Directed by
| Barry J. Hershey | ||
Writing Credits (in alphabetical order)
| R. Buckingham | ||
| Barry J. Hershey | ||
Cast (in credits order) complete, awaiting verification
Produced by
| William Dance | ... | producer |
| David D. Johnson | ... | producer |
| Jay Roach | ... | producer |
Music by
| John Frizzell | ||
Cinematography by
| Frederick Elmes | ||
Editing by
| Marc Grossman | ||
Casting By
| Judy Courtney | ||
Production Design by
| Tim Colohan | ||
Art Direction by
| Mark Worthington | ||
Costume Design by
| Melinda Eshelman | ||
Production Management
| Steven Kaminsky | ... | additional post-production supervisor |
Second Unit Director or Assistant Director
| Chris Edmonds | ... | first assistant director |
| Michelle Edmonds | ... | second assistant director |
Art Department
| Gert Broekema | ... | property master: second unit |
| Stoney Emshwiller | ... | set dresser |
| Philip Mayor | ... | storyboard artist |
| Gay Perello | ... | property master |
| Drew Schultz | ... | Propmaker |
Sound Department
| Laura Harris Atkinson | ... | dialogue editor (as Laura R. Harris) |
| Dino Dimuro | ... | sound effects editor |
| Ezra Dweck | ... | re-recording mixer |
| Matthew Iadarola | ... | supervising re-recording mixer |
| David Kneupper | ... | sound designer / supervising sound editor |
| Peter J. Lehman | ... | sound effects editor |
| Ken McLaughlin | ... | production sound mixer |
| Glenn T. Morgan | ... | supervising sound editor |
| Rick Morris | ... | sound editor |
| Patrick Orsbun | ... | boom operator |
| James Wright | ... | stereo sound consultant: Dolby |
| Bill Meadows | ... | sound recordist (uncredited) |
Special Effects by
| Joel P. Blanchard | ... | special effects foreman |
| Dean W. Miller | ... | special effects coordinator |
Visual Effects by
| David D. Johnson | ... | visual effects supervisor |
| Steve Koch | ... | miniatures |
| Don Lee | ... | digital compositor |
| Fred Manchento | ... | specialty technician |
Stunts
| John-Clay Scott | ... | stunt coordinator |
Camera and Electrical Department
| Bonnie Blake | ... | first assistant camera (as Bonnie S. Blake) |
| Sandra Chandler | ... | additional camera operator |
| Matthew Dorsey | ... | electrician |
| Tom Houghton | ... | director of photography: second unit |
| Troy Hovick | ... | best boy grip: troi wilson |
| Michael Katz | ... | gaffer |
| William Robinson | ... | assistant camera |
| Mike Savage | ... | grip |
| Michael Shore | ... | key grip |
| R. Michael Stringer | ... | grip |
| Brooks Tomb | ... | best boy electric |
| Brian 'Wheat' Villegas | ... | rigging best boy |
Editorial Department
| William Dance | ... | editor: projection sequences |
Music Department
| Richard Bronskill | ... | orchestrator |
| Brent Brooks | ... | music editor |
| Daniel Gaber | ... | music editor |
| David G. Russell | ... | orchestrator |
| Rick Winquest | ... | music scoring mixer |
Script and Continuity Department
| Ronit Ravich-Boss | ... | script supervisor |
Additional Crew
| Jamie Lynn Arsenault | ... | production coordinator |
| Robert Easton | ... | dialogue coach |
| Cynthia Phillips | ... | first assistant accountant |
| Rachel E. Prentiss | ... | production accountant |
