An insomniac office worker, looking for a way to change his life, crosses paths with a alter-ego devil-may-care soap maker, forming an underground fight club that evolves into something much, much more...
Jules Winnfield and Vincent Vega are two hitmen who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace. Wallace has also asked Vincent to take his wife Mia out a few days later when Wallace himself will be out of town. Butch Coolidge is an aging boxer who is paid by Wallace to lose his next fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents. Written by
(at around 2 mins) The position of Honey Bunny's hands (after she asks "What then, day jobs?") changes when camera switches from front to side shot. See more »
Forget it. Too risky. I'm through doing that shit.
You always say that. That same thing every time, "I'm through, never again, too dangerous".
I know that's what I always say. I'm always right, too.
But you forget about it in a day or two.
Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
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The opening credits end with Produced by Lawrence Bender. Usually movies end opening credits with the Director's credit, however Written and Directed by Quentin Tarantino starts the end credits. See more »
The most overrated and unimportant film of the century
It is neat to believe in your heart that you are hip. And if you can obtain coolness by watching a movie, wow! I believe that everybody who says they like Pulp Fiction thinks they are cool. They think that a movie with such style and witty banter is only for the hip. The only problem is that this film is as empty as a Scottish pay toilet and perhaps the most pretensious piece of nothing ever. If you have not figured it out yet, there is no story here. Tarantino simply shoots a pointless movie and then breaks it up so that we do not see it in its proper sequence. So things that happen last come before things that finished before and vice versa. You start to wonder, gee, am I not intelligent enough to follow this? Then you realize, uhhh, no, it is actually fairly simple. He is just stringing a bunch of scenes along in no particular order. Then he gives unrealistic and long-winded speeches to characters that are not particularly realistic. It does not make the film really bad, but at the same time, it does not make it good either. You can paint a piece of crap all kinds of different colors, but it is still a piece of crap. I wonder if Tarantino has the talent to actually tell a real story without having to resort to fancy tricks, shocking scenes and other gimmicky tricks. I doubt it. Oh well, I guess I am just not that cool. I mean, Samuel Jackson sure did say some funny things.
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