Bernand Fréderic is a mediocre bank executive, married and with a son. He used to have antother profession: to be French star Claude Francois. Now, with the Imitators Gala Night coming up, ... See full summary »
In the 70s, there was Merckx and there were the others. Ghislain Lambert was one of the others. This is his story, a quite simple one. The story of a modest Belgian bike racer. His greatest ambition in life? To become a champion. His greatest tragedy? Not having the legs his heart deserves.
A camera crew follows a serial killer/thief around as he exercises his craft. He expounds on art, music, nature, society, and life as he offs mailmen, pensioners, and random people. Slowly he begins involving the camera crew in his activities, and they begin wondering if what they're doing is such a good idea, particularly when the killer kills a rival and the rival's brother sends a threatening letter. Written by
Ed Sutton <firstname.lastname@example.org>
Due to budget problems, it took the filmmakers over a year to complete the film. The company ran out of money several times and shooting had to be postponed until more money could be raised. A lot of friends and family of the filmmakers contributed to the film, both behind and in front of the cameras. See more »
At the very beginning of the film when Ben strangles the
woman, she closes her eyes to show she has died, but then she opens them and then continues to blink until the scene fades. See more »
If you kill a whale, you get Greenpeace and Jacques Cousteau on your back, but wipe out sardines and you get a canning subsidy!
See more »
I'd have to rank this with "Henry, Portrait Of A Serial Killer" as one of the sickest and disturbing films I've ever seen. But like "Henry," it's fascinating.....and certainly different.
It is a fake (thank goodness!) documentary with sleazy cameramen following around a serial killer as the latter murders a bunch of people while spouting philosophy between killings. Some of the demented killer's words are downright funny because of their absurdity. Perhaps that is why this is labeled by some as a black comedy, but this is so dark it is difficult for me to rate this as a comedy, even though it's there.
Most of the killings are not gruesome but there are a few that qualify for that status. They don't dwell on the blood but they don't spare anything in here, either. This film is so strange, so bizarre that one has to see it believe it. That is not just a cliché. You have not seen a film like this: I guarantee it.
A couple of Belgians - Benoit Poelvoorde, Remy Belvaux and Andre Bonzel
did almost all the work on this movie: writing, directing, editing
and acting. They were new to the business, had little money and wanted to make a film with those limited resources....and they succeeded very well.
66 of 75 people found this review helpful.
Was this review helpful to you?