Launching in 2017 with a reissue of The Last Movie, Arbelos Films grew out of co-founders’ David Marriott, Dennis Bartok, Craig Rogers and Ei Toshinari’s experiences working at Cinelicious Pics. Since then, their slate of reissues have included Sátántangó, whose restoration opened up a relationship with the Hungarian National Film Archive that’s led to further Hungarian films being put out by the company, including Son of the White Mare and Twilight. In addition to Arbelos, Marriott has now started a second company with Jonathan Doyle, Canadian International Pictures, specifically focused on his native country’s cinema. Invited to the Jeonju International […]
The post AI, Uhd and 35mm: Arbelos Films’ David Marriott on the Present and Future of Film Restoration first appeared on Filmmaker Magazine.
The post AI, Uhd and 35mm: Arbelos Films’ David Marriott on the Present and Future of Film Restoration first appeared on Filmmaker Magazine.
- 5/7/2024
- by Vadim Rizov
- Filmmaker Magazine - Blog
Launching in 2017 with a reissue of The Last Movie, Arbelos Films grew out of co-founders’ David Marriott, Dennis Bartok, Craig Rogers and Ei Toshinari’s experiences working at Cinelicious Pics. Since then, their slate of reissues have included Sátántangó, whose restoration opened up a relationship with the Hungarian National Film Archive that’s led to further Hungarian films being put out by the company, including Son of the White Mare and Twilight. In addition to Arbelos, Marriott has now started a second company with Jonathan Doyle, Canadian International Pictures, specifically focused on his native country’s cinema. Invited to the Jeonju International […]
The post AI, Uhd and 35mm: Arbelos Films’ David Marriott on the Present and Future of Film Restoration first appeared on Filmmaker Magazine.
The post AI, Uhd and 35mm: Arbelos Films’ David Marriott on the Present and Future of Film Restoration first appeared on Filmmaker Magazine.
- 5/7/2024
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
Werckmeister Harmonies released in the Criterion Collection on April 16th.
Béla Tarr is an auteur with a reputation befitting the Criterion Collection. The Hungarian filmmaker utilizes beautiful visuals — typically in black and white — and unsettling realism to explore the unpleasant truths of existence. It’s fitting that his first feature to receive a proper physical release in the Criterion Collection is 2000’s whimsical mystery The Werckmeister Harmonies. Even better, we get two for the price of one with the inclusion of his debut feature, Family Nest, included in the special features.
Werckmeister Harmonies Plot
A peculiar circus, consisting of a massive and mysterious whale, sets up shop in the center of a small town. As curious spectators flock to the unconventional attraction, a primal violence bubbles to the surface of the sleepy village.
The Critique
A spectator examines the mysterious whale.
Also Read: Criterion Collection: The Runner Review
Werchmeister Harmonies...
Béla Tarr is an auteur with a reputation befitting the Criterion Collection. The Hungarian filmmaker utilizes beautiful visuals — typically in black and white — and unsettling realism to explore the unpleasant truths of existence. It’s fitting that his first feature to receive a proper physical release in the Criterion Collection is 2000’s whimsical mystery The Werckmeister Harmonies. Even better, we get two for the price of one with the inclusion of his debut feature, Family Nest, included in the special features.
Werckmeister Harmonies Plot
A peculiar circus, consisting of a massive and mysterious whale, sets up shop in the center of a small town. As curious spectators flock to the unconventional attraction, a primal violence bubbles to the surface of the sleepy village.
The Critique
A spectator examines the mysterious whale.
Also Read: Criterion Collection: The Runner Review
Werchmeister Harmonies...
- 4/30/2024
- by Joshua Ryan
- FandomWire
I was very gratified by the response to last year’s interview with Rob Tregenza, a Zelig-like figure of modern cinema. Our very long, multi-Zoom conversation covered a life in film: four features, cherished experiences with Jean-Luc Godard, and hopes he hadn’t reached the end. What I didn’t quite find time for was, and I am embarrassed to even note it, the matter of his shooting stretches of Béla Tarr’s Werckmeister Harmonies, most notably its iconic opening sequence. By any token this is a major contribution to contemporary cinema for Tregenza’s part and––by that token, at least in my estimation––a major oversight on my own.
With Criterion’s 4K Uhd release of Werckmeister Harmonies arriving this month––about a year since Janus Films’ extremely successful theatrical tour––I figured it was time to ask Tregenza about his experience shooting the film. I did not...
With Criterion’s 4K Uhd release of Werckmeister Harmonies arriving this month––about a year since Janus Films’ extremely successful theatrical tour––I figured it was time to ask Tregenza about his experience shooting the film. I did not...
- 4/29/2024
- by Nick Newman
- The Film Stage
It really needn’t be said how much Christopher Nolan’s Best Picture winner “Oppenheimer” has brought the aftershock of the atomic bomb ripping through the public consciousness again.
So the current zeitgeist is as good as any for boutique distributor and arthouse restoration outfit Arbelos to uncover a lost 1961 gem: Peter Kass’ 1961 “Time of the Heathen.” Set in the immediate aftermath of the atomic bomb, the avant-garde drama was shot by American science-fiction artist Ed Emshwiller as cinematographer. The film’s bold visuals are on full display in the exclusive trailer, hosted by IndieWire, below for the re-release of “Time of the Heathen.” Arbelos will open the film at New York’s Film at Lincoln Center on May 10 and at LA’s American Cinematheque on May 12.
Kass, who died in 2008, was best known for his work as a theater instructor in New York, collaborating with the likes of Faye Dunaway,...
So the current zeitgeist is as good as any for boutique distributor and arthouse restoration outfit Arbelos to uncover a lost 1961 gem: Peter Kass’ 1961 “Time of the Heathen.” Set in the immediate aftermath of the atomic bomb, the avant-garde drama was shot by American science-fiction artist Ed Emshwiller as cinematographer. The film’s bold visuals are on full display in the exclusive trailer, hosted by IndieWire, below for the re-release of “Time of the Heathen.” Arbelos will open the film at New York’s Film at Lincoln Center on May 10 and at LA’s American Cinematheque on May 12.
Kass, who died in 2008, was best known for his work as a theater instructor in New York, collaborating with the likes of Faye Dunaway,...
- 4/18/2024
- by Ryan Lattanzio
- Indiewire
It’s difficult to think of a director as young as Barry Jenkins who seems so clearly destined to be remembered as one of the greats. After dropping his moving, romantic debut feature “Medicine for the Melancholy” in 2008, Jenkins further honed his craft and became a household name (at least among any cinephiles worth their salt) with the release of his sophomore feature “Moonlight.” The tender, beautiful film was the subject of rapturous acclaim, and its groundbreaking and dramatic Best Picture win at the Oscars cemented it as an all-time great work of art.
Since then, Jenkins has only gone from strength to strength. His 2018 follow-up “If Beale Street Could Talk” was a similar critical darling. And his epic limited series adaptation of Colson Whitehead’s “The Underground Railroad,” which sadly went under the radar for much of the general public in 2021, was nothing short of stunning. Critics, including IndieWire’s Ben Travers,...
Since then, Jenkins has only gone from strength to strength. His 2018 follow-up “If Beale Street Could Talk” was a similar critical darling. And his epic limited series adaptation of Colson Whitehead’s “The Underground Railroad,” which sadly went under the radar for much of the general public in 2021, was nothing short of stunning. Critics, including IndieWire’s Ben Travers,...
- 2/6/2024
- by Alison Foreman and Wilson Chapman
- Indiewire
Béla Tarr Set For European Film Awards Honor
Hungarian filmmaker Béla Tarr will receive the Honorary Award of the Academy President and Board at this year’s European Film Awards. Tarr is the sixth filmmaker to receive this recognition – earlier recipients are Manoel de Oliveira, Michel Piccoli, Sir Michael Caine, Andrzej Wajda, and Costa-Gavras. Tarr is best known for his 1994 feature Sátántangó, a 450-minute adaptation of the novel by László Krasznahorkai. The film won the Grand Prix of the Jury at the Budapest Hungarian Film Week and quickly reached cult status, often referred to as one of the most important films of the 1990s. This year’s European Film Awards take place in Berlin on December 9.
‘Aftersun’ Leads 2023 BAFTA Scotland Awards
Charlotte Well’s debut feature, Aftersun, leads this year’s BAFTA Scotland Awards with five nominations. The film has been nominated in the following categories: Actor Film, Actress Film,...
Hungarian filmmaker Béla Tarr will receive the Honorary Award of the Academy President and Board at this year’s European Film Awards. Tarr is the sixth filmmaker to receive this recognition – earlier recipients are Manoel de Oliveira, Michel Piccoli, Sir Michael Caine, Andrzej Wajda, and Costa-Gavras. Tarr is best known for his 1994 feature Sátántangó, a 450-minute adaptation of the novel by László Krasznahorkai. The film won the Grand Prix of the Jury at the Budapest Hungarian Film Week and quickly reached cult status, often referred to as one of the most important films of the 1990s. This year’s European Film Awards take place in Berlin on December 9.
‘Aftersun’ Leads 2023 BAFTA Scotland Awards
Charlotte Well’s debut feature, Aftersun, leads this year’s BAFTA Scotland Awards with five nominations. The film has been nominated in the following categories: Actor Film, Actress Film,...
- 10/11/2023
- by Zac Ntim
- Deadline Film + TV
BÉLA Tarr Gets European Film Honor
Legendary Hungarian director Béla Tarr will receive the Honorary Award from of the Academy President and Board at the European Film Awards on Dec. 9.
“With this award the European Film Academy wishes to pay special tribute to an outstanding director and a personality with a strong political voice, who is not only deeply respected by his colleagues but also celebrated by audiences worldwide,” the Academy said in a press release.
Previous recipients of the award include Manoel de Oliveira, Michel Piccoli, Michael Caine, Andrzej Wajda and Costa-Gavras. Tarr is best known for his films “Damnation” (1988), “Sátántangó” (1994), “Werckmeister Harmonies” (2000) and “The Turin Horse” (2011).
‘Tumse Na Ho Payega!’ Goes No. 1 In India
Disney and Hotstar film “Tumse Na Ho Payega!,” starring Ishawk Singh and Mahima Makwana, was the most-viewed film in the Indian Ott space between Oct. 2 and Oct. 8 with 4.6 million views.
The film tells the...
Legendary Hungarian director Béla Tarr will receive the Honorary Award from of the Academy President and Board at the European Film Awards on Dec. 9.
“With this award the European Film Academy wishes to pay special tribute to an outstanding director and a personality with a strong political voice, who is not only deeply respected by his colleagues but also celebrated by audiences worldwide,” the Academy said in a press release.
Previous recipients of the award include Manoel de Oliveira, Michel Piccoli, Michael Caine, Andrzej Wajda and Costa-Gavras. Tarr is best known for his films “Damnation” (1988), “Sátántangó” (1994), “Werckmeister Harmonies” (2000) and “The Turin Horse” (2011).
‘Tumse Na Ho Payega!’ Goes No. 1 In India
Disney and Hotstar film “Tumse Na Ho Payega!,” starring Ishawk Singh and Mahima Makwana, was the most-viewed film in the Indian Ott space between Oct. 2 and Oct. 8 with 4.6 million views.
The film tells the...
- 10/11/2023
- by Ellise Shafer
- Variety Film + TV
Tarr to receive Honorary Award of the European Film Academy president and board.
Hungarian director Béla Tarr is to receive the Honorary Award of the European Film Academy president and board at this year’s European Film Awards.
Béla Tarr is the sixth filmmaker to receive this recognition. Previous recipients were Manoel de Oliveira, Michel Piccoli, Michael Caine, Andrzej Wajda and Costa-Gavras.
Efa said it wished to pay special tribute to an “outstanding director and a personality with a strong political voice, who is not only deeply respected by his colleagues but also celebrated by audiences worldwide.”
Tarr made his...
Hungarian director Béla Tarr is to receive the Honorary Award of the European Film Academy president and board at this year’s European Film Awards.
Béla Tarr is the sixth filmmaker to receive this recognition. Previous recipients were Manoel de Oliveira, Michel Piccoli, Michael Caine, Andrzej Wajda and Costa-Gavras.
Efa said it wished to pay special tribute to an “outstanding director and a personality with a strong political voice, who is not only deeply respected by his colleagues but also celebrated by audiences worldwide.”
Tarr made his...
- 10/11/2023
- by Tim Dams
- ScreenDaily
Hungarian director Béla Tarr will receive the Honorary Award of the European Film Academy president and board at the 36th European Film Awards in Berlin on Dec. 9.
“With this award the European Film Academy (Efa) wishes to pay special tribute to an outstanding director and a personality with a strong political voice, who is not only deeply respected by his colleagues but also celebrated by audiences worldwide,” Efa said on Wednesday. “Béla Tarr is the sixth filmmaker to receive this recognition – earlier recipients were Manoel de Oliveira, Michel Piccoli, Sir Michael Caine, Andrzej Wajda and Costa-Gavras.”
Born in Hungary, the auteur started experiments in filmmaking at the age of 16. His feature debut, Family Nest. In 1982, The Prefab People received a special mention at the Locarno Film Festival. Tarr followed that up with Almanac of Fall (1984) and Damnation, which was nominated for the first European Film Awards in 1988.
One of Tarr’s best-known films is Sátántangó,...
“With this award the European Film Academy (Efa) wishes to pay special tribute to an outstanding director and a personality with a strong political voice, who is not only deeply respected by his colleagues but also celebrated by audiences worldwide,” Efa said on Wednesday. “Béla Tarr is the sixth filmmaker to receive this recognition – earlier recipients were Manoel de Oliveira, Michel Piccoli, Sir Michael Caine, Andrzej Wajda and Costa-Gavras.”
Born in Hungary, the auteur started experiments in filmmaking at the age of 16. His feature debut, Family Nest. In 1982, The Prefab People received a special mention at the Locarno Film Festival. Tarr followed that up with Almanac of Fall (1984) and Damnation, which was nominated for the first European Film Awards in 1988.
One of Tarr’s best-known films is Sátántangó,...
- 10/11/2023
- by Georg Szalai
- The Hollywood Reporter - Movie News
Just four days ago was the 50th anniversary of the 1973 coup d’etat, when Augusto Pinochet came to absolute power in Chile. The Pinochet we all know and have heard of died in 2006, but El Conde, the new Netflix film, has a surprise for you. Pinochet is alive, and what happened in 2006, when Pinochet stopped his heart and pretended to die, was just one of his skills as a vampire. Yes, the Chilean dictator is actually a 250-year-old vampire who invites trouble after he is suspected of having been on a killing spree, feasting on the hearts of people. Vampires are known to do that. Eating hearts ensures that they grow young. This satirical black comedy, directed by Pablo Larrain, brings him back to familiar territory, dealing with Augusto Pinochet and the aftermath of his military dictatorship. In 2012, Larrain directed the critically acclaimed “No,” and here he is again dealing with ‘Pinochetism,...
- 9/15/2023
- by Ayush Awasthi
- Film Fugitives
Werckmeister Harmonies.Werckmeister Harmonies (2000) begins at closing time. Dousing the embers in his wood-burning stove, a weary bartender shouts at the gathered drunks to get out. Not yet, they say, there’s still one last thing left to do. And right on time arrives János (Lars Rudolph), a bug-eyed young man full of uncomplicated yet not entirely naïve wonder about the universe. He picks one drunk to be the sun, another the Earth, and a third to be the moon, and has them act out a swirling, swaying dance, the sun shining, the Earth revolving until, quite suddenly, János calls them to a stop: a lunar eclipse, wonder of wonders, has settled onto the Earth, blocking out the light of the sun, and calling the entire room to a hush. But then, says János, the moon passes, the sun returns, and all of them have “escaped the weight of darkness,...
- 6/12/2023
- MUBI
It’s been a good time to be a Béla Tarr fan. While the Hungarian master hasn’t made a full-fledged new feature since 2011’s The Turin Horse, we’ve seen recent restorations of Damnation, Sátántangó, and Twilight, for which he consulted on. Now, his mesmerizing turn-of-the-century masterpiece Werckmeister Harmonies, co-directed with Ágnes Hranitzky, has received a 4K restoration. Following a TIFF premiere last fall, Janus Films will release it in theaters starting later this month and the new trailer has landed.
Here’s the synopsis: “One of the major achievements of twenty-first-century cinema thus far, Béla Tarr’s mesmeric parable of societal collapse is an enigma of transcendent visual, philosophical, and mystical resonance. Adapted from a novel by the celebrated writer and frequent Tarr collaborator László Krasznahorkai, Werckmeister Harmonies unfolds in an unknown era in an unnamed village, where, one day, a mysterious circus—complete with an enormous stuffed whale and a shadowy,...
Here’s the synopsis: “One of the major achievements of twenty-first-century cinema thus far, Béla Tarr’s mesmeric parable of societal collapse is an enigma of transcendent visual, philosophical, and mystical resonance. Adapted from a novel by the celebrated writer and frequent Tarr collaborator László Krasznahorkai, Werckmeister Harmonies unfolds in an unknown era in an unnamed village, where, one day, a mysterious circus—complete with an enormous stuffed whale and a shadowy,...
- 5/8/2023
- by Jordan Raup
- The Film Stage
It’s Béla Tarr season this year, as not only is the Hungarian filmmaking making a rare appearance in the United States for a Los Angeles American Cinematheque retrospective of his work, but Janus Films is also re-releasing his 2000 masterpiece “Werckmeister Harmonies.”
Per distributor Janus Films, one of the major achievements of 21st-century cinema, Béla Tarr’s mesmeric parable of societal collapse is an enigma of transcendent visual, philosophical, and mystical resonance. Adapted from a novel by the celebrated writer and frequent Tarr collaborator László Krasznahorkai, “Werckmeister Harmonies” unfolds in an unknown era in an unnamed village, where, one day, a mysterious circus — complete with an enormous stuffed whale and a shadowy, demagogue-like figure known as the Prince — arrives and appears to awaken a kind of madness in the citizens, which builds inexorably toward violence and destruction. In 39 of his signature long takes, engraved in ghostly black and white, Tarr...
Per distributor Janus Films, one of the major achievements of 21st-century cinema, Béla Tarr’s mesmeric parable of societal collapse is an enigma of transcendent visual, philosophical, and mystical resonance. Adapted from a novel by the celebrated writer and frequent Tarr collaborator László Krasznahorkai, “Werckmeister Harmonies” unfolds in an unknown era in an unnamed village, where, one day, a mysterious circus — complete with an enormous stuffed whale and a shadowy, demagogue-like figure known as the Prince — arrives and appears to awaken a kind of madness in the citizens, which builds inexorably toward violence and destruction. In 39 of his signature long takes, engraved in ghostly black and white, Tarr...
- 5/5/2023
- by Ryan Lattanzio
- Indiewire
Bleak Week just got a whole lot bleaker.
The American Cinematheque in Los Angeles has set the second edition of its “Bleak Week: Cinema of Despair” series, and this year’s guest of honor will be none other than Béla Tarr, Hungarian master of plumbing the nadirs of the human experience from his last feature “The Turin Horse” to his beloved epic “Sátántangó,” about a farming village in crisis. IndieWire can announce that Tarr will make a rare appearance in the U.S. beginning June 6 at the Aero Theatre for a series of Q&As.
“Hi LA! It will be nice to see you again, after a very long time. I am curious how you are now and what is going on in the town! I hope we will have a good meeting and we will spend a good time together. See you there!” said the filmmaker in a statement shared with IndieWire.
The American Cinematheque in Los Angeles has set the second edition of its “Bleak Week: Cinema of Despair” series, and this year’s guest of honor will be none other than Béla Tarr, Hungarian master of plumbing the nadirs of the human experience from his last feature “The Turin Horse” to his beloved epic “Sátántangó,” about a farming village in crisis. IndieWire can announce that Tarr will make a rare appearance in the U.S. beginning June 6 at the Aero Theatre for a series of Q&As.
“Hi LA! It will be nice to see you again, after a very long time. I am curious how you are now and what is going on in the town! I hope we will have a good meeting and we will spend a good time together. See you there!” said the filmmaker in a statement shared with IndieWire.
- 4/26/2023
- by Ryan Lattanzio
- Indiewire
Mubi has announced its lineup of streaming offerings for next month, including a Béla Tarr double bill, with new 4K restorations of Damnation and Sátántangó, Léa Mysius’ The Five Devils, Radu Jude’s short The Potemkinists, and Kira Kovalenko’s Unclenching the Fists.
They will also present a series on past Cannes Film Festival selections with films by Abderrahmane Sissako, Alice Rohrwacher, Djibril Diop Mambéty, Jeremy Saulnier, and more. Ana Vaz’s The Age of Stone and most recent work It is Night in America will arrive on the service, plus a Merchant Ivory series.
Check out the lineup below and get 30 days free here.
May 1 – Blind Spot, directed by Claudia von Alemann | What Sets Us Free? German Feminist Cinema
May 2 – Heat and Dust, directed by James Ivory | Gilded Passions: Films by Merchant Ivory
May 3 – Damnation, directed by Béla Tarr | Béla Tarr: A Double Bill
May 4 – The Bostonians, directed by...
They will also present a series on past Cannes Film Festival selections with films by Abderrahmane Sissako, Alice Rohrwacher, Djibril Diop Mambéty, Jeremy Saulnier, and more. Ana Vaz’s The Age of Stone and most recent work It is Night in America will arrive on the service, plus a Merchant Ivory series.
Check out the lineup below and get 30 days free here.
May 1 – Blind Spot, directed by Claudia von Alemann | What Sets Us Free? German Feminist Cinema
May 2 – Heat and Dust, directed by James Ivory | Gilded Passions: Films by Merchant Ivory
May 3 – Damnation, directed by Béla Tarr | Béla Tarr: A Double Bill
May 4 – The Bostonians, directed by...
- 4/21/2023
- by Leonard Pearce
- The Film Stage
With the great auteur Béla Tarr no longer directing movies, the newly restored Twilight, by one of his compatriots in the small Hungarian moviemaking community, arrives as the next best thing. Restored and taking its first stateside theatrical bow (beginning with a run in New York) 33 years after it first hit festivals, György Fehér’s existentialist crime drama is drawn from the same cinematic DNA as Tarr’s distinct body of work. This is not pre-chewed, easily digestible entertainment but patience-testing and austere, built with long takes and pared-down dialogue. Twilight is a procedural with little procedure and, by design, no satisfying answers. The mood it builds is soul-shaking.
Call it Twin Peaks without the jokes or the colorful characters — or the color. Shot in gripping black-and-white, the film unfolds in remote towns in thickly forested mountains where evil hangs in the air, and its narrative revolves around a murdered 8-year-old girl.
Call it Twin Peaks without the jokes or the colorful characters — or the color. Shot in gripping black-and-white, the film unfolds in remote towns in thickly forested mountains where evil hangs in the air, and its narrative revolves around a murdered 8-year-old girl.
- 4/20/2023
- by Sheri Linden
- The Hollywood Reporter - Movie News
Hungarian filmmaker György Fehér's seldom seen 1990 masterpiece, Twilight, gets a 4K restoration treatment by the Hungarian Film Institute and distributed by Arbelos. The LA-based distribution and restoration company is known for their 4K rerelease of such classics as Dennis Hopper's The Last Movie, Matsumoto Toshio's Funeral Parade of Roses, and Wendel Harris's Chameleon Street, as well as fellow Hungarian master Béla Tarr's Satantango and Damnation. Fehér, who only directed two feature films during his lifetime, was a close collaborator on a number of Tarr's films and shared similar aesthetics. Shot by Miklós Gurban (Werckmeister Harmonies), the film is composed entirely of some 50 long tracking shots. And it is stunning. A retiring police inspector (Péter Haumann) is called in to investigate the murder of...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 4/17/2023
- Screen Anarchy
Stateside cinephiles know György Fehér for his collaborations with fellow Hungarian filmmaker Béla Tarr on his masterpieces “Sátántangó” and “Werckmeister Harmonies.” But the late Fehér was a filmmaker of his own right, although his films prove challenging to see outside his native country.
Read More:
American audiences get a chance to see one of Fehér’s two feature films next month in NYC, when Film Society At Lincoln Center screens a 4k restoration of “Twilight,” Fehér’s 1990 serial killer drama.
Continue reading ‘Twilight’ Trailer: György Fehér’s Underseen 1990 Serial Killer Classic Gets The 4K Treatment In NYC On April 21 at The Playlist.
Read More:
American audiences get a chance to see one of Fehér’s two feature films next month in NYC, when Film Society At Lincoln Center screens a 4k restoration of “Twilight,” Fehér’s 1990 serial killer drama.
Continue reading ‘Twilight’ Trailer: György Fehér’s Underseen 1990 Serial Killer Classic Gets The 4K Treatment In NYC On April 21 at The Playlist.
- 3/31/2023
- by Ned Booth
- The Playlist
György Fehér may be best known as a producer on Béla Tarr classic “Sátántangó” and as a collaborator on Tarr’s “Werckmeister Harmonies.” But the fellow Hungarian filmmaker made two feature films of his own, mostly notably 1990’s “Twilight,” about a detective who comes out of retirement to help find a small girl’s killer. The all-but-lost film has mostly been relegated to the realm of torrenting, but now you’ll get a chance to see it burnished on the big screen thanks to a new restoration from Arbelos.
A brand new 4K restoration from the National Film Institute – Hungarian Film Archive and FilmLab, supervised by Gurbán, will make its way to Film at Lincoln Center on April 21. IndieWire has the exclusive trailer for the film below.
After discovering the murdered body of a young girl deep in a mountainous forest, a hardened homicide detective pushes himself to increasingly obsessive...
A brand new 4K restoration from the National Film Institute – Hungarian Film Archive and FilmLab, supervised by Gurbán, will make its way to Film at Lincoln Center on April 21. IndieWire has the exclusive trailer for the film below.
After discovering the murdered body of a young girl deep in a mountainous forest, a hardened homicide detective pushes himself to increasingly obsessive...
- 3/30/2023
- by Ryan Lattanzio
- Indiewire
While we’ve known the results of Jeanne Dielman Tops Sight and Sound‘s 2022 Greatest Films of All-Time List”>Sight & Sound’s once-in-a-decade greatest films of all-time poll for a few months now, the recent release of the individual ballots has given data-crunching cinephiles a new opportunity to dive deeper. We have Letterboxd lists detailing all 4,400+ films that received at least one vote and another expanding the directors poll, spreadsheets calculating every entry, and now a list ranking how many votes individual directors received for their films.
Tabulated by Genjuro, the list of 35 directors, with two pairs, puts Alfred Hitchcock back on top, while Chantal Akerman is at number two. Elsewhere in the top ten are David Lynch, Francis Ford Coppola, Jean-Luc Godard, Agnès Varda, Orson Welles, Yasujirō Ozu, and Stanley Kubrick, and tied for the tenth spot is Wong Kar Wai and Ingmar Bergman.
Check out the list below,...
Tabulated by Genjuro, the list of 35 directors, with two pairs, puts Alfred Hitchcock back on top, while Chantal Akerman is at number two. Elsewhere in the top ten are David Lynch, Francis Ford Coppola, Jean-Luc Godard, Agnès Varda, Orson Welles, Yasujirō Ozu, and Stanley Kubrick, and tied for the tenth spot is Wong Kar Wai and Ingmar Bergman.
Check out the list below,...
- 3/5/2023
- by Jordan Raup
- The Film Stage
Arbelos, a Los Angeles-based boutique film distribution company, has acquired North American rights to the new 4K restoration of Béla Tarr collaborator György Fehér’s landmark but long unseen Hungarian masterpiece “Twilight” (“Szürkület”). The restored version of the film world premiered in the Berlinale’s Classics strand on Monday. Hungary’s National Film Institute handled the sale.
Fehér, who made only two theatrical features, shot the black-and-white film at the end of the 1980s. Based on the crime novella “The Pledge” by Friedrich Dürrenmatt, it is the story of a retired detective who uses a girl as bait to try to catch a serial killer.
The 4K restoration, using the original 35mm camera negative and magnetic sound tapes, was carried out at Hungary’s National Film Institute. The color grading was supervised by the film’s cinematographer, Miklós Gurbán.
The film premiered in competition at the Locarno Film Festival in...
Fehér, who made only two theatrical features, shot the black-and-white film at the end of the 1980s. Based on the crime novella “The Pledge” by Friedrich Dürrenmatt, it is the story of a retired detective who uses a girl as bait to try to catch a serial killer.
The 4K restoration, using the original 35mm camera negative and magnetic sound tapes, was carried out at Hungary’s National Film Institute. The color grading was supervised by the film’s cinematographer, Miklós Gurbán.
The film premiered in competition at the Locarno Film Festival in...
- 2/23/2023
- by Leo Barraclough
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSNewly-minted Oscar nominee Andrea Riseborough in To Leslie.The 95th Academy Awards unveiled their full list of nominees yesterday. Browse the categories and relevant coverage on Notebook to prepare for the ceremony, airing March 12. (Andrea Riseborough made the cut.)On Monday, the Berlinale announced their main competition lineup, including new films by Angela Schanelec, Christian Petzold, Margarethe Von Trotta, and Philippe Garrel. Meanwhile, their Encounters section features new films from Hong Sang-soo, Dustin Guy Defa, Tatiana Huezo, and more. Notebook has the full lineup here.Last Wednesday, January 18, filmmaker, critic, and producer Paul Vecchiali died at the age of 92. Patrick Preziosi summed up a bit of his impact in his Notebook Primer on Vecchiali’s film company, Diagonale, “a solar system of the utopian possibilities of cinematic community.
- 1/24/2023
- MUBI
I am often haunted by a 2011 New York Times article called "Eating Your Cultural Vegetables." In the op-ed, author Dan Kois admits to experiencing something akin to an existential crisis when confronted with Kelly Reichardt's feature film "Meek's Cutoff." That film, starring Michelle Williams, is set in 1845 on the Oregon Trail and details the fate of a doomed wagon train. Like all of Reichardt's films, it is quiet, ground-level, and — most notable to Kois — very, very slow-moving. Kois admits that he seeks out slow-moving movies, but only as an object of outsider fascination. He writes that he might feel somewhat, distantly moved by a slow film, but then flies off into the abstract, saying: "But am I actually moved? Or am I responding to the rhythms of emotionally affecting cinema? Am I laughing because I get the jokes or because I know what jokes sound like?"
Kois, like many film audiences,...
Kois, like many film audiences,...
- 1/8/2023
- by Witney Seibold
- Slash Film
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSGush.The lineup for the 2023 Sundance Film Festival has been announced. Before the festival begins in Park City on January 19, peruse the selection on Notebook—including new films from Ira Sachs, Deborah Stratman (The Illinois Parables), Mary Helena Clark (Figure Minus Fact), and Fox Maxy (F1ght1ng Looks Different 2 Me Now).Victor Erice has just wrapped production on a new film, Cerrar los Ojos, in Granada, Spain, ahead of a 2023 release. This will be his fourth feature, arriving 31 years after 1992’s Dream of Light.The legendary composer Angelo Badalamenti—one of David Lynch’s most important collaborators, and the architect of all of his atmospheres—has died at age 85. In addition to his music with Lynch, Badalamenti worked with artists like Nina Simone,...
- 12/14/2022
- MUBI
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
As the 4K restoration of Keane opens (read our interview with Lodge Kerrigan here) and Three Colors: Blue continues alongside Three Colors: White, the series “Animating Funny Pages” shows the inspiration of Owen Kline’s new feature—work by Robert Downey Sr, Frank Tashlin, and more.
Film Forum
To mark the great Alain Resnias’ centennial, a massive retrospective continues with Marienbad, Hiroshima, Je t’aime, je t’aime, and some of his lesser-seen (but no less great) features—Mélo, Stavisky, Love Unto Death, and Life is a Bed of Roses.
Bam
“Intimate Epics” continues with Happy Hour, Barry Lyndon, Andrei Rublev, and Sátántangó.
Museum of the Moving Image
Once Upon a Time in Hollywood, Licorice Pizza, and Sleeping Beauty all play on 70mm this weekend, while one of cinema’s most unsung heroes—women in Australian cinema—get...
Film at Lincoln Center
As the 4K restoration of Keane opens (read our interview with Lodge Kerrigan here) and Three Colors: Blue continues alongside Three Colors: White, the series “Animating Funny Pages” shows the inspiration of Owen Kline’s new feature—work by Robert Downey Sr, Frank Tashlin, and more.
Film Forum
To mark the great Alain Resnias’ centennial, a massive retrospective continues with Marienbad, Hiroshima, Je t’aime, je t’aime, and some of his lesser-seen (but no less great) features—Mélo, Stavisky, Love Unto Death, and Life is a Bed of Roses.
Bam
“Intimate Epics” continues with Happy Hour, Barry Lyndon, Andrei Rublev, and Sátántangó.
Museum of the Moving Image
Once Upon a Time in Hollywood, Licorice Pizza, and Sleeping Beauty all play on 70mm this weekend, while one of cinema’s most unsung heroes—women in Australian cinema—get...
- 8/18/2022
- by Nick Newman
- The Film Stage
Hungarian auteur will also mentor young Egyptian filmmakers at the festival.
Hungarian filmmaker Bela Tarr is to receive a lifetime achievement award at the 44th Cairo International Film Festival (November 13-22).
The award-winning film director, producer and screenwriter will also mentor a workshop with young Egyptian filmmakers at the festival and will separately deliver a masterclass at the event.
The festival will also screen 4K restorations of Tarr’s 2000 feature Werckmeister Harmonies and 2011 drama The Turin Horse, considered two of his finest works. This will make Ciff “one of the early platforms to screen Tarr’s newly restored film copies,...
Hungarian filmmaker Bela Tarr is to receive a lifetime achievement award at the 44th Cairo International Film Festival (November 13-22).
The award-winning film director, producer and screenwriter will also mentor a workshop with young Egyptian filmmakers at the festival and will separately deliver a masterclass at the event.
The festival will also screen 4K restorations of Tarr’s 2000 feature Werckmeister Harmonies and 2011 drama The Turin Horse, considered two of his finest works. This will make Ciff “one of the early platforms to screen Tarr’s newly restored film copies,...
- 8/11/2022
- by Michael Rosser
- ScreenDaily
Festivals
American narrative feature projects in rough or final cut seeking finishing funds are now invited to submit to the 2022 edition of U.S. in Progress, which takes place Nov. 9-11 during the 13th American Film Festival (Nov.8-13) in Wroclaw, Poland. The strand pairs American projects in final production stages with European buyers and top Polish image and sound post-production companies and provides awards worth totally $100,000. The head of the Polish Film Institute, Radosław Śmigulski, will award one project with a $50,000 cash award to be spent on post-production, image, sound and/or VFX in Poland and Polish post-production companies Fixafilm, Orka Studio, Black Photon, Xanf and Soundflower Studio are each offering a $10,000 in-kind award.
There is no entry fee, and films can be submitted through the U.S. in Progress website. The final deadline is September 11.
The program’s objective is to inspire U.S. producers to work with Poland,...
American narrative feature projects in rough or final cut seeking finishing funds are now invited to submit to the 2022 edition of U.S. in Progress, which takes place Nov. 9-11 during the 13th American Film Festival (Nov.8-13) in Wroclaw, Poland. The strand pairs American projects in final production stages with European buyers and top Polish image and sound post-production companies and provides awards worth totally $100,000. The head of the Polish Film Institute, Radosław Śmigulski, will award one project with a $50,000 cash award to be spent on post-production, image, sound and/or VFX in Poland and Polish post-production companies Fixafilm, Orka Studio, Black Photon, Xanf and Soundflower Studio are each offering a $10,000 in-kind award.
There is no entry fee, and films can be submitted through the U.S. in Progress website. The final deadline is September 11.
The program’s objective is to inspire U.S. producers to work with Poland,...
- 8/10/2022
- by Naman Ramachandran
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSSian Heder's Coda took home the Best Picture award at the 94th Academy Awards, Ryusuke Hamaguchi's Drive My Car took Best International Feature, and Jane Campion won Best Director for The Power of the Dog. Find more of this year's Oscars winners here. We're saddened by the loss of Japanese filmmaker Shinji Aoyama, who recently died at the age of 57. Most revered for his 2000 film Eureka, about a trio who embark on a road trip after surviving a bus hijacking, Aoyama continued his humanist exploration of violence, family, and generation gaps in films like Desert Moon (2001) and Sad Vacation (2007), the loose sequel to Eureka. He was also a prolific novelist and critic, with his novelization of Eureka awarded the Yukio Mishima prize in 2001. Il Cinema Ritrovato has announced the programs of this year's festivities,...
- 3/30/2022
- MUBI
Moviegoing Memories is a series of short interviews with filmmakers about going to the movies. Valdimar Jóhannsson's Lamb is Mubi Go's Film of the Week in the UK for December 10, 2021.Notebook: How would you describe your movie in the least amount of words?Valdimar JÓHANNSSON: A modern folk tale about grief and happiness, with a surreal twist.Notebook: Where and what is your favorite movie theater? Why is it your favorite?JÓHANNSSON: I will have to name three theaters, firstly the Debussy theater in Cannes, it is grand and it was the first time Lamb was shown to a large audience; secondly would be Kino Meeting Point in Sarajevo (Bosnia-Hersegovina), where I watched over 80 films during my studies at the Film Factory; and thirdly I will say the Ritzy in Brixton, which is beautiful and where you can breath in the history of cinema.Notebook: What is the...
- 12/9/2021
- MUBI
[Editor’s note: This interview contains major spoilers for the film “Lamb.”]
The latest entry in A24’s evolving canon of European folk horror is “Lamb,” the feature directorial debut of Icelandic filmmaker Valdimar Jóhannsson. In the vein of “The Witch” and a more dour “Midsommar,” Jóhannsson brings a moody sensibility to this disturbing fairy tale about a pair of shepherds, Maria and Ingvar (Noomi Rapace and Hilmir Snær Guðnason), who make a startling discovery in their barn one day: a half-human, half-lamb hybrid child.
The film is a visual effects feat as the baby is performed partly by actual children, with the VFX-engineered head of a lamb and puppeteers working in tandem. IndieWire spoke to the filmmaker and Stockholm-based visual effects supervisor Fredrik Nord about bringing this strange creature to life.
The film, as even Johannsson would argue, is far closer to a drama than outright horror, and that comes from the director’s own cinematic DNA. Before working as...
The latest entry in A24’s evolving canon of European folk horror is “Lamb,” the feature directorial debut of Icelandic filmmaker Valdimar Jóhannsson. In the vein of “The Witch” and a more dour “Midsommar,” Jóhannsson brings a moody sensibility to this disturbing fairy tale about a pair of shepherds, Maria and Ingvar (Noomi Rapace and Hilmir Snær Guðnason), who make a startling discovery in their barn one day: a half-human, half-lamb hybrid child.
The film is a visual effects feat as the baby is performed partly by actual children, with the VFX-engineered head of a lamb and puppeteers working in tandem. IndieWire spoke to the filmmaker and Stockholm-based visual effects supervisor Fredrik Nord about bringing this strange creature to life.
The film, as even Johannsson would argue, is far closer to a drama than outright horror, and that comes from the director’s own cinematic DNA. Before working as...
- 10/11/2021
- by Ryan Lattanzio
- Indiewire
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Siân Heder's Coda (2021). The winners of this year's Sundance Film Festival have been announced, with Siân Heder's Coda and Questlove's Summer of Soul sweeping the top prizes. Chloé Zhao's Nomadland, David Fincher's Mank, and Jason Woliner's Borat Subsequent Moviefilm lead the Golden Globe film nominations, also announced today. See more hereThe international jury of the 71st Berlinale includes six previous winners of the Golden Bear: Mohammad Rasoulof, Nadav Lapid, Adina Pintilie, Ildikó Enyedi, Gianfranco Rosi and, finally, Jasmila Žbanić. The festival's industry event will be taking place March 1-5, with a "summer special" taking place in June. More information has emerged regarding Tilda Swinton and Joanna Hogg's next collaboration, The Eternal Daughter. Executive-produced by Martin Scorsese and filmed in Wales during lockdown, the film follows a middle-aged daughter and...
- 2/3/2021
- MUBI
"I'd do the basest things to make you choose me." Arbelos Films has unveiled a brand new official trailer for a 4K restoration re-release of a film titled Damnation, originally called Kárhozat in Hungarian. A mid-career masterwork by legendary Hungarian art house auteur Béla Tarr and the first of his internationally acclaimed trilogy of films written in collaboration with author László Krasznahorkai (in addition to the film Sátántangó), Damnation chronicles the doomed affair between bar Titanik regular Karrer (Sátántangó’s Miklós B. Székely) and the cruel cabaret singer (Vali Kerekes) he pines for while scheming to displace her brutish husband (György Cserhalmi). Described as "a poignant Communism allegory that solidified Tarr's unique aesthetic, Damnation is photographed in an exquisitely black & white palette underscored by the mesmerizing long takes that would come to be his trademark." Tarr's Damnation has been restored in 4K from the original 35mm camera negative by the...
- 10/26/2020
- by Alex Billington
- firstshowing.net
Last year, around this time, there was a 4K re-release of filmmaker Béla Tarr’s feature, “Satantango.” That black and white feature was beautifully restored and re-introduced audiences to one of the best filmmakers of the past 40 years. Now, Tarr is once again remastering one of his features for 4K, this time re-releasing his 1988 feature, “Damnation.”
Read More: ‘Satantango’ Trailer: Bela Tarr’s Epic Drama Gets A Brand-New 4K Restoration & Theatrical Release
In honor of the 4K release of “Damnation” arriving in virtual cinemas next week, we’re happy to give our readers an exclusive look at the new trailer showing just how beautiful the 32-year-old feature looks in all of its restored glory.
Continue reading ‘Damnation’ Exclusive Trailer: New 4K Restoration Of Béla Tarr’s 1988 Classic Will Be Re-Released Next Week at The Playlist.
Read More: ‘Satantango’ Trailer: Bela Tarr’s Epic Drama Gets A Brand-New 4K Restoration & Theatrical Release
In honor of the 4K release of “Damnation” arriving in virtual cinemas next week, we’re happy to give our readers an exclusive look at the new trailer showing just how beautiful the 32-year-old feature looks in all of its restored glory.
Continue reading ‘Damnation’ Exclusive Trailer: New 4K Restoration Of Béla Tarr’s 1988 Classic Will Be Re-Released Next Week at The Playlist.
- 10/23/2020
- by Charles Barfield
- The Playlist
The Criterion Channel’s September 2020 Lineup Includes Sátántangó, Agnès Varda, Albert Brooks & More
As the coronavirus pandemic still rages on, precious few remain skeptical about going to the movies. But while your AMCs and others claim some godlike safety from Covid, there remains a chunk of people still uncomfortable hitting up theaters. To them, we bring you the September 2020 Criterion Channel lineup.
It starts off with quite the swath of content too. Béla Tarr’s Sátántangó hits the service on September 1, and its seven-plus hours should take up a large chunk of your day. Coming soon after is a collection of more than a dozen Joan Blondell starrers from the pre-Code era, including Howard Hawks’ The Crowd Roars, three collaborations with Mervyn LeRoy, and Ray Enright & Busby Berkeley’s Dames.
For some stuff released almost a century later, the service also sees the addition of documentary bender Robert Greene. His Actress, Kate Plays Christine, and Bisbee ’17 join soon after. Janicza Bravo, director of Lemon,...
It starts off with quite the swath of content too. Béla Tarr’s Sátántangó hits the service on September 1, and its seven-plus hours should take up a large chunk of your day. Coming soon after is a collection of more than a dozen Joan Blondell starrers from the pre-Code era, including Howard Hawks’ The Crowd Roars, three collaborations with Mervyn LeRoy, and Ray Enright & Busby Berkeley’s Dames.
For some stuff released almost a century later, the service also sees the addition of documentary bender Robert Greene. His Actress, Kate Plays Christine, and Bisbee ’17 join soon after. Janicza Bravo, director of Lemon,...
- 8/25/2020
- by Matt Cipolla
- The Film Stage
Much has been made of the extreme and unrelenting violence that penetrates almost every scene of Václav Marhoul’s 169-minute “The Painted Bird,” in the grand tradition of “Come and See,” “The Tin Drum,” and “The Wrong Missy.” Following a young boy as he silently bears witness to a series of unspeakable horrors while drifting through the Slavic world at the height of World War II, this steely adaptation of Jerzy Kosiński’s allegorical horror novel (née memoir) of the same name opens with a warning shot to anyone who hit the wrong button on their way to rent “Palm Springs.”
Our unnamed protagonist is introduced as he clutches a small animal — a dog that could pass for a ferret — and sprints away from the group of children nipping at his heels. The kids catch up to him and set the animal on fire for their own amusement. This may...
Our unnamed protagonist is introduced as he clutches a small animal — a dog that could pass for a ferret — and sprints away from the group of children nipping at his heels. The kids catch up to him and set the animal on fire for their own amusement. This may...
- 7/15/2020
- by David Ehrlich
- Indiewire
Film at Lincoln Center has revealed a slate of April and May “openings” in its upcoming Flc Virtual Cinema.
The streaming rentals, a mix of festival titles, commercial releases and catalog fare, range from $10 to $12, some with member discounts. Half of all proceeds will benefit the storied New York film organization.
During the lockdown of Covid-19, with the disease disproportionately affecting New York City, film and the rest of Lincoln Center’s artistic and cultural offerings have taken a significant hit. The Metropolitan Opera, for example, is now reported to be tens of millions of dollars in the hole after canceling its season.
The streaming rentals, a mix of festival titles, commercial releases and catalog fare, range from $10 to $12, some with member discounts. Half of all proceeds will benefit the storied New York film organization.
During the lockdown of Covid-19, with the disease disproportionately affecting New York City, film and the rest of Lincoln Center’s artistic and cultural offerings have taken a significant hit. The Metropolitan Opera, for example, is now reported to be tens of millions of dollars in the hole after canceling its season.
- 4/21/2020
- by Dade Hayes
- Deadline Film + TV
Filming a long, extended take in a movie is one of the best ways to win some acclaim and show off a bit of your directorial prowess. But it’s often so complex and so ambitious that still only a handful of directors have ever dared make their movie to appear as though it was filmed in one continuous, unbroken shot. Sam Mendes is the latest mad man to attempt the feat for his World War I epic “1917,” and boy did he nail it. Here are some other films that helped pave the way for him.
“Rope” (1948)
The master of suspense Alfred Hitchcock was the first to attempt a single-take feature film, taking on a radical experiment with a big budget and A-list stars that included James Stewart. His movie “Rope” was inspired by a play by Patrick Hamilton and concerned a pair of men who murdered someone, hid his...
“Rope” (1948)
The master of suspense Alfred Hitchcock was the first to attempt a single-take feature film, taking on a radical experiment with a big budget and A-list stars that included James Stewart. His movie “Rope” was inspired by a play by Patrick Hamilton and concerned a pair of men who murdered someone, hid his...
- 12/23/2019
- by Brian Welk
- The Wrap
Some films carry a great deal of fanfare but elude even the most seasoned film connoisseurs. Bela Tarr’s epic “Sátántangó” fits neatly into this category for myriad reasons, not the least being a runtime that is well over 400 minutes. Now, the curious and critical alike can create their own opinions of consistently cited masterwork as it debuts a long-awaited restoration, courtesy of Arbelos Films.
Read More: ‘Godzilla’ Criterion Trailer: 15 Classic Kaiju Films Are Part Of The Massive Upcoming Box Set
While it may have the feel of something decades before, “Sátántangó” is a relatively new release in terms of film history with a 1994 debut.
Continue reading ‘Satantango’ Trailer: Bela Tarr’s Epic Drama Gets A Brand-New 4K Restoration & Theatrical Release at The Playlist.
Read More: ‘Godzilla’ Criterion Trailer: 15 Classic Kaiju Films Are Part Of The Massive Upcoming Box Set
While it may have the feel of something decades before, “Sátántangó” is a relatively new release in terms of film history with a 1994 debut.
Continue reading ‘Satantango’ Trailer: Bela Tarr’s Epic Drama Gets A Brand-New 4K Restoration & Theatrical Release at The Playlist.
- 10/1/2019
- by Charles Barfield
- The Playlist
Czech-born Milos Stehlik, an award-winning film critic and commentator for National Public Radio station Wbez and the film curator, founder and artistic director of the pioneering media arts center Facets Multimedia in Chicago, died Saturday of cancer.
Stehlik founded Facets in 1975, screening hard-to-find international and independent films in a Chicago Lutheran church. When the non-profit organization found a permanent home on Fullerton Avenue in 1977, Stehlik branched into video distribution, eventually offering thousands of otherwise unobtainable titles for sale and rental, both over the counter and by mail. As viewing formats changed, so did the Facets catalogue, moving into dvds and streaming.
Titles that Facets first made available in the U.S. or released on its private label included Krzysztof Kieslowski’s “Decalogue,” Bela Tarr’s “Satantango,” Milos Forman’s “Black Peter,” Forough Farrokhzad’s “The House Is Black,” Frantisek Vlácil’s “Adelheid,” and collections of experimentalists such as the American James Broughton,...
Stehlik founded Facets in 1975, screening hard-to-find international and independent films in a Chicago Lutheran church. When the non-profit organization found a permanent home on Fullerton Avenue in 1977, Stehlik branched into video distribution, eventually offering thousands of otherwise unobtainable titles for sale and rental, both over the counter and by mail. As viewing formats changed, so did the Facets catalogue, moving into dvds and streaming.
Titles that Facets first made available in the U.S. or released on its private label included Krzysztof Kieslowski’s “Decalogue,” Bela Tarr’s “Satantango,” Milos Forman’s “Black Peter,” Forough Farrokhzad’s “The House Is Black,” Frantisek Vlácil’s “Adelheid,” and collections of experimentalists such as the American James Broughton,...
- 7/8/2019
- by Alissa Simon
- Variety Film + TV
A new distributor on the block is making big waves with their acquisition and restorations of classic film from around the world. From the ashes of Cinelicious Pics has risen Arbelos, who've already worked on stunning restorations of Dennis Hopper's The Last Movie and Bela Tarr's Satantango, and among their many exciting upcoming projects we now have Nina Menkes' '90s feminist touchstone, Queen of Diamonds to look forward to. Queen of Diamonds will open with a run at Bam in New York on April 26th, followed by an La opening on June 15th. Both locations will have opportunities to engage with Menkes in the form of Q&A's as well as the chance to attend Menkes' Sex and Power: The Visual Language of Oppression talk on...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 4/19/2019
- Screen Anarchy
It was hostless yet somehow the wheels stayed on. It played that “Bohemian Rhapsody” guitar riff roughly 60 gajillion times in a little over three hours — and boy, did the Oscars producers keep their promise about keeping the show way below the Satantango-running-time length. It gave the stage over to two of the best filmmakers working today, one of whom went to the podium no fewer than three times and one who had waited decades to get up there. It aired categories that the Academy brass had threatened to relegate...
- 2/25/2019
- by David Fear
- Rollingstone.com
On this day in history as it relates to the movies...
Corey Stoll as Hemingway
1892 Maria Falconetti is born. Delivers one of the best performances ever captured on film thirty-six years later in The Passion of Joan of Arc (1928)
1899 Famous author and real 'character' Ernest Hemingway is born. In addition to his work being made into films and TV miniseries he frequently pops up as a character in cinema played by everyone from Chris O'Donnell (In Love and War) to Corey Stoll (Midnight in Paris - robbed of an Oscar nod though we honored him here) and now Dominic West (Genius) ...and that's not even the half of it.
1922 Don Knotts is born. Mugs it up in 70+ film and TV projects including Three's Company, The Apple Dumpling Gang, and The Andy Griffith Show - 5 Emmy wins for Supporting Actor thereafter until his death in 2006
1948 Steven Demetre Georgiu is born in London.
Corey Stoll as Hemingway
1892 Maria Falconetti is born. Delivers one of the best performances ever captured on film thirty-six years later in The Passion of Joan of Arc (1928)
1899 Famous author and real 'character' Ernest Hemingway is born. In addition to his work being made into films and TV miniseries he frequently pops up as a character in cinema played by everyone from Chris O'Donnell (In Love and War) to Corey Stoll (Midnight in Paris - robbed of an Oscar nod though we honored him here) and now Dominic West (Genius) ...and that's not even the half of it.
1922 Don Knotts is born. Mugs it up in 70+ film and TV projects including Three's Company, The Apple Dumpling Gang, and The Andy Griffith Show - 5 Emmy wins for Supporting Actor thereafter until his death in 2006
1948 Steven Demetre Georgiu is born in London.
- 7/21/2016
- by NATHANIEL R
- FilmExperience
Béla Tarr © Zero Fiction FilmThe Hungarian auteur Béla Tarr bid a farewell to the active filmmaking at the age of 55 with the 146-minute long reckoning The Turin Horse (2011), consisting of 30 takes. His filmography counts nine features that elevated him into the pantheon of world cinema, earning Tarr epithets as legend, master, cult or visionary, among others. Tarr started shooting films as an amateur at the age of 16, and at 22 he got a shot to make a feature-length film, Family Nest (1979), at Béla Balázs Studio. The early stage of the filmmaker's career marked by Family Nest, The Outsider (1981) and The Prefab People (1982) is defined by social themes and documentary style akin to cinéma vérité. However, the core of his work features his singular aesthetics and bleak visions of the post-communist landscape, notably in Damnation (1988), the cinephiliac 432-minute long treat Sátántangó (1994), and Werckmeister Harmonies (2000). His distinctive style stems from black and white,...
- 7/18/2016
- MUBI
Not yet thirty, the Hungarian director Béla Tarr was already making a name for himself both at home and abroad. During the late 1970s and early 1980s his early features earned prizes at film festivals west of the Iron Curtain; in Hungary, however, he remained a marginal figure as the regime did not take kindly to his films’ openly dissenting spirit. This rendered it increasingly difficult for him to make films in his native country and following the independently funded Damnation, he moved to West Berlin, only returning after the dissolution of the Eastern bloc. Upon his return, Tarr got to work on a project that had been gestating for a decade: the 432-minute Satantango, which was released in 1994 and became a cult sensation among cinephiles. The resulting recognition, together with the enthusiastic endorsement of his work by prominent peers such as Susan Sontag and Gus van Sant, turned the forever uncompromising,...
- 3/10/2016
- by Michael Guarneri
- MUBI
Starting with the Spanish conquest of the Philippines in the mid-16th century, the country was under the colonial rule of four different foreign powers for nearly 400 years. Independence gave way to two decades of vicious dictatorship and a democracy severely compromised by corruption and extensive external influence. As a nation that encompasses a staggering number of ethnicities and languages, the Philippines’ centuries-long experience of oppression has engendered an enduring identity crisis. It’s this crisis that has brought forth the films of Lav Diaz. They are dedicated to an excavation of his country’s turbulent past in search of its identity; the simultaneously chimeric and vital nature of this endeavor constitutes the emancipatory dialectic that drives his cinema. Having addressed Ferdinand Marcos’ dictatorship from a variety of angles in several earlier features, Diaz turns his attention to the Philippine Revolution of 1896-97 with A Lullaby to the Sorrowful Mystery,...
- 2/22/2016
- by Giovanni Marchini Camia
- The Film Stage
Son of Saul
Written by László Nemes and Clara Royer
Directed by László Nemes
Hungary, 2015
Hungarian director László Nemes’ first feature Son of Saul plunges us into a pit of despair through the eyes of a member of the Sonderkommando, a group of prisoners forced to burn and bury corpses during the Holocaust. In 1944 Auschwitz, Saul (musician, actor and poet Géza Röhrig) is living on borrowed time as part of this team on the front lines of the liquidating their own people. With the knowledge that the Sonderkommando are slaughtered after a number of months, Throughout this bloodbath, Saul is intent on salvaging something from his predetermined fate. The result is a singular perspective of heartache over what he cannot do, those who have already been lost and the mental despondency that takes over in situations that are beyond control. Son of Saul weighs the horrors of genocide in a...
Written by László Nemes and Clara Royer
Directed by László Nemes
Hungary, 2015
Hungarian director László Nemes’ first feature Son of Saul plunges us into a pit of despair through the eyes of a member of the Sonderkommando, a group of prisoners forced to burn and bury corpses during the Holocaust. In 1944 Auschwitz, Saul (musician, actor and poet Géza Röhrig) is living on borrowed time as part of this team on the front lines of the liquidating their own people. With the knowledge that the Sonderkommando are slaughtered after a number of months, Throughout this bloodbath, Saul is intent on salvaging something from his predetermined fate. The result is a singular perspective of heartache over what he cannot do, those who have already been lost and the mental despondency that takes over in situations that are beyond control. Son of Saul weighs the horrors of genocide in a...
- 9/26/2015
- by Lane Scarberry
- SoundOnSight
Something of his sad freedom
As he rode the tumbril
Should come to me, driving,
Saying the names
Tollund, Grauballe, Nebelgard,
Watching the pointing hands
Of country people,
Not knowing their tongue.
Out here in Jutland
In the old man-killing parishes
I will feel lost,
Unhappy and at home.
—Seamus Heaney, The Tollund Man
It ended, like all journeys do, in Solitude, a long way from any cinema. Solitude—or rather Zolitūde, in Latvian—is a suburb of Riga, four miles as the crow flies from the fancy Scandi-Gothic-Art Nouveau city centre; six miles on foot if the pedestrian avoids diversions. But by the time I reached Solitude on that cold December Saturday afternoon, however, my inadvertent divagations must have pushed the total to the ten-mile mark. I'd looked at maps prior to departing from my hotel, of course but deliberately didn't bring one along (not a fan); I don't...
As he rode the tumbril
Should come to me, driving,
Saying the names
Tollund, Grauballe, Nebelgard,
Watching the pointing hands
Of country people,
Not knowing their tongue.
Out here in Jutland
In the old man-killing parishes
I will feel lost,
Unhappy and at home.
—Seamus Heaney, The Tollund Man
It ended, like all journeys do, in Solitude, a long way from any cinema. Solitude—or rather Zolitūde, in Latvian—is a suburb of Riga, four miles as the crow flies from the fancy Scandi-Gothic-Art Nouveau city centre; six miles on foot if the pedestrian avoids diversions. But by the time I reached Solitude on that cold December Saturday afternoon, however, my inadvertent divagations must have pushed the total to the ten-mile mark. I'd looked at maps prior to departing from my hotel, of course but deliberately didn't bring one along (not a fan); I don't...
- 1/4/2015
- by Neil Young
- MUBI
★★★★★Narrative is the base from which elemental passages are forced upon our gaze. In recent years the very idea of watching narratives unfold over 8-12 hours had been the preserve of formalist cinema and its adherents, whether that be the likes of Béla Tarr (Sátántangó (1994), 7h12m) or Lav Diaz (Evolution of a Filipino Family (2004), 10h47m). Now the norm within Television is using narrative akin to the great Victorian novels and allowing characters to grow and breath, existing outside the prism of the forced hegemony of a Western narrative that is breathing its last breath and is forced to rehash tropes of action and romantic cinema for the masses.
- 10/28/2014
- by CineVue UK
- CineVue
Tracks
Written by Marion Nelson
Directed by John Curran
Australia, 2013
It is frequently argued that being a teenager is an awkward period in one’s life. The transition from child to adulthood brings with it a series of challenging physical, emotional and psychological transformations. That said, there exists what can be an equally challenging episode, one not so removed from the adventurous teenage years: being a twentysomething. After high school and university stands the first chapter in the rest of one’s entire life. What job is best? When will one marry? What does one want to do for the next few decades to earn a living, to fulfill one’s self and become a functioning human being? Famous Aussie adventurer Robyn Davidson struggled mightily with such weighty queries when she was 27 in 1977.
In John Curran’s new film Tracks, inspired by the published memoirs of the aforementioned Davidson, Robyn...
Written by Marion Nelson
Directed by John Curran
Australia, 2013
It is frequently argued that being a teenager is an awkward period in one’s life. The transition from child to adulthood brings with it a series of challenging physical, emotional and psychological transformations. That said, there exists what can be an equally challenging episode, one not so removed from the adventurous teenage years: being a twentysomething. After high school and university stands the first chapter in the rest of one’s entire life. What job is best? When will one marry? What does one want to do for the next few decades to earn a living, to fulfill one’s self and become a functioning human being? Famous Aussie adventurer Robyn Davidson struggled mightily with such weighty queries when she was 27 in 1977.
In John Curran’s new film Tracks, inspired by the published memoirs of the aforementioned Davidson, Robyn...
- 6/6/2014
- by Edgar Chaput
- SoundOnSight
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