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S.F.W. (1994)

 -  Comedy | Drama  -  20 January 1995 (USA)
5.9
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Ratings: 5.9/10 from 3,809 users  
Reviews: 46 user | 12 critic

An alienated and misanthropic teenager gains sudden and unwanted celebrity status after he's taken hostage by terrorists where his indifference to their threats to kill him makes news headlines.

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(novel), (screenplay), 1 more credit »
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Title: S.F.W. (1994)

S.F.W. (1994) on IMDb 5.9/10

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Cast

Cast overview, first billed only:
...
...
...
Morrow Streeter
...
Monica Dice
...
Janet Streeter
...
Scott Spab
...
Joe Dice
...
Gerald Parsley
Edward Wiley ...
Mr. Spab
Lela Ivey ...
Mrs. Spab
...
Kristen
...
Dolly
Virgil Frye ...
Earl
Francesca P. Roberts ...
Kim Martin
...
Milt Morris (as Soon Teck Oh)
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Storyline

Cliff Spab is a guy who doesn't really care about anything. He gets held hostage at a store for 36 days by terrorists, who demand that the entire thing be broadcast on national television. Cliff ends up taking a bullet for fellow hostage Wendy - making him a national hero. The two are the sole survivors of the ordeal, and soon become prisoners of the media. Cliff escapes it all, only to find himself being pushed further away from Wendy when he needs her most. Written by WildwoodFlower08

Plot Summary | Plot Synopsis

Taglines:

Fate made them hostages. The media made them stars.

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for pervasive strong language, scenes of brutal violence, constant drug and alcohol use and some sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

20 January 1995 (USA)  »

Also Known As:

So Fucking What?  »

Filming Locations:

 »

Box Office

Gross:

$63,649 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The painting that Cliff looks at in Morrow's house is Caravaggio's Medusa. Also, a copy of "The Egg and I" can be seen on Morrow's shelf. See more »

Goofs

During the last flashback, Spab is seen pulling out an Uzi that he had never acquired. See more »

Quotes

[last lines]
Cliff Spab: Wendy?
Wendy Pfister: Spab?
Cliff Spab: Wendy.
Wendy Pfister: Spab.
Cliff Spab: Wendy.
Wendy Pfister: Spab.
Cliff Spab: So are we gettin' married or what?
Wendy Pfister: Hey, guy. You fucking know it.
See more »

Crazy Credits

The GWAR video seen in the movie follows the credits in its entirety. See more »

Connections

References Growing Pains (1985) See more »

Soundtracks

As Long As We Got Each Other
Performed by Stephen Dorff & Reese Witherspoon
Written by Stephen Dorff (as Steve Dorff) & John Bettis
See more »

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User Reviews

 
Disappointed that this isn't a Natural Born Killers re-imagining
2 February 2013 | by (Northwest Ohio) – See all my reviews

Well what can I say about this? It came out when I was still a teenager, and it had all of the elements of the 1990s that kids were getting into because, according to the majority of media outlets, we were the jaded generation that believed in nothing other than grunge music, being pains in the butt for adults, and rocking out without a care in the world. Every generation does this, but this was our version of "Steal This Movie." And while most of that attitude was true and around at the time, you can see how much the creative lines were blurred when you had movies like "S.F.W." coming out and trying to cash in on these trends. Wayne's World, Tank Girl, Beavis & Butthead, Slacker, Clerks, Mall Rats, Natural Born Killers, Drugstore Cowboy, Pump Up the Volume, Bill & Ted's, Singles, Reality Bites, Empire Records...hell, even Ferris Bueller's Day Off had its similar message in the 80s. So what's one more, right?

First off, the movie is ridiculous. The premise (without spoiling it) is thin, unbelievable, and needed a lot of retooling (if the whole screenplay was adapted from a book, and if it was, the book's probably not much better). Even more than "Singles," this movie tries to cram grunge music into every nook and cranny to remind you how street-level Reese Witherspoon and Stephen Dorff's character are (along with their friends), but then they make a weird, Disney-moment every time Dorff's character ("Cliff Spab"...AKA the worst name to be repeated EVER) reminisces about their friend. I'm not going to say what happens, but every time Spab contemplates what went down with his friend, music bussed in from the movie "E.T." gets played, and we're supposed to feel bad for some reason (why, i don't know because Spab wasn't all that close with him in the beginning of the movie or in other scenes either).

Secondly, the objective seemed to make sense, that the media and relatives try and cash in from those around them who become famous...but the message easily becomes turned around on the movie itself for cashing in on the attitudes of cynical youths who are biting the bait that this movie produces.

Third, it should stay a cult movie and nothing more. It's not Dazed & Confused, and it's not Natural Born Killers. The subjects of this movie became lucky in the film to be celebrities due to a minor news story that realistically would never had happened in real life, and if they would have, people wouldn't give the story more than a week of exposure after-the-fact. I liked the addition of the music to commemorate the times, but as a movie, there isn't a lot of groundbreaking material to lump it into a deeper category of film or re-release it on Criterion or anything.

If you're a fan of grunge music or slacker-movies that let you kill 1.5 hours while you're downing a 6-pack, this might be a fun watch once, but I don't think I'll be owning this.


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