Ed Wood (1994)

The mostly true story of the legendary director of awful movies and his strange group of friends and actors.

Director:

Tim Burton

Writers:

Rudolph Grey (book), Scott Alexander,

Stars:

Johnny Depp, Martin Landau, Sarah Jessica Parker

Won 2 Oscars. Another 23 wins & 13 nominations.

Cast

Cast overview, first billed only:
Johnny Depp	...	Ed Wood
Martin Landau	...	Bela Lugosi
Sarah Jessica Parker	...	Dolores Fuller
Patricia Arquette	...	Kathy O'Hara
Jeffrey Jones	...	Criswell
G.D. Spradlin	...	Reverend Lemon
Vincent D'Onofrio	...	Orson Welles
Bill Murray	...	Bunny Breckinridge
Mike Starr	...	Georgie Weiss
Max Casella	...	Paul Marco
Brent Hinkley	...	Conrad Brooks
Lisa Marie	...	Vampira
George 'The Animal' Steele	...	Tor Johnson
Juliet Landau	...	Loretta King
Clive Rosengren	...	Ed Reynolds

Storyline

The life of 'Edward D. Wood Jr.' , hailed as the worst director (of Plan 9 from Outer Space, Glen or Glenda and Bride of the Monster) of all time.

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Plot Keywords:

director | friend | actor | 1950s | friendship | 

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Taglines:

Movies were his passion. Women were his inspiration. Angora sweaters were his weakness.

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Genres:

Biography | Comedy | Drama

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Motion Picture Rating (MPAA)

Rated R for some strong language

Details

Country:

USA

Language:

English

Release Date:

28 September 1994 (USA)

Also Known As:

Ed Vud

Filming Locations:

California, USA

Box Office

Budget:

$18,000,000 (estimated)

Gross:

$5,887,457 (USA)

Company Credits

Production Co:

Touchstone Pictures

Technical Specs

Runtime:

127 min

Sound Mix:

Dolby SR

Color:

Black and White

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The musical cue when Ed goes to help the suicidal Lugosi (when Lugosi falls in the chair) and Ed is repeatedly watching the film clip of Lugosi smelling the flower is an adaptation of the 2nd Act theme from Swan Lake by Pyotr Ilyich Tchaikovsky, as adapted for the Main Title of Bela Lugosi's Dracula by Heinz Roemheld. It was also used as the main title for Boris Karloff's original The Mummy.

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Goofs

In the scene where Ed Wood meets Orson Welles, Ed asks him what he's working on. Welles takes a cigar out of his mouth with his right hand. When they cut to a frontal view of Welles, he's holding the cigar with his left hand. When they cut back to a frontal view of Wood, Welles puts the cigar in his mouth with his right hand.

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Quotes

Edward D. Wood, Jr.: This story's gonna grab people. It's about this guy, he's crazy about this girl, but he likes to wear dresses. Should he tell her? Should he not tell her? He's torn, Georgie. This is drama.

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Crazy Credits

The lightning bolt in the Touchstone logo appears after the logo is struck by lightning.

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Connections

References Dracula (1931)

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Soundtracks

"BUNNY HOP"
Written by Ray Anthony and Leonard Auletti
Performed by John Keating
Courtesy of Gateway Records

User Reviews

The one he'll be remembered for

It's sort of embarrassing to admit it took me ten years to see this film. I'm not really a big fan of Tim Burton, and while I never had anything against him, I've only recently started to enjoy Johnny Depp's work. Given the subject matter, this just wasn't a movie I was interested in for a long time. But sometimes good things really are worth the wait.

Ed Wood, of course, chronicles the Hollywood career of its eponymous subject, truly one screwed up individual; a cross-dresser with a fetish for angora, Wood churned out one horrifically bad film after another, culminating with Plan Nine From Outer Space, before descending into crappy porn films toward the end of his life. It isn't necessarily a happy story, and Burton wisely only tells a small sliver of it, from Ed's first movie, Glen or Glenda, through the premiere of Plan Nine.

But the love that Burton has for Wood and his movies shines through in every frame. Though I find Burton needlessly artsy as a director, here that tendency serves him frightfully well, as he manages to do the near-impossible; make a film about someone that plays like one of their films (the abysmal Dragon is a shining example of how NOT to do this). Shot entirely in black and white, we see all of Wood's weirdos not as they were, but rather as Ed probably saw them, through the bizarre filter he must have viewed life with.

Depp is simply brilliant here, probably even better than he was in Pirates of the Caribbean. He captures Wood's enthusiasm and slanted viewpoint, but he does so in a loving, positive way. Wood accepts, as we must, that he was a screwed-up hack, but it never drags him down; in fact, Depp has him reveling in it, and it is that very passion that buoys up the movie. It doesn't hurt that nearly everyone else is very strong too, from Jeffrey Jones' crank 'psychic' Criswell to Bill Murray's Bunny Breckenridge, who often talks about having a sex change but never goes through with it. George 'The Animal' Steele captures Tor Johnson perfectly, and even Lisa Marie is excellent as Vampira. But the true great performance of the film, outshining even Depp, is Martin Landau as Bela Lugosi. He won the Oscar for this, and deservedly so; he presents Lugosi at the end of his life, a washed-up has been, a shell of a man who was once a great star but is now no more than an addict. Landau virtually disappears in the role, and all you get is Lugosi, every tragic inch of him. Again, we see him not only as he was, but how Wood and even Burton see him, and the effect is masterful. One speech in particular, where Lugosi repeats a speech that Wood wrote for him about once being the master of the world but now on the verge of coming back is particularly haunting, and Landau is simply riveting.

Ed Wood is a rare beast – it's a Tim Burton film that doesn't go overboard, it's a movie about Hollywood (sort of) that isn't self-indulgent, it's a nostalgia trip that manages not to be sappy but is still very warm and caring, and overall it's just a strikingly well-done film. I was impressed on many levels, most particularly with Depp and Landau, but really with the whole movie, that such a truly screwed-up human being could be shown in such a positive, indeed, loving way. Ed Wood is nothing less than a tribute to its subject, and in that, as in many other ways, it succeeds marvelously. If somehow you've missed this film, as I had until recently, you owe it to yourself to see it. It's simply a wonderful piece of film-making that should not be missed.