unique.
The basis of the film, is a beauty parlor, and although it might sound hokey, it's really not. Some might call it a chick flick, but I have to say that I know men have even gotten teary-eyed from this film. It's wonderfully directed, only in that, it makes you feel apart of the never ending friendship that's between this group of women. The experiences that they have and the trials and tribulations they go through. Although not the whole movie is set in the hair salon, a good portion of the film is, but it is done in just the right amount, and is written very well.
I recommend it for girls of all ages, and men who want to impress their girlfriends with a great flick for a Friday night. It is one of the best films of all time, and if for no other reason, you should watch this merely to see the performance Sally Field gives, because it is amazing.
Excellent cast makes high class soap opera work
clydestuff5 April 2003
Steel Magnolias may be nothing more than manipulative high class soap opera, but it is soap opera that works, thanks to a good script and some first class performances by an excellent cast. If you are looking for edge or your seat drama, you're shopping in the wrong store here. What you do get is a story about relationships. The main focus is the story of a friendship between five women, each character totally different, but very well defined by the five actresses who portray them. There is also a major story about the relationship between a Mother and Daughter, some minor stories involving girlfriend and boyfriend, and husband and wife. It is the actresses who make this movie watchable, Sally Field hits all the right notes as a mother who at times can seem overbearing to her daughter, but as we find out with good reason. Dolly Parton as a beauty shop owner gives her best performance ever here, and for once doesn't try to draw our attention to her anatomy. Shirley MacLaine and Olympia Dukakis are stellar as two women who you are always trying to one up the other, but who deep down really care about each other. The biggest surprise here is Daryl Hannah, who plays a mousy church goer. It is probably her best performance to date. Julia Roberts, in an early role as Sally Field's daughter, does a fine job also.
Although the male roles don't have much screen time, they are still pivotal to the story, and Tom Skerritt, Sam Shephard, Dylan McDermott, and Kevin J. O'Connor, give performances every bit as good as the ladies. It's great to watch a movie where on the surface there doesn't seem to be much happening, but challenges you to listen to the dialogue between the characters. Steel Magnolias is just such a movie, and does it better than most.
Although the male roles don't have much screen time, they are still pivotal to the story, and Tom Skerritt, Sam Shephard, Dylan McDermott, and Kevin J. O'Connor, give performances every bit as good as the ladies. It's great to watch a movie where on the surface there doesn't seem to be much happening, but challenges you to listen to the dialogue between the characters. Steel Magnolias is just such a movie, and does it better than most.
One of the Best movies I have ever seen!
dvmunchkin19 June 2005
I have always loved this movie. My mom and I watch it all the time and never get sick of it. It also never fails to make me both laugh and cry. It's amazing how real it is. I cannot relate to the events or the whole southern aspect to it, yet the movie is still easy to connect with. That is not only due to the incredible writing, but the acting is phenomenal. The characters feel so real. I have a hard time picking who I like best because everyone is so incredible in their own way. Even the more minor characters. But like I said, the impeccable writing is impossible to ignore. My mom and I can't seem to stop quoting it to each other. Although, yes, it is a chick flick, it is actually a good one. It's meaningful and powerful. And it's always nice to see a movie about women that does not revolve around them trying to get a man. I can't think of anything that is wrong in this movie. I really can't find a flaw. Every women, adolescents and on, should see this movie. I love it!
The crossing of a comedy with a typical dramatic TV-movie
philip_vanderveken15 May 2005
Reading the tag line for this movie really made me curious. "The funniest movie ever to make you cry." What can you possibly expect when reading a line like that? Will it be a comedy that is so funny that it will make you laugh so hard that you cry? Will it be a tragic movie that brings its message in a funny way? I really didn't know, but I sure was curious, so I gave the movie a try.
Everything in this movie revolves around a beauty parlor in a small parish in Lousiana. A close group of friends meets each other regularly in this salon. These women do not always seem to have much in common, but they are friends and here they share all their good moments like for instance marriage, pregnancy, a new start of life... and bad moments like for instance the death of a dearly beloved, together.
If I think of the different characters, than I must say that I loved Shirley MacLaine as Ouiser Boudreaux most. She was excellent as the grumpy old lady who seems to hate everybody and everything in that little town. In my opinion the other characters aren't as great as MacLaine's, but are OK to watch, although they don't exactly feel 'real'. At first I even thought that this entire movie was some kind of parody on the Southern culture and more in particular on the people that live in Louisiana. But after reading some posts in the forum of this movie, this is apparently how the people over there really are. It's supposed to be in present time, but it feels like time stood still 50 years ago and never started running again. The way they look, act and think certainly doesn't match with my idea of a more modern United States...
All in all this is a movie that seems to balance somewhere in between a typical dramatic TV-movie and a comedy and to be honest, it didn't convince me much. It certainly isn't the worst movie ever, but it is a typical chick-flick. Normally I don't have any problems with that, even though I'm a man, but with this one I did. That's why I give it a 6/10.
Everything in this movie revolves around a beauty parlor in a small parish in Lousiana. A close group of friends meets each other regularly in this salon. These women do not always seem to have much in common, but they are friends and here they share all their good moments like for instance marriage, pregnancy, a new start of life... and bad moments like for instance the death of a dearly beloved, together.
If I think of the different characters, than I must say that I loved Shirley MacLaine as Ouiser Boudreaux most. She was excellent as the grumpy old lady who seems to hate everybody and everything in that little town. In my opinion the other characters aren't as great as MacLaine's, but are OK to watch, although they don't exactly feel 'real'. At first I even thought that this entire movie was some kind of parody on the Southern culture and more in particular on the people that live in Louisiana. But after reading some posts in the forum of this movie, this is apparently how the people over there really are. It's supposed to be in present time, but it feels like time stood still 50 years ago and never started running again. The way they look, act and think certainly doesn't match with my idea of a more modern United States...
All in all this is a movie that seems to balance somewhere in between a typical dramatic TV-movie and a comedy and to be honest, it didn't convince me much. It certainly isn't the worst movie ever, but it is a typical chick-flick. Normally I don't have any problems with that, even though I'm a man, but with this one I did. That's why I give it a 6/10.
Come and Listen to My Story 'bout a Gal Named Shel(by)
zimmedc3 August 2005
We took a weekend trip from Baton Rouge, LA to Natchitoches, LA, where fifteen years earlier the filming of Steel Magnolias in 1989 remains about the biggest thing that ever happened. Having never seen the movie, we rented it as soon as we got back home. Everyone had a reason for watching it in two segments--mine was my sense that this was one of the "cutest" movies I'd ever seen, and I'd had quite enough "cute" lately, especially after sitting through Will Smith in "Hitch". The accents and the caricatures of the characters were all so thick that it reminded me of The Beverly Hillbillies, though more embarrassing than funny. One "Hillbillies-like" moment that pretty funny was the few non-female characters' effort to shoot some "crows" out of a tree so that they won't "sh*t all over the reception". Their creative use of a crossbow is a classic.
Sad to say there isn't much else classic in a story that is at the same time saccharine and maudlin. I saw another review that noted the choppiness of some scenes (as the movie was adapted from a play that never left the beauty shop). I can think of two scenes in particular--one where the town-big wig Clairee (played by the noted-Southern belle Olympia Dukasis) buys the local radio station so that she can do the color commentary on the local football games (the scene features the same guy filmed bare from the back waist-and-lower view as he walks in front camera in the locker room three times.) In another scene, the Darryl Hannah (hard to recognize) committed Christian character argues with her boyfriend over his repeated taking of the Lord's name in vain. Neither scene has any impact on the rest of the story.
Dolly Parton is her usual big hair, big smile, big **** self as the lead hairdresser. Shirley MacLaine has a very unsympathetic character as the Eatonton's (Julie and Sally, and family) ill-tempered neighbor. The male characters are more or less wasted, especially the estimable Sam Shepard, who spends most of the film underneath a car, or sitting lifelessly in front of a TV.
The movie moved up from a 2 during the seemingly endless wedding prep and wedding of the first half to a 6 in the second half, which became more dramatic. Sally Field has a pretty good scene near the end, she and the story make you think a little about the motives of the main character (Julia Roberts as Shelby).
Overall, I thought that Steel Magnolias was a relatively embarrassing depiction of life in the beautiful town of Natchitoches, LA. Given that the locals seemed not to mind too much, I may be overreacting. They even showed us where the truck made an illegal left turn in the final scene. I hope this is not a spoiler.
I don't really understand the almost universal overwhelming praise by the reviewers here. I understand the overall rating under 7, as all the 10's from the reviewers are being offset by 4's and 5's by people who saw the movie as I did, but were too nice to submit a comment.
Sad to say there isn't much else classic in a story that is at the same time saccharine and maudlin. I saw another review that noted the choppiness of some scenes (as the movie was adapted from a play that never left the beauty shop). I can think of two scenes in particular--one where the town-big wig Clairee (played by the noted-Southern belle Olympia Dukasis) buys the local radio station so that she can do the color commentary on the local football games (the scene features the same guy filmed bare from the back waist-and-lower view as he walks in front camera in the locker room three times.) In another scene, the Darryl Hannah (hard to recognize) committed Christian character argues with her boyfriend over his repeated taking of the Lord's name in vain. Neither scene has any impact on the rest of the story.
Dolly Parton is her usual big hair, big smile, big **** self as the lead hairdresser. Shirley MacLaine has a very unsympathetic character as the Eatonton's (Julie and Sally, and family) ill-tempered neighbor. The male characters are more or less wasted, especially the estimable Sam Shepard, who spends most of the film underneath a car, or sitting lifelessly in front of a TV.
The movie moved up from a 2 during the seemingly endless wedding prep and wedding of the first half to a 6 in the second half, which became more dramatic. Sally Field has a pretty good scene near the end, she and the story make you think a little about the motives of the main character (Julia Roberts as Shelby).
Overall, I thought that Steel Magnolias was a relatively embarrassing depiction of life in the beautiful town of Natchitoches, LA. Given that the locals seemed not to mind too much, I may be overreacting. They even showed us where the truck made an illegal left turn in the final scene. I hope this is not a spoiler.
I don't really understand the almost universal overwhelming praise by the reviewers here. I understand the overall rating under 7, as all the 10's from the reviewers are being offset by 4's and 5's by people who saw the movie as I did, but were too nice to submit a comment.
Southern Charm served on a Movie Reel
Falcon-5111 March 2000
O.K. The film is labeled a "Chick Flick" and it is, but there is no reason a guy couldn't enjoy it. I'm a guy and I found it quite enjoyable. With strong performances by everyone and a wonderfully written script, both hilarious and heart wrenching. The cast is completely star studded. First Sally Field plays M'Lynn Eatenton a southern mom with a golden heart. Dolly Parton plays Truvy Jones owner of the local beauty salon and favorite gossip hang out for the women of the film. Shirley MacLaine plays Ouiser Boudreaux the woman you love to hate whom proclaims herself richer than God. Daryl Hannah plays Annelle Dupuy Desoto the shy girl hired by Truvy because of her wonderful work on hair. Olympia Dukakis plays Clairee Belcher a wonderful southern charmer and one of the thorns in Ouiser's side. Julia Roberts plays Shelby Eatenton Latcherie the central character of the film that is plagued with medical problems. Tom Skerritt plays Drum Eatenton, husband of M'Lynn Eatenton. Also there are a couple of smaller parts played by Sam Shepard and Dylan McDermott.
One of the many funny moments in the film occurs when Drum (Skerritt) ask Ouiser for a slice of wedding cake that is shaped like an Armadillo. Drum asks: Ouiser, can we call a truce long enough for me to get a piece of cake? (Ouiser slices him off the tail section) to which Drum replies: Thanks Ouiser, nothing like a good piece of ass!
Sally Feilds performance as the woman letting loose during the cemetery scene seems like Oscar material, but she does not even receive a nomination. Julia Roberts however does receive a nomination but does not win. She does manage to take home a Golden Globe for best actress in a supporting role. As I said before there were some great performances by all the ladies. So "Chick Flick" or not I think many guy's will also enjoy this film.
One of the many funny moments in the film occurs when Drum (Skerritt) ask Ouiser for a slice of wedding cake that is shaped like an Armadillo. Drum asks: Ouiser, can we call a truce long enough for me to get a piece of cake? (Ouiser slices him off the tail section) to which Drum replies: Thanks Ouiser, nothing like a good piece of ass!
Sally Feilds performance as the woman letting loose during the cemetery scene seems like Oscar material, but she does not even receive a nomination. Julia Roberts however does receive a nomination but does not win. She does manage to take home a Golden Globe for best actress in a supporting role. As I said before there were some great performances by all the ladies. So "Chick Flick" or not I think many guy's will also enjoy this film.
too much pain
csauer31 January 2006
Steel magnolias has it all. Lots of laughs. Lots of pain. Too much pain. First of all the laughs. I would love to have the part played by Tom Skerritt as (Drum). Out side scaring the birds away by firing his pistol and then with his crossbow was really funny. The sparing he does with Shirly (Ouiser) will make you chuckle out-loud. Really great acting by everyone in the cast. So why am I down on this movie? Too much pain. After having watched a really good light comedy I'm suddenly watching Julia (Shelby) fighting for her life for a long time. Too much pain. Then the funeral and grave yard scene that wouldn't end was too much for me. The only part of the grave-yard scene that made me not hurt so much was when Annelle said it should be a celebration as Shelby was going to see her King. Again a great cast great acting but too much ----
9/10 -- A SOUTHERN MASTERPIECE!
Analog_Devotee21 June 2021
It's no wonder this is considered a favorite among many. One of the best Southern charm films out there for sure. Wonderfully unique characters all Southern folks will recognize, beautiful cinematography and filming location, and a truly heart wrenching yet inspirational tale.
Steel Magnolias
jboothmillard8 December 2008
Warning: Spoilers
I don't know the meaning of the title, I guess it's something to do with all the women in it, but this film is based on the play by Robert Harling, who wrote the screenplay, and directed by Herbert Ross (The Sunshine Boys, The Secret of My Succe$s, Boys on the Side). Basically the film sees many female friends, living in Louisiana, and the whole way through the women all support each other in whatever difficult or emotional situations they are taken into. Shelby Eatenton Latcherie (Golden Globe winning, and Oscar nominated Julia Roberts) is getting married to Jackson Latcherie (Miracle on 34th Street's Dylan McDermott), and getting help from mother M'Lynn (Golden Globe nominated Sally Field) and hairdressing friends Truvy Jones (Dolly Parton) and new recruit Annelle Dupuy Desoto (Daryl Hannah). Then there is loads more chat about marriage, men, the menopause and manicures, before all friends, Ouiser Boudreaux (BAFTA nominated Shirley MacLaine), Clairee Belcher (Olympia Dukakis) and the others are brought together for the tragic death of Shelby, which M'Lynn obviously can't handle, but don't worry, there is a happy ending when all of them rush to help Annelle get to hospital to have her baby. Also starring Alien's Tom Skerritt as Drum Eatenton, Kevin J. O'Connor as Sammy Desoto, Sam Shepard as Spud Jones, Bill McCutcheon as Owen Jenkins and Ann Wedgeworth as Aunt Fern. You have to remember that this is based on a play, so it is obvious why there isn't a whole lot of plot or point to the film, it is literally just a load of women, many sassy one-liners, and some compassionate, slightly too sentimental emotional moments, happy and sad, but good entertainment never-the-less. Very good!
A 'Chick Flick' Men Can Enjoy, Too!
cariart21 August 2003
With Julia Roberts the superstar she is today, it's an excellent time to enjoy the film that contains her best performance, Steel Magnolias.
As the doomed but optimistic daughter of Sally Field and Tom Skerrit, she holds her own in a cast of movie divas, including Shirley MacLaine, Olympia Dukakis, Dolly Parton, and (in her best film work, as well), Darryl Hannah.
The film is basically a warm, upbeat character study of a group of women friends, played out in a beautiful Louisiana bayou town. The story begins with Roberts' wedding, then carries on through the ups and downs of the friends' lives. The men in the story are secondary characters, and occasionally come across as a bit selfish (Roberts' husband), or buffoons (Hannah's boyfriend), yet one of the joys of this movie is that you come to love the women so much, you don't mind the men's shortcomings, and start liking them, too!
The standout performances of the film are from Roberts, and MacLaine, as a spinster with a sarcastic tongue, and, ultimately, a heart of gold. Her scenes with Dukakis are hilarious, yet full of the warmth that makes this film so special!
A couple of things usually overlooked, but worth mentioning; the enchanting film score (I wish the soundtrack would be re-released!), and a bit part by Janine Turner, before 'Northern Exposure' made her a star.
This is a very special film, for both Roberts' fans, and anyone who wants to believe in the healing powers of friendship. Yes, this film can be defined as a 'chick flick', but guys, you'll end up enjoying it, too!
As the doomed but optimistic daughter of Sally Field and Tom Skerrit, she holds her own in a cast of movie divas, including Shirley MacLaine, Olympia Dukakis, Dolly Parton, and (in her best film work, as well), Darryl Hannah.
The film is basically a warm, upbeat character study of a group of women friends, played out in a beautiful Louisiana bayou town. The story begins with Roberts' wedding, then carries on through the ups and downs of the friends' lives. The men in the story are secondary characters, and occasionally come across as a bit selfish (Roberts' husband), or buffoons (Hannah's boyfriend), yet one of the joys of this movie is that you come to love the women so much, you don't mind the men's shortcomings, and start liking them, too!
The standout performances of the film are from Roberts, and MacLaine, as a spinster with a sarcastic tongue, and, ultimately, a heart of gold. Her scenes with Dukakis are hilarious, yet full of the warmth that makes this film so special!
A couple of things usually overlooked, but worth mentioning; the enchanting film score (I wish the soundtrack would be re-released!), and a bit part by Janine Turner, before 'Northern Exposure' made her a star.
This is a very special film, for both Roberts' fans, and anyone who wants to believe in the healing powers of friendship. Yes, this film can be defined as a 'chick flick', but guys, you'll end up enjoying it, too!
this female-skewing small-town melodrama hits the right spot as a life-affirming motion picture which appeals to a much more overlooked demography
lasttimeisaw14 October 2016
Based on Robert Harling's play, which is inspired by his own life story, the film version of STEEL MAGNOLIAS is directed by the schmaltz-brewing old-timer Herbert Ross. Emboldened by a pronounced female-centred cast, its narrative gaily situates in a Louisiana parish, where a palsy- walsy clique of (all-white) residents builds up rapport and strong support during the twist of fate, befalls the central Eatenton family.
The film starts from the perspective of an outsider, an gauche young woman Annelle Dupuy (an uglified Hannah) arrives in town on the wedding day of Shelby (Roberts), the eldest daughter of M'Lynn (Field) and Drum Eatenton (Skerritt, a delightful comic relief), to work for Truvy Jones (Parton) in her beauty salon. Soon it turns out that Shelby suffers from type 1 diabetes, which implies that pregnancy will subject her life into great danger. If the couple wants children, adoption might be a wiser option, but no, that never gonna happen, Shelby is opinionated in her regressive determination to have a child of her own with a side-note faintly insinuates that perhaps, it is also what her husband Jackson (McDermott) wants despite the huge risk, their marital undertow only alluded during the women folk's regular saloon gossip, and any slant from their opposite sex has been maximally sidestepped (the original play has no male characters in the plot), and Jackson evidently doesn't come off as a model husband, but what comes to fore is the relationship between M'Lynn and Shelby, a mother's completely-selfless affection to her daughter (including donating one of her kidneys) Vs. a young woman's death-defying conviction to become a mother on her own term (latently also to ameliorate her marriage snag), although in hindsight, the latter descends to borderline injudiciousness, but quite tallies with the ethos of its time.
Thankfully there are more upbeat subplots, which include a coruscating widow-duo, a graceful Clairee (Dukakis), once was married to the late former mayor, and a cantankerous Ouiser (MacLaine, a salient transformation in her appearance to enhance her senility), they banter, change repartee, bicker, make up, both are sprightly and wonderfully larger-than-life; whereas Annelle also says goodbye to her own troubled past, and finds solace in religion and soon a new husband with a baby on the way; only the relation between a generically spirited Truvy and her offish hubby Spud (Shepard) doesn't pan out effectively in the final product.
STEEL MAGNOLIAS is a springboard to leapfrog Julia Roberts into stardom, earns her the very first Oscar nomination at the age of 22 over the more prestigious distaff thespians, still, how can one not be petrified to watch Field's mind-blowing flare-up in the cemetery one-take and in the next second, not get wryly bemused by Dukakis' off-kilter humor to swerve the mood back from abysmal heartbreak? According to my book, a more Oscar-deserving supporting player is the consistently fiery MacLaine, a recalcitrant rebel and nothing can hold her back! By contrast, a dewy Robert only outshines others by design in her one-off diabetes attack sequence.
In all fairness, this female-skewing small-town melodrama hits the right spot as a life-affirming motion picture which appeals to a much more overlooked demography, but it is also stalled by its morally provincial material and a slightly over-honed happy-clappy tone to some extent.
The film starts from the perspective of an outsider, an gauche young woman Annelle Dupuy (an uglified Hannah) arrives in town on the wedding day of Shelby (Roberts), the eldest daughter of M'Lynn (Field) and Drum Eatenton (Skerritt, a delightful comic relief), to work for Truvy Jones (Parton) in her beauty salon. Soon it turns out that Shelby suffers from type 1 diabetes, which implies that pregnancy will subject her life into great danger. If the couple wants children, adoption might be a wiser option, but no, that never gonna happen, Shelby is opinionated in her regressive determination to have a child of her own with a side-note faintly insinuates that perhaps, it is also what her husband Jackson (McDermott) wants despite the huge risk, their marital undertow only alluded during the women folk's regular saloon gossip, and any slant from their opposite sex has been maximally sidestepped (the original play has no male characters in the plot), and Jackson evidently doesn't come off as a model husband, but what comes to fore is the relationship between M'Lynn and Shelby, a mother's completely-selfless affection to her daughter (including donating one of her kidneys) Vs. a young woman's death-defying conviction to become a mother on her own term (latently also to ameliorate her marriage snag), although in hindsight, the latter descends to borderline injudiciousness, but quite tallies with the ethos of its time.
Thankfully there are more upbeat subplots, which include a coruscating widow-duo, a graceful Clairee (Dukakis), once was married to the late former mayor, and a cantankerous Ouiser (MacLaine, a salient transformation in her appearance to enhance her senility), they banter, change repartee, bicker, make up, both are sprightly and wonderfully larger-than-life; whereas Annelle also says goodbye to her own troubled past, and finds solace in religion and soon a new husband with a baby on the way; only the relation between a generically spirited Truvy and her offish hubby Spud (Shepard) doesn't pan out effectively in the final product.
STEEL MAGNOLIAS is a springboard to leapfrog Julia Roberts into stardom, earns her the very first Oscar nomination at the age of 22 over the more prestigious distaff thespians, still, how can one not be petrified to watch Field's mind-blowing flare-up in the cemetery one-take and in the next second, not get wryly bemused by Dukakis' off-kilter humor to swerve the mood back from abysmal heartbreak? According to my book, a more Oscar-deserving supporting player is the consistently fiery MacLaine, a recalcitrant rebel and nothing can hold her back! By contrast, a dewy Robert only outshines others by design in her one-off diabetes attack sequence.
In all fairness, this female-skewing small-town melodrama hits the right spot as a life-affirming motion picture which appeals to a much more overlooked demography, but it is also stalled by its morally provincial material and a slightly over-honed happy-clappy tone to some extent.
An Ensemble Piece
bkoganbing3 April 2011
Robert Harling's off Broadway play based on the death of his real life sister had the good fortune of having him do the screen adaption. In expanding it for the big screen and shooting it in his native Louisiana, Steel Magnolias lost nothing of what he was trying to convey in his one set drama which only involved the six women who are the leads. In fact seeing them interact with other family and friends added well to Steel Magnolias.
Still the root of the play is the conversations among six friends in Dolly Parton's Beauty Parlor in a small Louisiana bayou town. The friends are friendly enemies Olympia Dukakis and Shirley MacLaine and Sally Field and her daughter Julia Roberts. A new hairdresser is hired by Parton as it turns out on the day that Roberts is to be married and that is Darryl Hannah.
Roberts is a diabetic and she takes some very big health risks when she gets pregnant and has a baby boy. These women despite a lot differences and some occasional cattiness are really tight and the health problems of Roberts unites them all.
Steel Magnolias should have received a bit more recognition from the Academy than the nomination Julia Roberts got for Best Supporting Actress. If Steel Magnolias is nothing else it's an ensemble piece and recognizing Roberts over the others was unfair. For this story to work, all of the six females have to be good and all of them are.
This story has everything, laughter, sadness, great joy, and great pathos. Sometimes the six women are putting out several of these emotions at one time.
The best thing I can say about Steel Magnolias is that it is the kind of film you can watch over and over and be moved by it and maybe pick up an emotion you should have felt before in a particular scene. A rare and extraordinary work can do that and Steel Magnolias is a film for the ages.
Still the root of the play is the conversations among six friends in Dolly Parton's Beauty Parlor in a small Louisiana bayou town. The friends are friendly enemies Olympia Dukakis and Shirley MacLaine and Sally Field and her daughter Julia Roberts. A new hairdresser is hired by Parton as it turns out on the day that Roberts is to be married and that is Darryl Hannah.
Roberts is a diabetic and she takes some very big health risks when she gets pregnant and has a baby boy. These women despite a lot differences and some occasional cattiness are really tight and the health problems of Roberts unites them all.
Steel Magnolias should have received a bit more recognition from the Academy than the nomination Julia Roberts got for Best Supporting Actress. If Steel Magnolias is nothing else it's an ensemble piece and recognizing Roberts over the others was unfair. For this story to work, all of the six females have to be good and all of them are.
This story has everything, laughter, sadness, great joy, and great pathos. Sometimes the six women are putting out several of these emotions at one time.
The best thing I can say about Steel Magnolias is that it is the kind of film you can watch over and over and be moved by it and maybe pick up an emotion you should have felt before in a particular scene. A rare and extraordinary work can do that and Steel Magnolias is a film for the ages.
Engaging
gcd707 December 2007
Warning: Spoilers
Very well acted drama about five very different Southern women and how they cope with the events that shape their lives.
Director Herbert Ross really allows the ladies to take over the show, and they all put in strong performances. Sally Field, Shirley Maclaine, Daryl Hannah, Dolly Parton and Olympia Dukakis are all very good, whilst Julia Roberts is excellent. Also stars Tom Skerritt, Sam Shepard, Dylan McDermott and Kevin J. O'Connor.
Humour and drama are well balanced in a film whose tragic ending will surely pull at your heart strings. Engaging and at times very funny, "Steel Magnolias" is an enjoyable film.
Monday, November 29, 1993 - Video
Director Herbert Ross really allows the ladies to take over the show, and they all put in strong performances. Sally Field, Shirley Maclaine, Daryl Hannah, Dolly Parton and Olympia Dukakis are all very good, whilst Julia Roberts is excellent. Also stars Tom Skerritt, Sam Shepard, Dylan McDermott and Kevin J. O'Connor.
Humour and drama are well balanced in a film whose tragic ending will surely pull at your heart strings. Engaging and at times very funny, "Steel Magnolias" is an enjoyable film.
Monday, November 29, 1993 - Video
This movie is based on a true story!
BreanneB4 June 2005
Warning: Spoilers
This is an excellent movie, one of my favorites. It is also based on a true story. Robert Harling, the playwright, who wrote the play had a sister who had diabetes. Her's was just like Shelby's. It was very serious and having a child was life-threatening. However, though she went right ahead and had one anyway because she was afraid she would be denied one through adoption. Susan was her real name. He wrote the play for her of course. It was so good that it was turned into a movie. I have the DVD of it. I used to rent all the time before I got it. I love Julia Roberts, and all the others. Kudos to the filmmakers, cast and crew. Two Thumbs Way Up!
Sappy and predictable story, but some good actresses
trixie309 March 2019
Warning: Spoilers
I've seen this twice now because my daughter wanted to watch it again and I am a bit of a softy where she is concerned. It wasn't the worst movie I've ever seen, but I'd just as soon not watch it again. It bored me half the time and I rolled my eyes frequently. I've heard it's going to be re-released in theaters. You'd have to pay me a boatload of money to watch it on the big screen.
I've seen a number of reviews where Shelby is called selfish for having a baby when she knew it would probably kill her. And she is. I admit I haven't read every review, but I haven't read much about Jackson's selfishness. Despite saying he understood and that they could adopt, he must have made Shelby's life miserable. He obviously wasn't okay with adopting and is shown as the kind of man who feels less a man or that she doesn't love him enough if his wife won't have his baby.
When Shelby says that having the baby will "help" her marriage, you can't help but understand that Jackson is as much to blame. He is as selfish as she is. Did he nag and guilt her into it? Did he say the doctors don't know and that things would be fine? Did he threaten to leave? Those are the things the viewer will never know, so the blame goes solely to Shelby. I look at him and see an immature, self-centered jerk.
Representations where men are made to appear foolish and/or weak in order to show women as strong make me crazy! My southern grandmother would have been incensed because (1) southern women (most women in general, for that matter) are strong regardless; (2) they (again, like most women) admire strong, but considerate men; and (3) are insulted both for themselves and men when writers build women up by shoving men down . They'd never be fine married to the spineless or selfish or both supposedly "quirky" caricatures portrayed here. I know no women who would--and most of them aren't from the south.
I do like most of the cast and think the women do a very good job with the characters. They're well suited to the parts. I'm not and have never been a huge Julia Roberts fan, but she's tolerable. She does an excellent job with the hypoglycemic scene. I have reactive hypoglycemia and have been there. It's been decades since I messed up enough to go toward hypoglycemic shock, but I remember descending into it a few times before I was diagnosed. It really is that terrifying to the person it's happening to and to the people around them. (And yes, juice is better than candy. But why on earth didn't she have glucose tablets on hand?)
I'm not sure why this is so highly hyped as a great movie. Clearly some people love it and don't see it as flawed. Different strokes and all that.
I've seen a number of reviews where Shelby is called selfish for having a baby when she knew it would probably kill her. And she is. I admit I haven't read every review, but I haven't read much about Jackson's selfishness. Despite saying he understood and that they could adopt, he must have made Shelby's life miserable. He obviously wasn't okay with adopting and is shown as the kind of man who feels less a man or that she doesn't love him enough if his wife won't have his baby.
When Shelby says that having the baby will "help" her marriage, you can't help but understand that Jackson is as much to blame. He is as selfish as she is. Did he nag and guilt her into it? Did he say the doctors don't know and that things would be fine? Did he threaten to leave? Those are the things the viewer will never know, so the blame goes solely to Shelby. I look at him and see an immature, self-centered jerk.
Representations where men are made to appear foolish and/or weak in order to show women as strong make me crazy! My southern grandmother would have been incensed because (1) southern women (most women in general, for that matter) are strong regardless; (2) they (again, like most women) admire strong, but considerate men; and (3) are insulted both for themselves and men when writers build women up by shoving men down . They'd never be fine married to the spineless or selfish or both supposedly "quirky" caricatures portrayed here. I know no women who would--and most of them aren't from the south.
I do like most of the cast and think the women do a very good job with the characters. They're well suited to the parts. I'm not and have never been a huge Julia Roberts fan, but she's tolerable. She does an excellent job with the hypoglycemic scene. I have reactive hypoglycemia and have been there. It's been decades since I messed up enough to go toward hypoglycemic shock, but I remember descending into it a few times before I was diagnosed. It really is that terrifying to the person it's happening to and to the people around them. (And yes, juice is better than candy. But why on earth didn't she have glucose tablets on hand?)
I'm not sure why this is so highly hyped as a great movie. Clearly some people love it and don't see it as flawed. Different strokes and all that.
Classy cast in a preconceived weeper
moonspinner5516 November 2001
All the characters in this storybook Southern town have storybook names like M'Lynn and Truvy and Shelby and Clairee. After awhile, it gets a little sickening--one longs for a female character named Margaret. "Steel Magnolias" is so smooth it's starchy. I admired some of the actresses (Dolly Parton and Daryl Hannah in particular), but the script is just stale bread soaked in soap suds. The movie does play better on television than it did in theaters simply because the material is more suited for the tube, but that doesn't excuse Herbert Ross's lethargic pacing and staging, the rat-rat-a-tat rhythm of the screenplay dialogue, nor the constant overacting by 80% of the women. You certainly can't expect monumental emotions from a picture set in a small town beauty parlor where gossip, romance and lives are played out, but, since this is aimed at "Terms Of Endearment" fans, some actual, heartfelt feelings might not be too much to ask. "Steel Magnolias" doesn't have them. It's got the frosting all right, but the cake is a fake. ** from ****
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