Directed by
| John Seale | ||
Writing Credits
| Michael Thomas | ||
Cast (in credits order) verified as complete
Produced by
| Jim McElroy | ... | producer |
| Tim Sanders | ... | line producer |
Music by
| Graeme Revell | ||
Cinematography by
| Geoffrey Simpson | ||
Editing by
| Jill Bilcock | ||
Casting By
| Faith Martin | ||
Production Design by
| George Liddle | ||
Art Direction by
| Ian Allen | ||
| Brian Edmonds | ||
Set Decoration by
| Marta McElroy | ... | (as Marta Statescu) |
| Michael Tolerton | ||
Costume Design by
| Susan Camusi | ||
| David Rowe | ||
Makeup Department
| Violette Fontaine | ... | makeup supervisor |
| Susan Perks | ... | hair stylist: New York / makeup artist: New York |
| Marilyn Poucher | ... | hair stylist supervisor: Los Angeles / makeup supervisor: Los Angeles |
| Pascal Satet | ... | hair stylist |
Production Management
| Tic Carroll | ... | unit manager |
| Grant Hill | ... | production supervisor |
| Cindy Hochman | ... | production manager: Los Angeles |
| Bob Jason | ... | production supervisor: New York |
| Hugh Johnston | ... | unit manager |
| Claude Lawrence Jr. | ... | production supervisor: Los Angeles |
| Jacko Perronnet | ... | unit manager: second unit |
| Nancy Riggs | ... | production manager: New York |
| Sylvia Walker-Wilson | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Steve E. Andrews | ... | first assistant director |
| Byars Cole | ... | first assistant director: New York |
| Fred Culbertson | ... | first assistant director: Los Angeles |
| Michael Mick McIntyre | ... | first assistant director: aerial unit (as Michael McIntyre) |
| Karan Monkhouse | ... | second assistant director: second unit |
| Philip A. Patterson | ... | first assistant director: second unit (as Phil Patterson) |
| Toby Pease | ... | second assistant director |
| Stephen Price | ... | second assistant director: Los Angeles |
| Bruce Roberts | ... | second assistant director: New York |
| Emma Schofield | ... | third assistant director |
| John Suhr | ... | assistant director: underwater unit |
Art Department
| Peter Collias | ... | scenic artist |
| Susan Emshwiller | ... | set decorator: pick-ups |
| Peter Hordern | ... | head greensman |
| Bill Howe | ... | construction manager |
| Wendy Huxford | ... | art department coordinator |
| Norval Johnson | ... | props: New York |
| Nancy A. Knight | ... | Scenic Paint Second |
| Marta McElroy | ... | set dresser |
| John Murch | ... | props maker |
| Larry Sandy | ... | construction foreman |
| Walter Van Veenendaal | ... | plane constructor |
Sound Department
| Paul Bang | ... | boom operator: New York |
| Peter Burgess | ... | sound editor |
| Steve Burgess | ... | foley artist |
| Julius Chan | ... | sound effects editor |
| George Craig | ... | sound recordist: second unit |
| John Hays | ... | boom operator: Los Angeles |
| Mike Jones | ... | mix assistant |
| Tim Jordan | ... | sound editor |
| Phil Judd | ... | sound mixer |
| Gerry Long | ... | foley artist |
| Walt Martin | ... | sound recordist: Los Angeles (as Walter B. Martin) |
| Glenn Newnham | ... | sound editor |
| Wayne Pashley | ... | sound editor |
| Angus Robertson | ... | a.d.r. mixer |
| Peter Townend | ... | sound editor (as Peter Townsend) |
| Mark J. Wasiutak | ... | boom operator |
| Gary Wilkins | ... | sound recordist |
| Ron Yoshida | ... | sound recordist: New York |
Special Effects by
| Peter Armstrong | ... | special effects assistant |
| Brian Cox | ... | special effects supervisor |
| David Hardie | ... | special effects coordinator |
| Brian Pearce | ... | special effects assistant |
| David Young | ... | special effects assistant |
Visual Effects by
| Roger Cowland | ... | optical effects |
Stunts
| Margaret Branagan | ... | stunts |
| Jenni Brown | ... | stunts |
| Alan Fleming | ... | stunts |
| Larry Forsyth | ... | stunts |
| Tania Greenwood | ... | stunts |
| Grant Page | ... | stunt coordinator |
| Janene Reade | ... | stunts assistant |
Camera and Electrical Department
| Brian W. Armstrong | ... | camera operator: Los Angeles |
| Danny Batterham | ... | camera operator |
| Chuck Brown | ... | best boy grip: Los Angeles |
| David Burr | ... | director of photography: second unit |
| Don Canfield | ... | camera loader: New York |
| Neil Cervin | ... | assistant camera / focus puller |
| Kate Dennis | ... | clapper loader: aerial unit |
| Ross Emery | ... | focus puller: second unit |
| Werner Gerlach | ... | best boy |
| Beth Horton | ... | clapper loader: Los Angeles |
| Barry Baz Idoine | ... | clapper loader: second unit (as Barry Idoine) |
| Matt Ishibashi | ... | best boy: New York |
| Gary Johnston | ... | still photographer |
| Ross Judd | ... | focus puller: Los Angeles |
| Jonas Juhanson | ... | grip |
| Laurie Kirkwood | ... | assistant camera / focus puller: aerial unit |
| Robin Alan Knight | ... | key grip: Los Angeles (as Robin P. Knight) |
| Wolfgang Knochell | ... | director of photography: underwater unit |
| David Lee | ... | gaffer: New York |
| John Lee | ... | electrician |
| Simon Lee | ... | gaffer |
| Cliff Lipson | ... | still photographer: Los Angeles |
| Alan Markfield | ... | still photographer: New York |
| Steve Mathis | ... | gaffer: Los Angeles |
| Robert D. McBride | ... | camera operator: Los Angeles |
| Rob McCarthy | ... | gaffer: Los Angeles |
| Thomas Miligan | ... | clapper loader: Los Angeles (as Tom Miligan) |
| Robert Primes | ... | director of photography: Los Angeles |
| Jem Rayner | ... | assistant camera: underwater unit |
| Chris Rogers | ... | key grip: New York |
| Howard Rose | ... | focus puller: Los Angeles |
| David Shaw | ... | assistant camera: New York |
| Josh Steinberg | ... | dolly grip: New York |
| Paul Thompson | ... | key grip |
| Trevor Toune | ... | gaffer |
| George Tsoutas | ... | grip |
| Martin Turner | ... | director of photography: aerial unit |
| Mark Zagar | ... | clapper loader |
Casting Department
| Allison Cowitt | ... | casting: USA |
| Mike Fenton | ... | casting: USA |
| Maureen Fremont | ... | casting: New York |
| Siobhan Hannan | ... | extras casting |
| Faith Martin | ... | casting: Australia |
| Judy Taylor | ... | casting: USA |
Costume and Wardrobe Department
| Kerry Thompson | ... | wardrobe supervisor |
Editorial Department
| Miriam Cortes | ... | negative cutter |
| Julia Gelhard | ... | associate editor |
| Al Hansen | ... | laboratory consultant: post-production |
| Jane Maguire | ... | second assistant editor |
| Tony Manning | ... | color timer |
| Jane Moran | ... | first assistant editor |
Location Management
| Robin Clifton | ... | location manager |
| Richard Muessel | ... | location manager: Los Angeles |
| Matt Widman | ... | location manager: New York |
Music Department
| Peter Kennard | ... | composer: additional music |
| Roger Mason | ... | composer: additional music |
| Tony Meilandt | ... | music supervisor |
Script and Continuity Department
| Jenny Quigley | ... | continuity: second unit |
| Pamela Willis | ... | continuity |
Additional Crew
| Lorelle Adamson | ... | assistant to producer |
| Keith Barlow | ... | pilot: Cessna, aerial unit (as Captain Keith Barlow) |
| Victoria Buchan | ... | unit publicist |
| Brian Burns | ... | armorer |
| Jennie Crowley | ... | production coordinator |
| Halimah Fielding | ... | script supervisor: Los Angeles (as Halima Fielding) |
| Chris Hession | ... | safety officer |
| Sandra Lee Paterson | ... | acting coach |
| Vicki Popplewell | ... | unit coordinator: second unit |
| Arch Roberts | ... | safety officer |
| Mark Robertson | ... | helicopter pilot: aerial unit |
| Christine Robson | ... | production accountant |
| Jane Rouen | ... | script supervisor: New York |
| Amanda Sallybanks | ... | production secretary (as Amanda Selling) |
| Willie Tapasei | ... | production coordinator: Vanuatu |
