Daens
- 1992
- 2h 18m
In the 1890s, Father Adolf Daens goes to Aalst, a textile town where child labor is rife, pay and working conditions are horrible, the poor have no vote, and the Catholic church backs the pe... Read allIn the 1890s, Father Adolf Daens goes to Aalst, a textile town where child labor is rife, pay and working conditions are horrible, the poor have no vote, and the Catholic church backs the petite bourgeoisie in oppressing workers. He writes a few columns for the Catholic paper, an... Read allIn the 1890s, Father Adolf Daens goes to Aalst, a textile town where child labor is rife, pay and working conditions are horrible, the poor have no vote, and the Catholic church backs the petite bourgeoisie in oppressing workers. He writes a few columns for the Catholic paper, and soon workers are listening and the powerful are in an uproar. He's expelled from the Cat... Read all
- Nominated for 1 Oscar
- 10 wins & 4 nominations total
- Eugene Borremans
- (as Idwig Stephane)
- Elizabeth Borremans
- (as Linda van Dijck)
- Mayor Vanwambeke
- (as Fred van Kuijk)
Storyline
Did you know
- TriviaJulien Schoenaerts (Bishop Stillemans) and Matthias Schoenaerts (Wannes Scholliers), are father and son in real life, but didn't share scenes in the film.
- Alternate versionsThere is a version spanning a total of 196 minutes. Mostly shown as a four part mini-series.
- ConnectionsFeatured in Zomergasten: Episode #8.1 (1995)
The story is about a courageous, socially feeling priest who went against church authorities and the political powers that be (heavily interlinked at the end of the 19th century) to help the impoverished workers of Aalst, Belgium. Although romanticised somewhat, and even with the addition of certain characters to strengthen the dramatic arc of the movie, this is based on a true story. Coninx did absolutely amazing things with a limited budget to bring the era back to life, and his camera lingers tellingly in the dirty, narrow little streets where the workers were packed together, entire families with hordes of children living in one room. We also get to see the factories, dangerous places, where people spend twelve or more hours a day for scraps off the tables of the wealthy factory owners. All of this is brought to life in a completely convincing way, immersing you in the period.
Coninx' control as a director here is remarkable. Without any real money (certainly by US standards), he manages to pull off a story of epic scope that looks and feels exactly as it should. Consider a scene set in the palace of the king, where an opulent dinner is going on, served by black people brought over from what was then Belgian Congo. "Are they dangerous?," one of the women asks. Lesser directors might have hammered the point home by going on about it, but Coninx doesn't. He lets this one simple line stand, lets it speak for itself and moves on. This way, he's able to pack in a surprising amount of stuff in the 135 minutes running time, and it doesn't feel rushed or hurried, but on the other hand, very natural. Visually too, this scene is as striking as any, showcasing the luxury of the wealthy as opposed to the squalor of the poor. And again Coninx doesn't make a point of it, he doesn't give in to the temptation of making self-conscious cuts or moving the camera that way. He just lets it be, keeps things simple.
Jan Decleir gives a powerful performance as Adolf Daens, who comes off as a brilliant orator, an almost saintly figure who heeds no warnings and goes on in the face of public humiliation, ex-communication and even physical violence. This is probably a simplification of the truth (it's hard to believe anyone is THAT perfect), but the power Decleir brings to the role makes it work.
There are some minor problems, however. The screenwriters and directors seem to have a somewhat naive belief in the socialist party of the time, as a well-meaning boys' club that basically says the same things Daens says throughout the movie. And there are some scenes that feel phony, such as an unbelievably corny moment in a field, when one the characters rides along on a bike, yelling extacically that Daens has just been elected to parliament. Cut to a shot of an old man falling to his knees with pure joy, as the triumphant music swells. Sorry, but that's just a bit too much.
All in all this is a movie deserving of its status as classic in Belgium, and very much worth seeing where ever you're from. Back here, we've been beaten over the head with this movie so many times that a lot of people must almost know it by heart, but then that's not the movies fault.
- captain-howdy
- Jul 4, 2003
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- Priest Daens
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