- Emerging from the Chinese film renaissance of the 1990s (Raise the Red Lantern, Farewell My Concubine) this haunting folk tale set in rural China in the 1920s tells the story of a young woman forces to grieve the death of a man she was destined to marry. Combining astonishing visuals with intriguing plot turns, this moving drama is not to be missed. When the spirited Young Mistress (Wang Lan) is kidnapped on the way to her arranged wedding, the groom is killed in an explosion in an attempt to rescue her. The peasant charged with her care, Kui (Chang Shih) manages to free her but the groom's bitter mother forces the Young Mistress to honor her agreement by marrying a wooden statue of her son, and staying chaste. Director Jianxin Huang's fascinating exploration of forbidden love and rigid social hierarchy reveals a culture in turmoil, where tradition is taken to cruel extremes and young lovers may not survive.
- Camels carry a bride to her groom's house; he is a wealthy tofu maker and the bride's father is in debt to him. Leading the caravan is Kui, a strong, courageous, and naive peasant. Bandits intercept them and carry off the bride. Kui follows: two days later, at the bandits' stronghold, he seeks her return. The gang lord tests Kui then grants his wish. The groom, meanwhile, has died in an accident preparing to give chase. His iron-willed mother orders the wedding to proceed, and she marries the bride to a wooden pole resembling her son. The bride chaffs at this prison, and after a year, brings Kiu to her bed. Kiu is cast out and she is severely punished. Does Kiu have any options?—<jhailey@hotmail.com>
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